The ecstasy of Saint Ceciliahttps://vopus.org/wp-content/uploads/2023/11/el-extasis-de-santa-cecilia-raffaello-sanzio-2.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The painting shows us Saint Cecilia, dressed in a beautiful golden robe, raising her eyes to the sky and holding an organ in her hands. The organ was a highly revered musical instrument during the Middle Ages and the Renaissance because the music that this instrument emits is very spiritual.
The monstrance of the gothic cathedral of St. Moritzhttps://vopus.org/wp-content/uploads/2023/11/la-custodia-de-la-catedral-gotica-de-st-moritz-kwen-khan-khu.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
Monstrance is the liturgical instrument that Catholic Christianity uses in its processions to show the power of the Holy Spirit. These types of instruments are very old and really belong to Gnosticism and not to Catholicism.
The appearance of the Sacred Firehttps://vopus.org/wp-content/uploads/2023/11/la-aparicion-del-fuego-sagrado-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The image shown in this engraving appeared on the first pages of a book entitled The First Part of the Curious School of Art and Work, published in 1696, Des curieusen Kunstund Weerck-Schul ester ─und anderer─. The artist of this engraving was Johann Kunckel, who lived between 1630 and 1703.
The sacred forces of God Motherhttps://vopus.org/wp-content/uploads/2023/10/las-fuerzas-sagradas-de-dios-madre-kwen-khan-khu-1.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am pleased, esteemed readers, to send you this sculpture made by an American artist named James Nathan Muir. We have named it as “The sacred forces of God Mother”
The tragedy of our psychic and physical negligencehttps://vopus.org/wp-content/uploads/2023/10/la-tragedia-de-nuestro-abandono-psiquico-y-fisico-kwen-khan-khu.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
Permitidme haceros llegar desde mi atalaya unas palabras acerca de La tragedia de nuestro abandono psíquico y físico.
Mystical nights or the key to the mysterieshttps://vopus.org/wp-content/uploads/2023/10/noches-misticas-o-la-clave-de-los-misterios-kwen-khan-khu.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I hasten to send you this engraving entitled Mystical nights or the key to the mysteries. This beautiful illustration shows us the search for our Philosopher’s Stone with many of its details.
The obeliskhttps://vopus.org/wp-content/uploads/2023/09/el-obelisco-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
To begin with, we have to say that obelisks were first shown as part of Egyptian architecture. They, the Egyptians, direct descendants of the Atlanteans, arrived in the lands of Cairona and there they began to lay the foundations of what would later be a great empire of both light and great architectural imagery.
Enigmas of symbologyhttps://vopus.org/wp-content/uploads/2023/09/enigmas-de-la-simbologia-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am pleased to send you, on this occasion, another engraving by Karl Von Eckartshausen, which was published in 1790, two years after the first edition. Enigmas of symbology
The danger of losing our ethical values until becoming animal-like creatureshttps://vopus.org/wp-content/uploads/2023/08/el-peligro-de-perder-nuestros-valores-eticos-hasta-convertirnos-en-criaturas-animaloides-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
When we try to remember and compare our present with our past we realize that, certainly, through the way of living that exists in our days we have been losing a great many values over time, and this has dragged us toward an enormously superfluous, artificial life devoid of transcendental things.
A reflection on our lifestylehttps://vopus.org/wp-content/uploads/2023/09/una-reflexion-sobre-nuestro-estilo-de-vida-kwen-khan-khu.png850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
In this way the human race has lost its status as a thinking creature endowed with metaphysical faculties latent in its depths, to end up being a larva that walks but goes nowhere.
