First of all, it is necessary that you know that this engraving is part of the same book that was called Perspective on magic, written by Karl Von Eckartshausen, who lived between 1752 and 1803.
To begin with, we have to say that obelisks were first shown as part of Egyptian architecture. They, the Egyptians, direct descendants of the Atlanteans, arrived in the lands of Cairona and there they began to lay the foundations of what would later be a great empire of both light and great architectural imagery.
Enigmas of symbology
I am pleased to send you, on this occasion, another engraving by Karl Von Eckartshausen, which was published in 1790, two years after the first edition. Enigmas of symbology
The four Tetrasustainers
It is important to note that the word tetrasustainers must be interpreted as ‘the four who sustain’… And what do they sustain? Answer: Nothing less and nothing more than our Universe.
The alchemical mystery of the jester
I am pleased to send you all a very interesting comment about the figure who in medieval times was called the JESTER.
Numerology of Nature
I send you this beautiful engraving that appears on the frontispiece of a work called NUMEROLOGY OF NATURE
Tree of light and darkness
First of all, appreciated reader, we must say that this illustration appears in the book entitled Studium Universale, written by Valentine Weigel, who was a German philosopher, writer and mystic from Saxony and, according to some, a precursor of Theosophy.
I want to show you, on this occasion, a very ancient sculpture that responds to the name of Glykon
En el mismo se aprecia que, ciertamente, estos artistas, independientemente de ser grandes exponentes del arte, tenían grandes inquietudes místicas sobre el destino del hombre en su estancia en la tierra. Por ello, el título de este grabado viene a ser, según el artista…
Allegory of transience or allegory of what is ephemeral
I approach you on this occasion to make you take part of the content of the present engraving that bears the title…
…ALLEGORY OF TRANSIENCE OR ALLEGORY OF WHAT IS EPHEMERAL