Monstrance is the liturgical instrument that Catholic Christianity uses in its processions to show the power of the Holy Spirit. These types of instruments are very old and really belong to Gnosticism and not to Catholicism.
The appearance of the Sacred Fire
The image shown in this engraving appeared on the first pages of a book entitled The First Part of the Curious School of Art and Work, published in 1696, Des curieusen Kunstund Weerck-Schul ester ─und anderer─. The artist of this engraving was Johann Kunckel, who lived between 1630 and 1703.
Mystical nights or the key to the mysteries
I hasten to send you this engraving entitled Mystical nights or the key to the mysteries. This beautiful illustration shows us the search for our Philosopher’s Stone with many of its details.
The secret candelabrum
First of all, it is necessary that you know that this engraving is part of the same book that was called Perspective on magic, written by Karl Von Eckartshausen, who lived between 1752 and 1803.
Enigmas of symbology
I am pleased to send you, on this occasion, another engraving by Karl Von Eckartshausen, which was published in 1790, two years after the first edition. Enigmas of symbology
The alchemical mystery of the jester
I am pleased to send you all a very interesting comment about the figure who in medieval times was called the JESTER.
Angel chained to the world
On this occasion we enter into this engraving that was made in Antwerp ─Belgium─ in the year 1624. It was entitled: Angel chained to the world
The transcendence of the sense of sight
With immense pleasure I send you one of the five engravings that I am sending you gradually and that are related to the five senses that our organic machine possesses.
Avditvs ─‘the hearing’─
To enter into the subject matter, I have to tell you that on this occasion the artist wanted to refer to the auditory faculty, once again indicated as a human quality and therefore represented in the form of a beautiful woman.
Esteemed readers, I show you here two images: a 16th century drawing by Francesco de Rossi ─Italian painter, 1510-1563─, in which Phanes appears as a hermaphrodite deity, as described by ancient Roman texts, and a Roman high relief.