{"id":42034,"date":"2025-10-07T20:56:13","date_gmt":"2025-10-07T23:56:13","guid":{"rendered":"https:\/\/vopus.org\/?p=42034"},"modified":"2025-10-15T19:25:53","modified_gmt":"2025-10-15T22:25:53","slug":"en-man-ber-till-sitt-medvetande","status":"publish","type":"post","link":"https:\/\/vopus.org\/sv\/en-man-ber-till-sitt-medvetande\/","title":{"rendered":"En man ber till Medvetandet"},"content":{"rendered":"\n<p>Mycket k\u00e4ra v\u00e4nner:<\/p>\n\n<p>Jag s\u00e4nder er denna gravyr utgiven av  Philip Galle \u25001537-1612\u2500 och som av n\u00e5gra historiker blev kallad\u2026<\/p>\n\n<h2 class=\"wp-block-heading has-text-align-center\">\u2026EN MAN BER TILL MEDVETANDET<\/h2>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img decoding=\"async\" width=\"480\" height=\"458\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/07\/un-hombre-reza-a-la-conciencia-philip-galle-480x458.jpg\" alt=\"En man ber till Medvetandet, Philip Galle\" class=\"wp-image-40824\" title=\"En man ber till Medvetandet, Philip Galle\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/07\/un-hombre-reza-a-la-conciencia-philip-galle-480x458.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/07\/un-hombre-reza-a-la-conciencia-philip-galle-960x916.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/07\/un-hombre-reza-a-la-conciencia-philip-galle-768x733.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/07\/un-hombre-reza-a-la-conciencia-philip-galle.jpg 800w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n<p>Jag \u00e5terger den text f\u00f6r er som framtr\u00e4der p\u00e5 latin och franska med deras m\u00f6jliga \u00f6vers\u00e4ttning.<\/p>\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Nempe mala occulto stabulant grauiora recessu&#013;\nIntus: ibi fastus, m\u0153ror, liuorq\u00fae malignus,&#013;\nTurpis auarita, ac persuasio credula, mens&#8217;que&#013;\nConscia, crudeli distringunt pectora plaga.<\/p>\n<\/blockquote>\n\n<p>\u00d6vers\u00e4ttning:<\/p>\n\n<p>\u2018F\u00f6rvisso bor ondskan i en dold tillflyktsort inuti oss: d\u00e4r st\u00f6r stolthet, sorg och ond avund, usel girighet och godtrogen \u00f6vertalning och det medvetna sinnet, k\u00e4nslorna med ett grymt s\u00e5r\u2019.<\/p>\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Or tous mes maux ne font qu\u00b4extreme dueil&#013;\nQu\u00b4vn cueur fidele endure en patience:&#013;\nMais le Remors l\u00b4ame afflige \u00e0 outrance,&#013;\nPar Auarice, Enuie, &amp; triste Orgueil.<\/p>\n<\/blockquote>\n\n<p>\u2018Men alla mina onda g\u00e4rningar orsakar en extrem sm\u00e4rta,&#013;\nsom ett troget hj\u00e4rta uth\u00e4rdar med t\u00e5lamod:&#013;\nMen \u00e5ngern pl\u00e5gar sj\u00e4len allt f\u00f6r mycket,&#013;\nP\u00e5 grund av Girigheten, l\u00e4ttjan och den sorgliga stoltheten\u2019.<\/p>\n\n<p>Bokst\u00e4ver p\u00e5 latin ovanf\u00f6r var och en av figurerna fr\u00e5n v\u00e4nster till h\u00f6ger:<\/p>\n\n<p><strong><em>Auaritia<\/em>: <\/strong>Girighet.&#013;\n<strong><em>Conscientia<\/em>: <\/strong>Medvetande.&#013;\n<strong><em>Opinio<\/em>: <\/strong>Felaktig trosf\u00f6rest\u00e4llning.&#013;\n<strong><em>Homo<\/em>: <\/strong>M\u00e4nniska.&#013;\n<strong><em>Inuidia<\/em>: <\/strong>Avund.&#013;\n<strong><em>Tristitia<\/em>: <\/strong>Sorg.&#013;\n<strong><em>Superbia<\/em>: <\/strong>H\u00f6gmod.<\/p>\n\n<p>Den andra gravyren fick namnet fr\u00e5n dess uppfinnare, Maarten van Heemskerck\u2026<\/p>\n\n<h2 class=\"wp-block-heading has-text-align-center\"><em>\u2026SUI NOTITIA HORRORES CONSCIA INCUTIT&#013;\n<\/em>\u2500\u2018Den medvetna sj\u00e4lvk\u00e4nnedomen framkallar medvetna fasor\u2019\u2500<\/h2>\n\n<p>Denna andra gravyr gjordes av Maarten Van Heemskerck och utg\u00f6r en del av en serie av fjorton gravyrer utgivna av Dirck Volckertszoon Coornhert en 1550 med namnet: <em>Jakobs stege eller allegori av v\u00e4gen till den eviga fr\u00e4lsningen.<\/em><\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img decoding=\"async\" width=\"480\" height=\"749\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/07\/el-autoconocimiento-consciente-provoca-horrores-conscientes-maarten-van-heemskerck-480x749.jpg\" alt=\"Den medvetna sj&#xE4;lvk&#xE4;nnedomen framkallar medvetna fasor, Maarten Van Heemskerck\" class=\"wp-image-40838\" title=\"Den medvetna sj&#xE4;lvk&#xE4;nnedomen framkallar medvetna fasor, Maarten Van Heemskerck\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/07\/el-autoconocimiento-consciente-provoca-horrores-conscientes-maarten-van-heemskerck.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/07\/el-autoconocimiento-consciente-provoca-horrores-conscientes-maarten-van-heemskerck-960x1498.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/07\/el-autoconocimiento-consciente-provoca-horrores-conscientes-maarten-van-heemskerck-768x1198.jpg 768w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n<p>Den nakna mannen ser sig sj\u00e4lv i en spegel espejo y har ett pl\u00e5goris i sina h\u00e4nder.<\/p>\n\n<p><strong>Analys<\/strong><strong>:<\/strong><\/p>\n\n<p>K\u00e4ra l\u00e4sare:<\/p>\n\n<p>Den f\u00f6rsta gravyren med sina latinska fraser leder oss till sj\u00e4lvanalysen f\u00f6r att inse att Egot, mycket riktig, har sina skrymslen, sina g\u00f6mst\u00e4llen d\u00e4r det brukar g\u00f6mma sig f\u00f6r att forts\u00e4tta besv\u00e4ra oss med sina psykologiska knep.<\/p>\n\n<p>I den f\u00f6rsta gravyren kan vi se hur JAGET tycker om att visa sig i grupp och attackera v\u00e5rt stackars psyke. D\u00e4r st\u00e5r de samlade, var och en med sin arrogans och of\u00e4rsk\u00e4mdhet, medan humanoiden inte vet vilken av dem han ska v\u00e4nda sig till.<\/p>\n\n<p>Den individ som b\u00e4r titeln <em><strong>HOMO<\/strong><\/em> \u00f6ver sig framtr\u00e4der n\u00e4r han ber den andra, som \u00e4r naken, och som vi h\u00e4r kallar <em><strong>CONSCIENTIA<\/strong><\/em>, om hj\u00e4lp f\u00f6r att lyckas f\u00f6rst\u00e5 sig sj\u00e4lv.<\/p>\n\n<p>Utan tvekan, som s\u00e5 v\u00e4l beskrivs i denna gravyr, orsakar alla dessa energetiska entiteter, intensiva, ibland outh\u00e4rdliga sm\u00e4rtor i v\u00e5rt andliga k\u00f6tt, och \u00e4ven om vi f\u00f6rs\u00f6ker vara t\u00e5lmodiga betyder det inte att \u00e5ngern inte sliter oss moraliskt i stycken.<\/p>\n\n<p>Den andra gravyren, som visar en naken man som tittar p\u00e5 sig sj\u00e4lv i en spegel, h\u00e4nvisar otvetydigt till behovet av att kl\u00e4 av oss psykologiskt f\u00f6r att n\u00e5 djupet av vad vi verkligen \u00e4r, det vill s\u00e4ga att uppt\u00e4cka v\u00e5ra svagheter f\u00f6r att kunna korrigera dem. P\u00e5 s\u00e5 s\u00e4tt n\u00e5r vi en<strong> sann identitet, en sann bild och sanna v\u00e4rden.<\/strong><\/p>\n\n<p>Jag \u00f6verl\u00e4mnar nu n\u00e5gra fraser att reflektera \u00f6ver:<\/p>\n\n<p><em><strong>\u00abAtt f\u00f6rsvara eller f\u00f6rneka v\u00e5ra brister n\u00e4r vi blir tillr\u00e4ttavisade \u00e4r att f\u00f6rst\u00e4rker dem\u00bb. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong><\/em>La Rochefoucauld<\/p>\n\n<p><strong><em>\u00abDen v\u00e4rsta av bristerna \u00e4r att tro sig vara fri fr\u00e5n dessa\u00bb.<\/em><\/strong>&#013;\nBottach<\/p>\n\n<p><strong><em>\u00abDen som st\u00e5r ut med mina brister \u00e4r min herre, \u00e4ven om han \u00e4r min tj\u00e4nare\u00bb.<\/em><\/strong>&#013;\nGoethe<\/p>\n\n<p><strong><em>\u00abIbland \u00e4r det mycket sv\u00e5rare att eliminera en enda brist \u00e4n att f\u00f6rv\u00e4rva hundra dygder\u00bb.<\/em><\/strong>&#013;\nLa Bruyere<\/p>\n\n<p><strong><em>\u00abI att vara svag ligger det \u00a0verkliga el\u00e4ndet\u00bb.<\/em><\/strong>&#013;\nMilton<\/p>\n\n<p class=\"has-text-align-center\"><strong><em>ARS MORIENDI.<\/em><\/strong>&#013;\n\u2500\u2018Konsten att d\u00f6\u2019\u2500.<\/p>\n\n<p><strong>KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Den f\u00f6rsta gravyren med dess fraser p\u00e5 latin leder oss till sj\u00e4lvanalysen f\u00f6r att inse att Egot, mycket riktigt, har sina skrymslen, sina g\u00f6mst\u00e4llen d\u00e4r det brukar g\u00f6mma sig f\u00f6r att forts\u00e4tta att besv\u00e4ra oss med sina psykologiska knep.<\/p>\n","protected":false},"author":16,"featured_media":40865,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[483,137,470],"tags":[1128,1300,1309,502,509,514],"contenido":[277],"fuente":[50],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[321],"class_list":["post-42034","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-universella-symboler","category-psykologi","category-meddelanden-vm-kwen-khan-khu","tag-sjalvobservation","tag-philip-galle-sv","tag-jakobs-stege","tag-simbolos-universales-sv","tag-psicologia-sv","tag-simbolismo-sv","contenido-artiklar","fuente-editorial","author_tax-v-m-kwen-khan-khu-sv"],"_links":{"self":[{"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/posts\/42034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/comments?post=42034"}],"version-history":[{"count":30,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/posts\/42034\/revisions"}],"predecessor-version":[{"id":42248,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/posts\/42034\/revisions\/42248"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/media\/40865"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/media?parent=42034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/categories?post=42034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/tags?post=42034"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/contenido?post=42034"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/fuente?post=42034"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/pilar?post=42034"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/fase?post=42034"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/conferencia?post=42034"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/read_online?post=42034"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/sv\/wp-json\/wp\/v2\/author_tax?post=42034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}