“Ars nostro spernitur ævo” ([Hermetic] art is despised in our age)https://vopus.org/wp-content/uploads/2026/05/el-arte-hermetico-es-despreciado-en-nuestra-epoca-daniel-meisner-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The central figure is an old man, a scholar or artist, walking and carrying on his back a huge basket full of instruments and tools: a compass, a square, a ruler, an ancient astronomical instrument that resembles a cross and that is used to calculate the distance between two celestial bodies, a globe of the Earth, etc. etc.
This engraving was made by the German artist Wolfgang Kilian and was published in an alchemical and medical book written by the German physician Malachias Geiger entitled Microcosmus Hypochondriaca Tractatus (1652) ‘The Hypochondriac Microcosm on Hypochondriac Melancholy’.
“Omnia mercurio, sulphure et sale” (All things exist through Mercury, Sulphur and Salt)https://vopus.org/wp-content/uploads/2026/04/todas-las-cosas-existen-por-medio-de-mercurio-azufre-y-sal-jacob-bornitz-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am sending you this engraving which is the forty-fifth emblem of the book Emblematum sacrorum et civilium miscellaneorum ─’Various Sacred and Civil Emblems’─, written by Jacob Bornitz.
“Finitum producit infinitum” (The finite produces the infinite)https://vopus.org/wp-content/uploads/2026/03/finitum-producit-infinitum-jakob-bornitz-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
We can see a cloth on which musical notes are written, giving us to understand that the basis of creation lies in them and in the octaves that we can perceive. This is one of the mysteries that surround the THEOMEGALOGOS Himself.
Revelations about the mysteries of the tinctures of the seven metalshttps://vopus.org/wp-content/uploads/2026/02/revelaciones-sobre-los-misterios-de-las-tinturas-jean-brouaut-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The cover depicts Basil Valentine and Hermes Trismegistus with alchemical and musical instruments; twelve woodcuts within the text that show alembics and various alchemical tools; an engraving by Senlecque with seven emblematic medallions and at the end an alchemical drawing in the form of a shield.
“Symbola divina & humana pontificum, imperatorum, regum” (Divine and human symbols of pontiffs, emperors and kings)https://vopus.org/wp-content/uploads/2026/01/sImbolos-divinos-y-humanos-de-pontIfices-emperadores-y-reyes-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am sending you an image that appears in the book Symbola divina & humana pontificum, imperatorum, regum ─’DIVINE AND HUMAN SYMBOLS OF PONTIFFS, EMPERORS AND KINGS’─ published in 1601 in Prague.
“Virtute duce comite fortuna” (With virtue as a guide, with luck as a companion)https://vopus.org/wp-content/uploads/2026/01/virtud-como-guia-suerte-como-companera-gabriel-rollenhagen-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
We must mortify and decompose this earth, which amounts to killing the griffin and fishing the fish, or separating the fire from the earth, the subtle from the gross, “gently, with great skill and prudence”, as Hermes teaches in his Emerald Tablet.
It is the frontispiece of a book published in 1690 in London and entitled Aphorismi Urbigerani. This engraving takes us back again to the study of the Sacred ARCANUM A.Z.F. and its alchemical concomitances.
