I am pleased to send you this engraving entitled: Cognitio. The scene, allegorical and mythological, shows us the seat of the nine muses on Mount Helicon, presided over by the Gods Apollo ─identified by his luminous aura and his harp─ and Pallas Athena ─who appears in the upper left corner on a cloud, with a helmet and a spear.
I share with you these new clarifications on eternal Gnostic concepts: What are the gunas? What are the tattvas? What is Totemism? What is the firmament as mentioned in the Bible, in Genesis? etc.
“Finitum producit infinitum” (The finite produces the infinite)https://vopus.org/wp-content/uploads/2026/03/finitum-producit-infinitum-jakob-bornitz-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
We can see a cloth on which musical notes are written, giving us to understand that the basis of creation lies in them and in the octaves that we can perceive. This is one of the mysteries that surround the THEOMEGALOGOS Himself.
Mercury and Virtuehttps://vopus.org/wp-content/uploads/2026/03/mercurio-y-la-virtud-dosso-dossi-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am pleased to bring you, on this occasion, this beautiful artistic work by the Italian Renaissance painter Dosso Dossi (1489-1542). The painting is preserved in the Royal Castle of Wawel, Krakow.
Revelations about the mysteries of the tinctures of the seven metalshttps://vopus.org/wp-content/uploads/2026/02/revelaciones-sobre-los-misterios-de-las-tinturas-jean-brouaut-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The cover depicts Basil Valentine and Hermes Trismegistus with alchemical and musical instruments; twelve woodcuts within the text that show alembics and various alchemical tools; an engraving by Senlecque with seven emblematic medallions and at the end an alchemical drawing in the form of a shield.
“Symbola divina & humana pontificum, imperatorum, regum” (Divine and human symbols of pontiffs, emperors and kings)https://vopus.org/wp-content/uploads/2026/01/sImbolos-divinos-y-humanos-de-pontIfices-emperadores-y-reyes-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am sending you an image that appears in the book Symbola divina & humana pontificum, imperatorum, regum ─’DIVINE AND HUMAN SYMBOLS OF PONTIFFS, EMPERORS AND KINGS’─ published in 1601 in Prague.
Dear Master, please allow me to ask you a few questions. Although these are things that you have already explained several times, it would help me to review and receive more food for thought from you.
“Virtute duce comite fortuna” (With virtue as a guide, with luck as a companion)https://vopus.org/wp-content/uploads/2026/01/virtud-como-guia-suerte-como-companera-gabriel-rollenhagen-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
We must mortify and decompose this earth, which amounts to killing the griffin and fishing the fish, or separating the fire from the earth, the subtle from the gross, “gently, with great skill and prudence”, as Hermes teaches in his Emerald Tablet.
The importance of sanctityhttps://vopus.org/wp-content/uploads/2025/12/la-importancia-de-la-santidad-kwen-khan-khu.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
In this message I intend to send you some quotations by our beloved Guru, V.M. Samael Aun Weor, accompanied also by some others that I have poured into several of my works, on the Importance of sanctity.
We could conclude the following about the two couples mentioned above: terror makes us flee, but modesty contains that impetus of fear, indolence limits action, but it has to stop when poverty, which is a consequence of indolence itself, forces us to act.
It is the frontispiece of a book published in 1690 in London and entitled Aphorismi Urbigerani. This engraving takes us back again to the study of the Sacred ARCANUM A.Z.F. and its alchemical concomitances.
The “I” of victimismhttps://vopus.org/wp-content/uploads/2025/11/el-yo-del-victimismo-kwen-khan-khu.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The “I” of victimism is something that is born in the mind and then passes to the emotional center, which transforms it into us being people who suffer… The “I” of victimism makes us feel that we are carrying a cross…, a utopian cross, because it makes us feel self-sacrificing. And, of course, they are all aspects of the same “I” of victimism.
