I am pleased to send you all a very interesting comment about the figure who in medieval times was called the JESTER.
I send you this beautiful engraving that appears on the frontispiece of a work called NUMEROLOGY OF NATURE
First of all, appreciated reader, we must say that this illustration appears in the book entitled Studium Universale, written by Valentine Weigel, who was a German philosopher, writer and mystic from Saxony and, according to some, a precursor of Theosophy.
I want to show you, on this occasion, a very ancient sculpture that responds to the name of Glykon
En el mismo se aprecia que, ciertamente, estos artistas, independientemente de ser grandes exponentes del arte, tenían grandes inquietudes místicas sobre el destino del hombre en su estancia en la tierra. Por ello, el título de este grabado viene a ser, según el artista…
Tomo la pluma para dirigirme a vosotros y, en esta oportunidad, para hablaros de dos grabados ─similares─ y que son originarios del libro Pia Desideria. En ambos se trata del alma, atada a un yugo, moviendo la piedra de un molino o almazara
It was one of the most pious works known in seventeenth-century Europe. The central theme of these works was always divine love and the human soul, and many authors claim that the artist always liked to represent these virtues in childlike forms, whether associating their engravings with Eros Cupid or with the baby Jesus.
One of those men whom history now calls Apostles was, precisely, a disciple of the Great Kabir of Galilee who is remembered as Saint Bartholomew the Apostle…
First of all, allow me to make a brief review of the artist of this magnificent engraving, The great column, and which has been none other than Albrecht Dürer.
The present artistic work is in direct relation to one of the five senses of our organic machine. First we see in it a beautiful lady who carries in her right hand the horn of the goddess Amalthea, which means material or spiritual abundance.
