The lament of Nature to the wandering alchemisthttps://vopus.org/wp-content/uploads/2023/12/el-lamento-de-la-naturaleza-contra-el-alquimista-errante-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
This work of art was created in the year 1516. It was the work of Jean Perreal of Paris.
The central part of this alchemical illustration shows us the Alchemist standing looking at Mercury, who is seated on a hearth, which in turn is part of a tree.
This artwork belongs to Giulio Bonasone, an Italian painter. As Mircea Eliade so well put it in one of his works: “Mythology is the true history, because behind it are the authentic realities but expressed in an enigmatic way”.
The misanthropehttps://vopus.org/wp-content/uploads/2023/12/el-misantropo-pieter-brueghel-portada.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
Dearly beloved companions of the path: I am pleased to send you an explanation about a painting created by the Flemish Renaissance artist named Pieter Brueghel the Elder. It is called: The Misanthrope
Saint Marinushttps://vopus.org/wp-content/uploads/2023/11/san-marinus-aldo-volpini-1.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
According to tradition, San Marino was founded by a Christian stonemason, Marinus the Dalmatian or Saint Marinus. This occurred between the years 275 and 366 AD.
The ecstasy of Saint Ceciliahttps://vopus.org/wp-content/uploads/2023/11/el-extasis-de-santa-cecilia-raffaello-sanzio-2.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The painting shows us Saint Cecilia, dressed in a beautiful golden robe, raising her eyes to the sky and holding an organ in her hands. The organ was a highly revered musical instrument during the Middle Ages and the Renaissance because the music that this instrument emits is very spiritual.
The monstrance of the gothic cathedral of St. Moritzhttps://vopus.org/wp-content/uploads/2023/11/la-custodia-de-la-catedral-gotica-de-st-moritz-kwen-khan-khu.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
Monstrance is the liturgical instrument that Catholic Christianity uses in its processions to show the power of the Holy Spirit. These types of instruments are very old and really belong to Gnosticism and not to Catholicism.
The sacred forces of God Motherhttps://vopus.org/wp-content/uploads/2023/10/las-fuerzas-sagradas-de-dios-madre-kwen-khan-khu-1.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am pleased, esteemed readers, to send you this sculpture made by an American artist named James Nathan Muir. We have named it as “The sacred forces of God Mother”
The soul, tied to a yoke, moving the stone of a mill or oil millhttps://vopus.org/wp-content/uploads/2023/07/el-alma-atada-a-un-yugo-moviendo-la-piedra-de-un-molino-o-almazara-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
Tomo la pluma para dirigirme a vosotros y, en esta oportunidad, para hablaros de dos grabados ─similares─ y que son originarios del libro Pia Desideria. En ambos se trata del alma, atada a un yugo, moviendo la piedra de un molino o almazara