To experience the CHRISTIC LOVE we will need to be betrayed ─hence the bag of coins that appears in the Christic garden─, we will need to experience the three nails of the Redeemer’s cross, we will suffer the crown of thorns ─internally speaking─, we will be victims of the insolence of the Ego ─see the whip─, we will have to acquire the Christic will ─marked by the hammer─, etc., etc., etc.
We see in the center of it a winged female figure on an anchor, with a laurel wreath on her head, sowing wheat and pointing to the sky. She is the VIRGIN MOTHER NATURE ─that is why she wears laurels on her head─ and at her feet the ANCHOR that, in addition to allegorizing the three primary forces, represents in Masonry the end of the hermetic work.
“Speculum sophicum rhodostauroticum” (Mirror of Rosicrucian wisdom)
I am pleased to send you this engraving entitled: “Speculum sophicum rhodostauroticum” (Mirror of Rosicrucian wisdom). The book was signed with the name Theophilus Schweighardt Constanties.
I am sending you this image of the God Mercury, bas-relief in the Chapel of the Zodiac of the Malatestian Temple in Rimini, Italy. The author is the Italian sculptor Agostino di Duccio (1418-1481).
“Nicomaxia vitae” (The victorious battle of life)
The title of our engraving invites us to fight for our lives, to fight for our Christ, and the Latin words, translated, tell us that everything is, in truth, an absolute vanity…
The foolish world prefers the temporary good
The character who gives his heart is the so-called foolish world ─humanity in general─, who, in addition to having his psyche always bottled up in various stupidities that the Mayavic illusion provides him, wears glasses trying to correct his myopia, but they are of no use to him.
A man prays to the Consciousness
The first engraving with its Latin phrases/sentences takes us to self-analysis for us to realize that, certainly, the Ego has its nooks and crannies, its recesses where it usually hides to continue bothering us with its psychological tricks.
“Tolerantia in adversis adfert notionem dei” (Tolerance in adversity produces knowledge of God)
Estos grabados pertenecen a una serie de 14 dibujos llamada La Escalera de Jacob o La alegoría del camino a la salvación eterna, impresos por Dirck Volckertszoon en 1550. Los grabados llevan la firma del pintor neerlandés Maarten Van Heemskerck como su creador.
“Laboratorium chymicorum vulgarium” (Laboratory of the common chemists)
This precious engraving, dear readers, is a call that this Slovenian Adept has made to all seekers who continue to pretend that the Golden Fleece is a material object, forgetting that it refers to that most sacred part that we call in Gnosis the intimate Christ.
“Elapsvm tempvs et occasionem inseqvvntur, non asseqvvntvr” (Time fled and opportunity is pursued but not attained)
This ninth engraving describes the desperate situation of those who realize they have missed the right opportunity: ELAPSVM TEMPVS ET OCCASIONEM INSEQVVNTUR, NON ASSEQVVNTVR, ‘Fleeing time and opportunity are pursued but not reached/attained’.