A reflection on our lifestylehttps://vopus.org/wp-content/uploads/2023/09/una-reflexion-sobre-nuestro-estilo-de-vida-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
In this way the human race has lost its status as a thinking creature endowed with metaphysical faculties latent in its depths, to end up being a larva that walks but goes nowhere.
Perspectives on magichttps://vopus.org/wp-content/uploads/2023/09/perspectivas-sobre-la-magia-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
According to historians, it is a work of theosophical character that contains various themes of natural philosophy and esotericism, taking elements from Kabbalah and Hermeticism.
The four Tetrasustainershttps://vopus.org/wp-content/uploads/2023/09/los-cuatro-tetrasustentadores-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
It is important to note that the word tetrasustainers must be interpreted as ‘the four who sustain’… And what do they sustain? Answer: Nothing less and nothing more than our Universe.
The alchemical mystery of the jesterhttps://vopus.org/wp-content/uploads/2023/09/el-misterio-alquimico-del-bufon-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am pleased to send you all a very interesting comment about the figure who in medieval times was called the JESTER.
Tree of light and darknesshttps://vopus.org/wp-content/uploads/2023/08/arbol-de-la-luz-y-de-la-oscuridad-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
First of all, appreciated reader, we must say that this illustration appears in the book entitled Studium Universale, written by Valentine Weigel, who was a German philosopher, writer and mystic from Saxony and, according to some, a precursor of Theosophy.
Temptation of the idlerhttps://vopus.org/wp-content/uploads/2023/08/la-tentacion-del-ocioso-albert-durero-default.jpg364257V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
En el mismo se aprecia que, ciertamente, estos artistas, independientemente de ser grandes exponentes del arte, tenían grandes inquietudes místicas sobre el destino del hombre en su estancia en la tierra. Por ello, el título de este grabado viene a ser, según el artista…
Allegory of transience or allegory of what is ephemeralhttps://vopus.org/wp-content/uploads/2023/07/grabado-alegoria-de-lo-efimero.jpg14001150V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I approach you on this occasion to make you take part of the content of the present engraving that bears the title…
…ALLEGORY OF TRANSIENCE OR ALLEGORY OF WHAT IS EPHEMERAL
The soul, tied to a yoke, moving the stone of a mill or oil millhttps://vopus.org/wp-content/uploads/2023/07/el-alma-atada-a-un-yugo-moviendo-la-piedra-de-un-molino-o-almazara-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
Tomo la pluma para dirigirme a vosotros y, en esta oportunidad, para hablaros de dos grabados ─similares─ y que son originarios del libro Pia Desideria. En ambos se trata del alma, atada a un yugo, moviendo la piedra de un molino o almazara
Child with bow and arrow and all-seeing eye of Godhttps://vopus.org/wp-content/uploads/2023/07/nino-con-arco-y-flecha-y-ojo-de-dios-que-todo-lo-ve-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
It was one of the most pious works known in seventeenth-century Europe. The central theme of these works was always divine love and the human soul, and many authors claim that the artist always liked to represent these virtues in childlike forms, whether associating their engravings with Eros Cupid or with the baby Jesus.
Saint Bartholomew the Apostlehttps://vopus.org/wp-content/uploads/2023/06/san-bartolome-apostol.jpg11341019V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
One of those men whom history now calls Apostles was, precisely, a disciple of the Great Kabir of Galilee who is remembered as Saint Bartholomew the Apostle…
The great columnhttps://vopus.org/wp-content/uploads/2023/06/la-gran-columna-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
First of all, allow me to make a brief review of the artist of this magnificent engraving, The great column, and which has been none other than Albrecht Dürer.
The sense of tastehttps://vopus.org/wp-content/uploads/2023/06/sentido-del-gusto-adriaen-collaert.jpg1142942V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The present artistic work is in direct relation to one of the five senses of our organic machine. First we see in it a beautiful lady who carries in her right hand the horn of the goddess Amalthea, which means material or spiritual abundance.
