VOPUS Gnosis > Messages from the V.M. Kwen Khan Khu

Weekly messages from the International Coordinator of AGEAC, the V.M. Kwen Khan Khu.

The weighing of the worlds, Robert Fludd

The weighing of the worlds
V.M. Kwen Khan Khu
The weighing of the worlds 850 480 V.M. Kwen Khan Khu

This beautiful engraving appears before our eyes to show us the balance of dimensions and worlds in interstellar space. That is why it is called the “Weighing of the Worlds.” That is, it shows how the Architect of the Universe considers that the energies of the Cosmos are distributed, and does so through a scale that designates where the superior energies are and where the inferior ones are.

The Angel-Guardian’s Clock, Jeremías Drexel

“Horologium auxiliaris tutelaris angeli” (The Angel-Guardian’s Clock)
V.M. Kwen Khan Khu
“Horologium auxiliaris tutelaris angeli” (The Angel-Guardian’s Clock) 850 480 V.M. Kwen Khan Khu

Unquestionably, all of us who try to live the Secret Path that Gnosis teaches us, must be very clear about the immediate need to know how to pray, to know how to live and to know how to die.

The perfect mind, Nag Hamadi

The perfect mind (Nag Hamadi)
V.M. Kwen Khan Khu
The perfect mind (Nag Hamadi) 850 480 V.M. Kwen Khan Khu

It is with immense pleasure that I send you a Gnostic poem entitled The perfect mind. It was found among the Nag Hamadi manuscripts. The one who speaks in this poem is the divine SOPHIA, the soul that was sent from the AIN and that, having fallen, seeks to return to its origins.

Diplomacy, VM Kwen Khan Khu

Diplomacy
V.M. Kwen Khan Khu
Diplomacy 850 480 V.M. Kwen Khan Khu

Diplomacy is certainly a virtue that prevents the expression of pride, arrogance, anger, intolerance and self-love.

In which Nature represents eternity, Jeremías Drexel

“Consideratio segunda” (SECOND CONSIDERATION. In which Nature represents eternity)
V.M. Kwen Khan Khu
“Consideratio segunda” (SECOND CONSIDERATION. In which Nature represents eternity) 850 480 V.M. Kwen Khan Khu

The present engraving, in addition to its beauty, reminds us of the archetypes linked to eternity that we find in the sacred scriptures of all times.

Allegory of chastity, Lorenzo Lotto

Allegory of chastity
V.M. Kwen Khan Khu
Allegory of chastity 850 480 V.M. Kwen Khan Khu

I am glad to send you this oil painting by an artist named Lorenzo Lotto, from the time of 1505. This work is preserved in the National Gallery of Art in Washington.
The title of this artistic work is Allegory of chastity or Allegory of the Vigilant Sleep of the Soul

Mystical enthusiasm, VM Kwen Khan Khu

Mystical enthusiasm
V.M. Kwen Khan Khu
Mystical enthusiasm 850 480 V.M. Kwen Khan Khu

Mystical enthusiasm is a basic ingredient in the permanent search for the BEING.
It is such enthusiasm that opens to us the doors of ideas, superior archetypes, the COMPREHENSION of the Gnostic work and the corresponding continuity of purposes.

Allegory of the hunt, Giorgio Ghisi

Allegory of the hunt
V.M. Kwen Khan Khu
Allegory of the hunt 850 480 V.M. Kwen Khan Khu

Dear readers, regardless of whether you want to see the goddess Diana associated in this engraving in the company of another deity, what does interest us in Gnosis is the relationship of the chaste Diana with our Divine Mother and the enormous work of hunting down our innumerable psychological aggregates that we carry in our psychic entrails.

Why a root in the middle of the heart, Morosophie, Guillaume la Perriere

“Cur cordis medio radix” (Why a root in the middle of the heart?)
V.M. Kwen Khan Khu
“Cur cordis medio radix” (Why a root in the middle of the heart?) 850 480 V.M. Kwen Khan Khu

This engraving is emblem 97 of the book Morosophie ─1553─, written by Guillaume la Perriere (1499-1554), a French humanist and writer.

The Chimera of Arezzo, Florence

The Chimera of Arezzo
V.M. Kwen Khan Khu
The Chimera of Arezzo 850 480 V.M. Kwen Khan Khu

This sculpture, of Etruscan origin, is made of bronze and is estimated to have been made around 400 BC near the city of Arezzo ─Italy─, where it was found in 1553. It measures 129 cm in length and is 78 cm high. It is currently in the National Archaeological Museum of Florence.

What are you looking for? Type it here