Revelations about the mysteries of the tinctures of the seven metalshttps://vopus.org/wp-content/uploads/2026/02/revelaciones-sobre-los-misterios-de-las-tinturas-jean-brouaut-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
The cover depicts Basil Valentine and Hermes Trismegistus with alchemical and musical instruments; twelve woodcuts within the text that show alembics and various alchemical tools; an engraving by Senlecque with seven emblematic medallions and at the end an alchemical drawing in the form of a shield.
“Symbola divina & humana pontificum, imperatorum, regum” (Divine and human symbols of pontiffs, emperors and kings)https://vopus.org/wp-content/uploads/2026/01/sImbolos-divinos-y-humanos-de-pontIfices-emperadores-y-reyes-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I am sending you an image that appears in the book Symbola divina & humana pontificum, imperatorum, regum ─’DIVINE AND HUMAN SYMBOLS OF PONTIFFS, EMPERORS AND KINGS’─ published in 1601 in Prague.
“Virtute duce comite fortuna” (With virtue as a guide, with luck as a companion)https://vopus.org/wp-content/uploads/2026/01/virtud-como-guia-suerte-como-companera-gabriel-rollenhagen-default.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
We must mortify and decompose this earth, which amounts to killing the griffin and fishing the fish, or separating the fire from the earth, the subtle from the gross, “gently, with great skill and prudence”, as Hermes teaches in his Emerald Tablet.
We could conclude the following about the two couples mentioned above: terror makes us flee, but modesty contains that impetus of fear, indolence limits action, but it has to stop when poverty, which is a consequence of indolence itself, forces us to act.
It is the frontispiece of a book published in 1690 in London and entitled Aphorismi Urbigerani. This engraving takes us back again to the study of the Sacred ARCANUM A.Z.F. and its alchemical concomitances.
“Non qvam crebro, sed qvam bene” (Not how often, but how well)https://vopus.org/wp-content/uploads/2025/10/non-qvam-crebro-sed-qvam-bene-nucleus-emblematum-selectissimorum.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
Os envío el vigésimo quinto emblema del libro Nucleus emblematum selectissimorum, ‘el núcleo de los emblemas más selectos’.
“DVRABO” (I will resist) and “VICTRIX PATIENTIA DVRI” (Patience is victorious in difficulties)https://vopus.org/wp-content/uploads/2025/10/dvrabo-y-victrix-patientia-dvri-gabriel-rollenhagen.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
I send you the twenty-sixth and twenty-eighth of a book of poems written by the same German poet Gabriel Rollenhagen. The book is entitled Nucleus emblematum selectissimorum, ‘The Nucleus of the Most Select Emblems’.
“NESCIT LABI VIRTUS” (Virtue does not know how to fall) and “QUOCUNQUE FERAR” (Wherever it is taken)https://vopus.org/wp-content/uploads/2025/09/nescit-labi-virtus-y-quocunque-ferar-selectorum-emblemata.jpg850480V.M. Kwen Khan KhuV.M. Kwen Khan Khuhttps://secure.gravatar.com/avatar/e832d7de00772123ef7f897d80b0841daa13143ee04fa7c99f7a066face011ef?s=96&d=mm&r=g
On this occasion I send you two emblems from the same book: Selectorum emblematum, with the text in Latin and Old French.
