\u2500\u2018Teama\u2019\u2500<\/h2>\n\n\n
![\""Timiditas",](\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/12\/timiditas-raphael-sadeler-maarten-de-vos-1-480x403.jpg\" "\\"\"Timiditas\",")
<\/figure><\/div>\n\n\nFace parte dintr-o serie editat\u0103 de Raphael Sadeler \u25001560-1628\u2500 dup\u0103 desenul lui Maarten de Vos.<\/p>\n\n\n\n
Dic\u021bionarele explic\u0103 faptul c\u0103 cuv\u00e2ntul TIMIDUS<\/em> provine din latinescul timeo<\/em><\/strong>, \u2018a se teme\u2019, \u0219i t\u0101s<\/em><\/strong>, care indic\u0103 o calitate; prin urmare, TIMIDITAS<\/em> ar \u00eensemna \u2018a fi fricos, tem\u0103tor\u2019.<\/p>\n\n\n\n Subiectul gravurii noastre, ca \u0219i \u00een alte ocazii, este feminin, deoarece gravura reprezint\u0103 o femeie.<\/p>\n\n\n\n Fraza \u00een latin\u0103:<\/p>\n\n\n\n Traducere: \u2018Ascunz\u00e2ndu-m\u0103 sub tufi\u0219uri, devorat\u0103 de sl\u0103biciune, \u00eemb\u0103tr\u00e2nesc, venele mele secate se ofilesc, inima \u00eemi este lipsit\u0103 de vlag\u0103, oasele \u00eemi tremur\u0103, fiind speriat\u0103 de orice [p\u00e2n\u0103 \u0219i] adierea v\u00e2ntului m\u0103 face s\u0103 tremur: flac\u0103ra sufletului se r\u0103ce\u0219te \u0219i ra\u021biunea nu se mai vede pe nic\u0103ieri. De aceea, teroarea<\/strong> m\u0103 conduce \u00eengrozit\u0103. Apoi, pudoarea<\/strong> m\u0103 re\u021bine \u0219i, t\u00e2r\u00e2ndu-m\u0103 \u00eencet, sprijinindu-m\u0103 cu bra\u021bele de fier, indolen\u021ba<\/strong>, ce fantezii nu inventeaz\u0103 pentru mine [care sunt] \u00eendoielnic\u0103? P\u00e2n\u0103 c\u00e2nd s\u0103r\u0103cia<\/strong> nu [m\u0103] apas\u0103, f\u0103c\u00e2ndu-m\u0103 dependent\u0103 de toate lucrurile\u2019.<\/p>\n\n\n\n Descriere<\/strong>:<\/p>\n\n\n\n Privind aceast\u0103 gravur\u0103, dragi cititori, putem contempla patru imagini ale unor personaje pe care le-am eviden\u021biat cu litere \u00eengro\u0219ate.<\/p>\n\n\n\n \u00cen primul r\u00e2nd, figura central\u0103 este o femeie b\u0103tr\u00e2n\u0103 cu o \u00eembr\u0103c\u0103minte foarte s\u0103r\u0103c\u0103cioas\u0103. Teroarea<\/strong> este reprezentat\u0103 de cele dou\u0103 femei din st\u00e2nga, care fug; pudoarea<\/strong> de persoanele din fundal, care apar complet acoperite, deoarece probabil se roag\u0103. Femeile din dreapta reprezint\u0103 indolen\u021ba<\/strong>. Una este \u00eenc\u0103tu\u0219at\u0103; cealalt\u0103 merge sprijinindu-se \u00eentr-un fier, care nu este de fapt un baston, ci o spad\u0103 pe care o folose\u0219te ca baston. \u00cen fundal, l\u00e2ng\u0103 o biseric\u0103, ni\u0219te s\u0103raci cer m\u00e2ncare. Ace\u0219tia reprezint\u0103 s\u0103r\u0103cia<\/strong>.<\/p>\n\n\n\n Ce sunt toate aceste lucruri?<\/p>\n\n\n\n \u00cen primul r\u00e2nd s\u0103 subliniem c\u0103, \u00een partea central\u0103 a acestei gravuri, observ\u0103m o b\u0103tr\u00e2n\u0103 cu haine destul de zdren\u021buite. Aceasta este natura uman\u0103 atunci c\u00e2nd este prizonier\u0103 a AGREGATULUI psihologic al FRICII sau al TEMERII.<\/p>\n\n\n\n Aceast\u0103 b\u0103tr\u00e2n\u0103 este \u00eenconjurat\u0103 de c\u00e2teva animale, \u0219i anume: o bufni\u021b\u0103, un corb, un iepure, un arici \u0219i o salamandr\u0103.<\/p>\n\n\n\n Bufni\u021ba reprezint\u0103, \u00een simbologie, AUTOOBSERVAREA, iar corbul ne invit\u0103 la moartea interioar\u0103, moartea sl\u0103biciunilor noastre…<\/p>\n\n\n\n Ariciul indic\u0103 st\u0103rile noastre repulsive \u0219i tem\u0103toare care, din nefericire, ne \u00eenso\u021besc \u00een via\u021ba de zi cu zi.<\/p>\n\n\n\n Salamandra ne arat\u0103 fricile noastre constante care ne \u00eenconjoar\u0103, iar iepurele, evident, reprezint\u0103 \u0219i el o form\u0103 a temerilor noastre.<\/p>\n\n\n\n EUL fricii sau al TEMERII este multiplu \u00een psihicul nostru \u0219i se afl\u0103 \u00een spatele fiec\u0103reia dintre sl\u0103biciunile noastre. Vedem, de exemplu:<\/p>\n\n\n\n Eul \u00eembuib\u0103rii m\u0103n\u00e2nc\u0103 mereu pentru c\u0103 se teme c\u0103 \u00eentr-o zi am putea r\u0103m\u00e2ne f\u0103r\u0103 hran\u0103 \u2500presupuneri.<\/p>\n\n\n\n Desfr\u00e2ul va c\u0103uta mereu s\u0103 se satisfac\u0103 pentru c\u0103, potrivit lui, nu trebuie s\u0103 pierdem oportunit\u0103\u021bi sexuale, iar acest lucru ne va face indolen\u021bi \u0219i slabi \u00een fa\u021ba celorlal\u021bi.<\/p>\n\n\n\n M\u00e2nia ne va face mereu s\u0103 credem c\u0103 nu trebuie s\u0103 ar\u0103t\u0103m sl\u0103biciune \u00een fa\u021ba semenilor no\u0219tri.<\/p>\n\n\n\n Orgoliul nu vrea s\u0103 fie trecut pe un plan secund, va dori \u00eentotdeauna s\u0103 ne ar\u0103t\u0103m capacit\u0103\u021bile \u00een fa\u021ba celorlal\u021bi.<\/p>\n\n\n\n Invidia ne va face s\u0103 credem c\u0103 trebuie s\u0103 \u00eei imit\u0103m pe ceilal\u021bi pentru a ne asigura un loc \u00een societate.<\/p>\n\n\n\n L\u0103comia nu are limite \u0219i justific\u0103 \u00een permanen\u021b\u0103 necesit\u0103\u021bi care NU EXIST\u0102.<\/p>\n\n\n\n Lenea se face sim\u021bit\u0103 deoarece, potrivit ei, avem nevoie s\u0103 ne odihnim constant pentru a ne conserva energiile etc., etc., etc.<\/p>\n\n\n\n Am putea ajunge la urm\u0103toarea concluzie cu privire la cele dou\u0103 cupluri men\u021bionate anterior: teroarea ne face s\u0103 fugim, dar pudoarea ne st\u0103p\u00e2ne\u0219te acest impuls de fric\u0103, indolen\u021ba ne limiteaz\u0103 ac\u021biunile, dar trebuie s\u0103 \u00eenceteze atunci c\u00e2nd s\u0103r\u0103cia, care este o consecin\u021b\u0103 a indolen\u021bei, ne oblig\u0103 s\u0103 ac\u021bion\u0103m.<\/p>\n\n\n\n V\u0103 adaug c\u00e2teva fraze pentru reflec\u021bie:<\/p>\n\n\n\n \u201eFrica se cite\u0219te pe chip.\u201d<\/em><\/strong> \u201eFrica este un sentiment mai puternic dec\u00e2t iubirea.\u201d<\/em><\/strong> \u201eFrica este cel mai ignorant, cel mai nedrept \u0219i cel mai crud dintre sfetnici.\u201d<\/em><\/strong> \u201eFrica este \u00eentotdeauna gata s\u0103 vad\u0103 lucrurile mai rele dec\u00e2t sunt.\u201d<\/em><\/strong> \u201eCel care tr\u0103ie\u0219te cu team\u0103 nu va fi niciodat\u0103 liber.\u201d<\/em><\/strong> MISEREOR.<\/em><\/strong> KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Am putea ajunge la urm\u0103toarea concluzie cu privire la cele dou\u0103 cupluri men\u021bionate anterior: teroarea ne face s\u0103 fugim, dar pudoarea ne st\u0103p\u00e2ne\u0219te acest impuls de fric\u0103, indolen\u021ba ne limiteaz\u0103 ac\u021biunile, dar trebuie s\u0103 \u00eenceteze atunci c\u00e2nd s\u0103r\u0103cia, care este o consecin\u021b\u0103 a indolen\u021bei, ne oblig\u0103 s\u0103 ac\u021bion\u0103m.<\/p>\n","protected":false},"author":4,"featured_media":42867,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,135,469],"tags":[488,795,1039,1360,1361,1481],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-42905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-psihologie","category-mesaje-vm-kwen-khan-khu","tag-mensajes-del-v-m-kwen-khan-khu-ro","tag-defectos-psicologicos-ro","tag-grabados-ro","tag-maarten-de-vos","tag-raphael-sadeler","tag-miedo","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/42905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=42905"}],"version-history":[{"count":2,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/42905\/revisions"}],"predecessor-version":[{"id":42907,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/42905\/revisions\/42907"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/42867"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=42905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=42905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=42905"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=42905"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=42905"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=42905"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=42905"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=42905"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=42905"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=42905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Sub dumis latitans, macie confecta senesco,<\/em>
Exsangues languent venae, est cor pectoris expers,<\/em>
Ossa tremunt, omnique pauens impellor ab aura:<\/em>
Friget flamma animi, nec se ratio exerit usquam,<\/em>
Hinc me Terror agit pauidam Pudor inde retundit,<\/em>
Et lente adrepens, ferroque innixa lacertos<\/em>
Segnities, quae non dubiae mihi somnia fingit?<\/em>
Donec Pauperies rerum obruat omnium egentem.<\/em><\/pre>\n\n\n\n
Seneca<\/p>\n\n\n\n
Pliniu cel T\u00e2n\u0103r<\/p>\n\n\n\n
Edmund Burke<\/p>\n\n\n\n
Titus Livius<\/p>\n\n\n\n
Cicero<\/p>\n\n\n\n
\u2500\u2018Am compasiune.\u2019\u2500<\/p>\n\n\n\n