I want to show you, on this occasion, a very ancient sculpture that responds to the name of Glykon
Weekly messages from the International Coordinator of AGEAC, the V.M. Kwen Khan Khu.
En el mismo se aprecia que, ciertamente, estos artistas, independientemente de ser grandes exponentes del arte, tenían grandes inquietudes místicas sobre el destino del hombre en su estancia en la tierra. Por ello, el título de este grabado viene a ser, según el artista…
Allegory of transience or allegory of what is ephemeral
I approach you on this occasion to make you take part of the content of the present engraving that bears the title…
…ALLEGORY OF TRANSIENCE OR ALLEGORY OF WHAT IS EPHEMERAL
The soul, tied to a yoke, moving the stone of a mill or oil mill
Tomo la pluma para dirigirme a vosotros y, en esta oportunidad, para hablaros de dos grabados ─similares─ y que son originarios del libro Pia Desideria. En ambos se trata del alma, atada a un yugo, moviendo la piedra de un molino o almazara
Angel chained to the world
On this occasion we enter into this engraving that was made in Antwerp ─Belgium─ in the year 1624. It was entitled: Angel chained to the world
Child with bow and arrow and all-seeing eye of God
It was one of the most pious works known in seventeenth-century Europe. The central theme of these works was always divine love and the human soul, and many authors claim that the artist always liked to represent these virtues in childlike forms, whether associating their engravings with Eros Cupid or with the baby Jesus.
Saint Bartholomew the Apostle
One of those men whom history now calls Apostles was, precisely, a disciple of the Great Kabir of Galilee who is remembered as Saint Bartholomew the Apostle…
First of all, allow me to make a brief review of the artist of this magnificent engraving, The great column, and which has been none other than Albrecht Dürer.
The present artistic work is in direct relation to one of the five senses of our organic machine. First we see in it a beautiful lady who carries in her right hand the horn of the goddess Amalthea, which means material or spiritual abundance.
In the main scene we can see a lady reclining on the tree of life ─the BEING─ and pointing with her right hand to a spider’s web, while with her left she holds a bird. This lady is sitting on a rock representative of the stone of stumbling and rock of scandal ─sexuality─ as Saint Paul so well described it.