{"id":42911,"date":"2025-12-08T09:37:33","date_gmt":"2025-12-08T12:37:33","guid":{"rendered":"https:\/\/vopus.org\/?p=42911"},"modified":"2026-01-11T08:29:26","modified_gmt":"2026-01-11T11:29:26","slug":"strah","status":"publish","type":"post","link":"https:\/\/vopus.org\/sr\/strah\/","title":{"rendered":"\u00abTimiditas\u00bb (Strah)"},"content":{"rendered":"\n

Dragi prijatelji i \u010ditaoci:<\/p>\n\n

\u0160aljemo vam gravuru pod nazivom\u2026<\/p>\n\n

\u2026TIMIDITAS<\/em><\/strong>
\u2500\u2018Strah\u2019\u2500<\/h2>\n
\n
\""Timiditas",<\/figure><\/div>\n

Deo je serije koju je uredio Rafael Sadeler \u2500 1560-1628 \u2500 po crte\u017eu Martena de Vosa.<\/p>\n\n

Re\u010dnici obja\u0161njavaju da re\u010d TIMIDUS<\/em> poti\u010de od latinskog timeo<\/em><\/strong>, \u201epla\u0161iti se\u201c, i t\u0101s<\/em><\/strong>, \u0161to ukazuje na osobinu; stoga bi TIMIDITAS zna\u010dilo \u201ebiti u strahu, boja\u017eljiv\u201c.<\/p>\n\n

Tema na\u0161e gravure, kao i u drugim prilikama, jeste \u017eenskog roda, jer gravura predstavlja \u017eenu.<\/p>\n\n

Fraza na latinskom:<\/p>\n\n

Sub dumis latitans, macie confecta senesco,<\/em>
Exsangues languent venae, est cor pectoris expers,<\/em>
Ossa tremunt, omnique pauens impellor ab aura:<\/em>
Friget flamma animi, nec se ratio exerit usquam,<\/em>
Hinc me Terror agit pauidam Pudor inde retundit,<\/em>
Et lente adrepens, ferroque innixa lacertos<\/em>
Segnities, quae non dubiae mihi somnia fingit?<\/em>
Donec Pauperies rerum obruat omnium egentem.<\/em><\/pre>\n\n
Prevod: \u201eKriju\u0107i se ispod \u017ebunja, pro\u017ediran slabo\u0161\u0107u, starim, moje suve vene venu, moje srce je bez snage, moje kosti drhte, upla\u0161ena od svega [\u010dak] me povetarac vetra me natera da zadrhtim: plamen du\u0161e se ohladi i razum se nigde ne vidi. Zato me teror<\/strong> \u010dini u\u017easnutu. Zatim me smernost<\/strong> ko\u010di i, vuku\u0107i me polako, podr\u017eavaju\u0107i svojim gvozdenim rukama, lenjost<\/strong>, kakve fantazije mi ne izmi\u0161lja [koje su] sumnjive? Sve dok [me] siroma\u0161tvo<\/strong> ne optereti, \u010dine\u0107i me zavisnim od svega.\u201c<\/p>\n\n
Opis<\/strong><\/p>\n\n
Posmatraju\u0107i ovu gravuru, dragi \u010ditaoci, mo\u017eemo razmi\u0161ljati o \u010detiri slike likova koje sam istakao podebljanim slovima.<\/p>\n\n
Prvo, centralna figura je starica u veoma oskudnoj ode\u0107i. Teror<\/strong> predstavljaju dve \u017eene sa leve strane, koje be\u017ee; smernost<\/strong> ljudi u pozadini, koji deluju potpuno pokriveno, jer se verovatno mole. \u017dene sa desne strane predstavljaju lenjost<\/strong>. Jedna je vezana lisicama; druga hoda oslanjaju\u0107i se na gvozdeni predmet, koji zapravo nije \u0161tap, ve\u0107 ma\u010d koji koristi kao \u0161tap. U pozadini, blizu crkve, neki siroma\u0161ni ljudi prose hranu. Oni predstavljaju siroma\u0161tvo<\/strong>.<\/p>\n\n
\u0160ta su sve ove stvari, prijatelji?<\/p>\n\n
Pre svega, naglasimo da u centralnom delu ove gravure opa\u017eamo staricu u prili\u010dno pocepanoj ode\u0107i. To je ljudska priroda kada je ona zarobljenica psiholo\u0161kog AGREGATA STRAHA ili BOJAZNOSTI.Pre svega, naglasimo da u centralnom delu ove gravure opa\u017eamo staricu u prili\u010dno pocepanoj ode\u0107i. To je ljudska priroda kada je ona zarobljenica psiholo\u0161kog AGREGATA STRAHA ili BOJAZNOSTI.<\/p>\n\n
Ovu staricu okru\u017euje nekoliko \u017eivotinja, naime: sova, gavran, zec, je\u017e i salamander.<\/p>\n\n
Sova predstavlja, u simbolici, SAMOOPA\u017dANJE, a gavran nas poziva na unutra\u0161nju smrt, smrt na\u0161ih slabosti…<\/p>\n\n
Je\u017e ukazuje na na\u0161a stanja odbojnosti i strahovanja koja nas, na\u017ealost, prate u svakodnevnom \u017eivotu.<\/p>\n\n
Salamander nam pokazuje na\u0161e stalne strahove koji nas okru\u017euju, a zec, o\u010digledno, tako\u0111e predstavlja oblik na\u0161ih strahova.<\/p>\n\n
JA straha ili BOJAZNOSTI je vi\u0161estruk u na\u0161oj psihi i le\u017ei iza svake na\u0161e slabosti. Vidimo, na primer:<\/p>\n\n
JA pro\u017edrljivosti uvek jede jer se pla\u0161i da \u0107emo jednog dana ostati bez hrane \u2013 pretpostavke.<\/p>\n\n
JA bluda \u0107e uvek te\u017eiti da zadovolji sebe jer, prema njemu, ne smemo propustiti seksualne prilike, a to \u0107e nas u\u010diniti lenjim i slabim pred drugima.<\/p>\n\n
Bes \u0107e nas uvek terati da verujemo da ne smemo pokazivati slabost pred na\u0161im bli\u017enjima.<\/p>\n\n
Ponos ne \u017eeli da bude stavljen u drugi plan, uvek \u0107e \u017eeleti da se hvalimo svojim sposobnostima pred drugima.<\/p>\n\n
Zavist \u0107e nas naterati da verujemo da moramo da imitiramo druge kako bismo osigurali svoje mesto u dru\u0161tvu.<\/p>\n\n
Pohlepa nema granice i stalno opravdava potrebe koje NE POSTOJE. <\/p>\n\n
Lenjost se pojavljuje jer, prema njoj, moramo stalno da se odmaramo da bismo sa\u010duvali energiju, itd., itd., itd.<\/p>\n\n
Mogli bismo do\u0107i do slede\u0107eg zaklju\u010dka u vezi sa dva gore pomenuta para: teror nas tera da be\u017eimo, ali skromnost kontroli\u0161e ovaj impuls straha, lenjost ograni\u010dava na\u0161e postupke, ali mora prestati kada nas siroma\u0161tvo, koje je posledica lenjosti, primora da delujemo.<\/p>\n\n
Dodajem nekoliko fraza za va\u0161u refleksiju:<\/p>\n\n
\u00abStrah se \u010dita na licu.\u00bb<\/em><\/strong>
Seneka<\/p>\n\n
\u00abStrah je ja\u010di ose\u0107aj od ljubavi.\u00bb<\/em><\/strong>
Plinije mla\u0111i<\/p>\n\n
\u00abStrah je najignorantniji, najnepravedniji i najsuroviji od savetnika.\u00bb<\/em><\/strong>
Edmund Burke<\/p>\n\n
\u00abStrah je uvek spreman da vidi stvari gore nego \u0161to jesu.\u00bb<\/em><\/strong>
Tito Livio<\/p>\n\n
\u00abOnaj ko \u017eivi u strahu nikada ne\u0107e biti slobodan.\u00bb<\/em><\/strong>
Cicero<\/p>\n\n
MISEREOR.<\/em><\/strong>
\u2500\u2018Imam saose\u0107anje.\u2019\u2500<\/p>\n\n
KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"
Mogli bismo do\u0107i do slede\u0107eg zaklju\u010dka u vezi sa dva gore pomenuta para: teror nas tera da be\u017eimo, ali skromnost kontroli\u0161e ovaj impuls straha, lenjost ograni\u010dava na\u0161e postupke, ali mora prestati kada nas siroma\u0161tvo, koje je posledica lenjosti, primora da delujemo.<\/p>\n","protected":false},"author":4,"featured_media":42869,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[136,482,471],"tags":[1368,1369,1483,679,1055,1164],"contenido":[276],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[320],"class_list":["post-42911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-psihologija","category-univerzalni-simboli","category-poruke-vm-kwen-khan-khu","tag-maarten-de-vos","tag-raphael-sadeler","tag-strah","tag-mensajes-del-v-m-kwen-khan-khu-sr","tag-gravure","tag-psiholoski-defekti","contenido-clanci","fuente-maestro","author_tax-v-m-kwen-khan-khu-sr"],"_links":{"self":[{"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/posts\/42911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/comments?post=42911"}],"version-history":[{"count":8,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/posts\/42911\/revisions"}],"predecessor-version":[{"id":43340,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/posts\/42911\/revisions\/43340"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/media\/42869"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/media?parent=42911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/categories?post=42911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/tags?post=42911"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/contenido?post=42911"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/fuente?post=42911"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/pilar?post=42911"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/fase?post=42911"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/conferencia?post=42911"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/read_online?post=42911"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/sr\/wp-json\/wp\/v2\/author_tax?post=42911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}