The sense of tastehttps://vopus.org/wp-content/uploads/2023/06/sentido-del-gusto-adriaen-collaert.jpg1142942V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The present artistic work is in direct relation to one of the five senses of our organic machine. First we see in it a beautiful lady who carries in her right hand the horn of the goddess Amalthea, which means material or spiritual abundance.
The sense of touchhttps://vopus.org/wp-content/uploads/2023/06/el-sentido-del-tacto.jpg1181989V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
In the main scene we can see a lady reclining on the tree of life ─the BEING─ and pointing with her right hand to a spider’s web, while with her left she holds a bird. This lady is sitting on a rock representative of the stone of stumbling and rock of scandal ─sexuality─ as Saint Paul so well described it.
Odoratvs- The sense of smellhttps://vopus.org/wp-content/uploads/2023/06/odoratvs-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The sense of smell [Olfaction], dear friends, also has a profound significance in the mysteries. In addition to allowing us to grasp the smells of Mother Nature, it would moreover allow us to perceive other fragrances that correspond to the superior worlds, once we have been properly educated.
The Mystery of the Most Holy Trinityhttps://vopus.org/wp-content/uploads/2023/05/el-misterio-de-la-santisima-trinidad-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
Para nosotros los gnósticos este grabado posee una importancia trascendental, pues nos permite concebir aquello que para las iglesias católica y ortodoxa fue calificado como dogma de fe.
To enter into the subject matter, I have to tell you that on this occasion the artist wanted to refer to the auditory faculty, once again indicated as a human quality and therefore represented in the form of a beautiful woman.
The contradictions of the animal Egohttps://vopus.org/wp-content/uploads/2023/05/las-contradicciones-del-ego-animal-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
To study this magnificent engraving, first of all we have to say that it was created between the years 1575-1618 and is found in the Rijksmuseum, located in the city of Amsterdam ─Holland─.
The God Phaneshttps://vopus.org/wp-content/uploads/2023/04/el-dios-fanes-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
Esteemed readers, I show you here two images: a 16th century drawing by Francesco de Rossi ─Italian painter, 1510-1563─, in which Phanes appears as a hermaphrodite deity, as described by ancient Roman texts, and a Roman high relief.
This engraving was made by an artist named Hieronymus Wierix, who lived in Antwerp ─Belgium. The harshest reality tells us that our life is a pilgrimage that begins precisely in our childhood…
The psychological obsessions of some companionshttps://vopus.org/wp-content/uploads/2023/03/las-obsesiones-psicologicas-de-algunos-hermanos-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
For us to come to know TRUE LOVE we urgently need to DIE IN OURSELVES. The death of the “I” then allows the flower of legitimate love to appear in our lives and we come to know the reality of that feeling.
Why is the phenomenon of death so intimidating to us in the Western world?https://vopus.org/wp-content/uploads/2023/02/por-que-nos-arredra-tanto-el-fenomeno-de-la-muerte-en-el-mundo-occidental-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am writing you a few lines about a question that deserves to be answered: Why is the phenomenon of death so intimidating to us in the Western world?
