{"id":43969,"date":"2026-03-14T09:00:00","date_gmt":"2026-03-14T12:00:00","guid":{"rendered":"https:\/\/vopus.org\/lo-finito-produce-lo-infinito\/"},"modified":"2026-03-21T21:22:23","modified_gmt":"2026-03-22T00:22:23","slug":"finitul-produce-infinitul","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/finitul-produce-infinitul\/","title":{"rendered":"„Finitum producit infinitum” (Finitul produce infinitul)"},"content":{"rendered":"\n

Dragi prieteni \u0219i prietene,<\/p>\n\n\n\n

V\u0103 trimit cea de-a dou\u0103zecea emblem\u0103 din cartea scris\u0103 de Jacob Bornitz<\/strong> (1560\u20131625), care face parte din opera intitulat\u0103 Emblematum Sacrorum et civilium miscellaneorum<\/em><\/strong>,<\/em> \u2018Diverse embleme sacre \u0219i civile\u2019.<\/p>\n\n\n\n

Aceast\u0103 gravur\u0103 poart\u0103 titlul\u2026<\/p>\n\n\n\n

\u2026FINITUM PRODUCIT INFINITUM<\/em>
\u2500\u2018Finitul produce infinitul\u2019\u2500<\/h2>\n\n\n
\n
\"Finitul<\/figure><\/div>\n\n\n

<\/p>\n\n\n\n

Un text \u00een latin\u0103:<\/p>\n\n\n\n

Innumeros numerus numeros numerabilis edit; Cantio ceu miris fert variata modis.<\/pre>\n\n\n\n
Traducere: \u2018Num\u0103rul care poate fi num\u0103rat genereaz\u0103 nenum\u0103rate numere; a\u0219a cum c\u00e2ntecul produce diverse lucruri din melodii minunate\u2019.<\/p>\n\n\n\n
Fraza latin\u0103 ne spune ceva ce Gnoza a subliniat \u00eentotdeauna. F\u0103r\u0103 nicio \u00eendoial\u0103, \u00een lumile create se afl\u0103 latent s\u0103m\u00e2n\u021ba originar\u0103 a \u00eens\u0103\u0219i crea\u021biei. Astfel, ceea ce V.M. Samael a numit ili\u00e1ster<\/em> este, \u00een fond, chiar germenul \u00eensu\u0219i a tot ceea ce a fost creat. Prin urmare, putem deduce c\u0103 din lucrurile create vor r\u0103s\u0103ri tot mai multe forme care vor ajunge s\u0103 fac\u0103 parte din Tot.<\/p>\n\n\n\n
\u00cen acest fel este u\u0219or de dedus c\u0103 din num\u0103rul num\u0103rabil se vor genera alte numere care ar putea fi infinite. Desigur, dac\u0103 ne g\u00e2ndim la Monada noastr\u0103 originar\u0103, putem \u00een\u021belege \u0219i con\u0219tientiza c\u0103, de\u0219i aparent pentru noi realitatea crud\u0103 \u00een posibilit\u0103\u021bile ei este una singur\u0103, conform celor relatate de Gnoz\u0103, odat\u0103 ce Ea va fi autorealizat\u0103 se va putea multiplica \u0219i va deveni ceva infinit, dup\u0103 ce va fi cucerit st\u0103rile de \u201eStructur\u0103 Solar\u0103\u201d \u0219i \u201eStructur\u0103 Galactic\u0103\u201d, pentru a ajunge la starea de \u201eStructur\u0103 Infinit\u0103\u201d.<\/p>\n\n\n\n
De aceea, Pitagora afirma c\u0103 num\u0103rul era sacru \u0219i infinit<\/strong> \u0219i nu-i accepta \u00een \u0219coala sa pe aceia care nu cuno\u0219teau fundamentele matematicii \u0219i ale muzicii. Ambele \u0219tiin\u021be particip\u0103 la octave. Din acest motiv, orice muzic\u0103 poate fi dus\u0103 perfect, not\u0103 cu not\u0103, p\u00e2n\u0103 c\u00e2nd ajunge s\u0103 r\u0103sune \u00een octave imperceptibile pentru urechile umane. \u00cen acela\u0219i mod, dac\u0103 am \u00eencepe s\u0103 num\u0103r\u0103m pornind de la ZERO, am putea ajunge p\u00e2n\u0103 la cifra infinit\u0103<\/strong>.<\/p>\n\n\n\n
Figura central\u0103 a gravurii noastre ne ilustreaz\u0103 clar ceea ce coment\u0103m aici. Putem observa o p\u00e2nz\u0103 pe care sunt scrise note muzicale, suger\u00e2ndu-ne c\u0103 fundamentul crea\u021biei const\u0103 \u00een acestea \u0219i \u00een octavele pe care le putem percepe. Acesta este unul dintre misterele care \u00eel \u00eenv\u0103luie pe \u00eensu\u0219i THEOMEGALOGOS<\/strong>.<\/p>\n\n\n\n
S\u0103 ne amintim c\u0103 una dintre cheile pentru a ne provoca ie\u0219irea \u00een corpul astral este tocmai SUNETUL NIRIUNOSSIAN. Acest sunet ne conecteaz\u0103 cu vibra\u021biile care exist\u0103 \u00een lumea astral\u0103, iar aceste vibra\u021bii pun \u00een ac\u021biune atomii energetici ai vehiculului nostru astral, determin\u00e2ndu-ne s\u0103 ne afl\u0103m \u00een acea atmosfer\u0103 subtil\u0103 a dimensiunilor superioare la un moment dat \u2026<\/p>\n\n\n\n
V\u0103 ofer acum c\u00e2teva fraze pentru reflec\u021bie:<\/p>\n\n\n\n
\u201eMuzica este victoria civiliza\u021biei asupra barbariei, deoarece este un limbaj universal.\u201d<\/em><\/strong>
F\u00faster y Arnaldo<\/p>\n\n\n\n
\u201eMuzica este ca o limb\u0103 universal\u0103 care c\u00e2nt\u0103 armonios toate senza\u021biile vie\u021bii.\u201d<\/em><\/strong>
Moli\u00e8re<\/p>\n\n\n\n
\u201eMuzica constituie o revela\u021bie mai \u00eenalt\u0103 dec\u00e2t orice filosofie.\u201d<\/em><\/strong>
Beethoven<\/p>\n\n\n\n
\u201eMuzica este esen\u021ba ordinii \u0219i \u00eenal\u021b\u0103 toate sufletele spre bine, dreptate \u0219i frumos. Ea trebuie s\u0103 fie pentru suflet ceea ce gimnastica este pentru trup.\u201d<\/em><\/strong>
Platon<\/p>\n\n\n\n
\u201eMuzica este vocea infinitului.\u201d<\/em><\/strong>
Campoamor<\/p>\n\n\n\n
NON PLUS ULTRA<\/em><\/strong>
\u2500\u2018 Nu mai departe\u2019\u2500<\/p>\n\n\n\n
KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"
Putem observa o p\u00e2nz\u0103 pe care sunt scrise note muzicale, suger\u00e2ndu-ne c\u0103 fundamentul crea\u021biei const\u0103 \u00een acestea \u0219i \u00een octavele pe care le putem percepe. Acesta este unul dintre misterele care \u00eel \u00eenv\u0103luie pe \u00eensu\u0219i THEOMEGALOGOS.<\/p>\n","protected":false},"author":4,"featured_media":43918,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,165,469],"tags":[543,544,605,1039,1644,1654],"contenido":[275],"fuente":[],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-43969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-alchimie-ro","category-mesaje-vm-kwen-khan-khu","tag-simbolos-universales-ro","tag-simbolismo-ro","tag-alquimia-ro","tag-grabados-ro","tag-jakob-bornitz","tag-musica-y-octavas","contenido-articole","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/43969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=43969"}],"version-history":[{"count":1,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/43969\/revisions"}],"predecessor-version":[{"id":43972,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/43969\/revisions\/43972"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/43918"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=43969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=43969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=43969"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=43969"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=43969"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=43969"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=43969"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=43969"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=43969"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=43969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}