\u2500\u2018Triste\u021bea\u2019\u2500<\/h2>\n\n\n
![\"Tristitia,](\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/10\/tristitia-raphael-sadeler-maarten-de-vos-los-rasgos-humanos-negativos-480x390.jpg\" "\\"Tristitia,")
<\/figure><\/div>\n\n\nFace parte dintr-o serie de patru lucr\u0103ri despre tr\u0103s\u0103turile umane negative. Seria a fost gravat\u0103 \u0219i editat\u0103 \u00een 1592 la K\u00f6ln \u2500Germania\u2500 de Raphael Sadeler \u25001560-1628\u2500, dup\u0103 desenul pictorului flamand Maarten de Vos \u25001532-1603.<\/p>\n\n\n\n
\u00cen aceast\u0103 gravur\u0103 putem observa \u00een prim-plan o t\u00e2n\u0103r\u0103 femeie, pe jum\u0103tate dezbr\u0103cat\u0103, cu m\u00e2inile ridicate \u2500Tristitia<\/em><\/strong>, \u2018triste\u021bea\u2019. Ea este a\u0219ezat\u0103 \u00een fa\u021ba unei pe\u0219teri. \u00cen jurul ei se afl\u0103 patru animale: o bufni\u021b\u0103, un \u0219arpe, un \u0219obolan \u0219i un c\u00e2ine care url\u0103. \u00cen st\u00e2nga planului central, o femeie cu cap de \u0219arpe \u2500o meduz\u0103\u2500 devor\u00e2nd o inim\u0103 \u2500Invidia<\/em><\/strong>, \u2018invidia\u2019\u2500, \u0219i un personaj cu o arip\u0103 de diavol \u0219i alta de \u00eenger \u021bin\u00e2nd un \u0219arpe cu ambele m\u00e2ini \u2500Zelotypia<\/em><\/strong>, \u2018gelozia\u2019. \u00cen dreapta planului central, o femeie str\u0103puns\u0103 de o suli\u021b\u0103 \u2013personificarea disper\u0103rii\u2013 \u0219i o femeie care se roag\u0103: lamentarea.<\/p>\n\n\n\n \u00cen fundal, asediul unui ora\u0219 \u2500\u00een st\u00e2nga\u2500 \u0219i un naufragiu \u2500\u00een dreapta.<\/p>\n\n\n\n Dragi prieteni, ce \u00eenseamn\u0103 toate acestea?<\/p>\n\n\n\n Artistul a vrut s\u0103 ne arate unde ne pot duce sl\u0103biciunile noastre suflete\u0219ti \u0219i psihologice atunci c\u00e2nd intr\u0103m \u00een FASCINA\u021aIE SAU IDENTIFICARE cu impresiile pe care le primim de-a lungul vie\u021bii \u0219i pe parcursul zilelor noastre.<\/p>\n\n\n\n C\u00e2nd UIT\u0102M DE NOI \u00ceN\u0218INE, c\u0103dem \u00een nenorocirea interioar\u0103, iar agregatele noastre profit\u0103 de HALUCINA\u021aIA noastr\u0103 pentru a se manifesta \u00een diverse moduri \u0219i a ne conduce astfel spre propria noastr\u0103 confuzie \u0219i NEBUNIE.<\/p>\n\n\n\n Gravura ne indic\u0103 \u00een mod clar Esen\u021ba noastr\u0103 \u2500pe jum\u0103tate dezbr\u0103cat\u0103 din cauza lipsei de valori\u2500 \u0219i \u00eenconjurat\u0103 de c\u00e2teva entit\u0103\u021bi animalice, printre care un \u0219obolan \u2500alegorie a st\u0103rilor desfr\u00e2nate\u2500, un \u0219arpe \u2500simbol al pasiunilor ascunse \u00een noi \u00een\u0219ine\u2500, un c\u00e2ine care url\u0103 \u2013care reprezint\u0103, \u00een acest caz, nu fidelitatea, ci urletele provocate de fricile \u0219i instinctele noastre\u2013; \u00een cele din urm\u0103, \u00een partea superioar\u0103 central\u0103 vedem o bufni\u021b\u0103, o mic\u0103 vietate care ne invit\u0103 s\u0103 fim mereu \u00een stare de alert\u0103 pentru a nu fi victime ale impresiilor nepl\u0103cute care pot ap\u0103rea \u00een orice moment al existen\u021bei noastre.<\/p>\n\n\n\n \u00cen partea st\u00e2ng\u0103 a planului central, a\u0219a cum am men\u021bionat deja \u00eenainte, putem observa o meduz\u0103<\/strong> \u2013 o form\u0103 a Egoului nostru animalic\u2013 care merge devor\u00e2nd o inim\u0103. Cu siguran\u021b\u0103, atunci c\u00e2nd ne IDENTIFIC\u0102M cu evenimentele vie\u021bii cotidiene, multe dintre agregatele noastre \u00eencearc\u0103 rapid s\u0103 ne demoralizeze, a\u0219a cum face acea meduz\u0103. Eul ne distruge sentimentele \u0219i ne cufund\u0103 \u00een depresie.<\/p>\n\n\n\n De asemenea, via\u021ba noastr\u0103 sufleteasc\u0103 devine o dualitate destul de ciudat\u0103. Pe de o parte, pare c\u0103 avem o parte esen\u021bial\u0103 sau divin\u0103 \u2013omul cu aripa angelic\u0103\u2013 iar pe de alt\u0103 parte, acela\u0219i om reprezint\u0103 o stare tenebroas\u0103 \u2013acela\u0219i om cu o arip\u0103 tenebroas\u0103 sau arip\u0103 de liliac\u2013; iat\u0103 EGOUL \u00een pluralitatea sa.<\/p>\n\n\n\n \u00cen partea dreapt\u0103 a planului central vedem clar propria noastr\u0103 Esen\u021b\u0103 str\u0103puns\u0103 de o suli\u021b\u0103. Acest lucru ne aminte\u0219te de acele momente \u00een care suntem cuprin\u0219i de o profund\u0103 durere moral\u0103 \u0219i c\u0103ut\u0103m \u00eentr-un fel sau altul alinare…<\/p>\n\n\n\n Femeia pe care o vedem rug\u00e2ndu-se simbolizeaz\u0103 lamentarea<\/strong> psihologic\u0103 \u00een care intr\u0103m tocmai atunci c\u00e2nd c\u0103ut\u0103m o stare de calm interior prin rug\u0103ciune<\/strong> sau medita\u021bie<\/strong>. Nu trebuie s\u0103 uit\u0103m niciodat\u0103 c\u0103, \u00een fa\u021ba oric\u0103rei crize care ne love\u0219te, trebuie s\u0103 ne refugiem rapid \u00een MEDITA\u021aIE. INTERIORIZAREA este o poart\u0103 care se deschide pentru a ne oferi odihn\u0103 intim\u0103 \u0219i autocontrol.<\/p>\n\n\n\n \u00cen fundal, ora\u0219ul pe care \u00eel vedem asediat este ORA\u0218UL NOSTRU PSIHOLOGIC, care sf\u00e2r\u0219e\u0219te cuprins de fl\u0103c\u0103rile egoului, cu consecin\u021ba autodistrugerii aparatului nostru psihic. De asemenea, barca sau nava pe care o vedem naufragiind \u00een partea dreapt\u0103 sus a gravurii face aluzie la naufragiul muncii noastre interioare atunci c\u00e2nd AM UITAT DE NOI \u00ceN\u0218INE.<\/p>\n\n\n\n Un lucru interesant de remarcat este faptul c\u0103 aceast\u0103 gravur\u0103 se adreseaz\u0103 unei femei \u2500este feminin\u0103\u2500, motiv pentru care traducerea noastr\u0103 este prezentat\u0103 ca \u0219i cum ar fi o femeie cea care vorbe\u0219te \u2500triste\u021bea.<\/p>\n\n\n\n Mama preocup\u0103rilor, dup\u0103 cum este structurat\u0103 fraza, este anxietatea mai mult dec\u00e2t gelozia, iar ceea ce spune fraza este c\u0103 anxietatea nu vrea ca lucrurile care se apropie s\u0103 ajung\u0103.<\/p>\n\n\n\n S\u0103 vedem acum traducerea frazei latine:<\/p>\n\n\n\n Traducere: \u2018\u00cenvins\u0103, nu de ani, ci de situa\u021bie, \u0219i acoperit\u0103, pe deasupra, cu zdren\u021be, foarte trist\u0103, printre t\u00e2nguieli, \u00eemi duc via\u021ba f\u0103r\u0103 s\u0103 dorm; c\u00e2nd sunt deja cople\u0219it\u0103, disperarea m\u0103 sl\u0103be\u0219te; c\u00e2nd sunt dobor\u00e2t\u0103, invidia m\u0103 mistuie; apoi gelozia m\u0103 \u00eenv\u0103luie cu furtuni nesf\u00e2r\u0219ite \u0219i anxietatea, Mam\u0103 prodigioas\u0103 a preocup\u0103rilor, \u00een c\u0103utarea lucrurilor care se apropie, nu vrea ca ele s\u0103 ajung\u0103: \u0219i dac\u0103 divina compasiune nu-mi \u00eentinde m\u00e2na ei dreapt\u0103, continu\u00e2nd astfel, cu siguran\u021b\u0103, nu m\u0103 voi u\u0219ura nicic\u00e2nd de povar\u0103\u2019.<\/p>\n\n\n\n V\u0103 adaug c\u00e2teva fraze pentru reflec\u021bie:<\/p>\n\n\n\n \u201eCea mai \u00eenalt\u0103 filosofie uman\u0103 este s\u0103 fii preg\u0103tit pentru orice ar veni.\u201d<\/em><\/strong> \u201eCe este un filosof? Un om care, dac\u0103 \u00eel ascul\u021bi, te va face, cu siguran\u021b\u0103, mai liber dec\u00e2t to\u021bi pretorii.\u201d<\/em><\/strong> \u201eObiceiurile filosofilor nu corespund cu preceptele lor, dar dac\u0103 ar tr\u0103i a\u0219a cum predic\u0103, ar ar\u0103ta cum trebuie s\u0103 se tr\u0103iasc\u0103.\u201d<\/em><\/strong> \u201eFilosofia este o patologie superioar\u0103.\u201d<\/em><\/strong> \u201eFilosofia este istoria erorii umane cu c\u00e2teva sclipiri de lumin\u0103.\u201d<\/em><\/strong> EX AEQUO ET BONO.<\/em><\/strong> Kwen Khan Khu<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Aceast\u0103 gravur\u0103 face parte dintr-o serie de patru lucr\u0103ri despre tr\u0103s\u0103turile umane negative. Seria a fost gravat\u0103 \u0219i editat\u0103 \u00een 1592 la K\u00f6ln, Germania.<\/p>\n","protected":false},"author":4,"featured_media":42456,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,135,469],"tags":[1361,544,795,808,1039,1359,1360],"contenido":[275],"fuente":[49],"pilar":[52],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-42476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-psihologie","category-mesaje-vm-kwen-khan-khu","tag-raphael-sadeler","tag-simbolismo-ro","tag-defectos-psicologicos-ro","tag-virtudes-ro","tag-grabados-ro","tag-identificacion","tag-maarten-de-vos","contenido-articole","fuente-maestro","pilar-ciencia","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/42476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=42476"}],"version-history":[{"count":1,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/42476\/revisions"}],"predecessor-version":[{"id":42478,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/42476\/revisions\/42478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/42456"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=42476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=42476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=42476"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=42476"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=42476"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=42476"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=42476"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=42476"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=42476"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=42476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\u00abNon annis sed victa situ, sed et obsita pannis<\/em>
In gemitu insomnem duco moestisima vitam<\/em>
Afflictam obtundi me desperatio, fusam<\/em>
Invidia absumit, tum me sine fine procellis<\/em>
Zelotypa inuoluit, curarum prodiga Mater,<\/em>
Anxia vestigans, quae non velit obuia ferri:<\/em>
Ac nisi Diua suam mihi Commiseratio dextram<\/em>
Porrigat, hac equidem non unquam fasce leuabor\u00bb.<\/em><\/pre>\n\n\n\n
Quevedo<\/p>\n\n\n\n
Epictet<\/p>\n\n\n\n
Seneca<\/p>\n\n\n\n
Hebbel<\/p>\n\n\n\n
Othon Gruppe<\/p>\n\n\n\n
\u2500\u2018\u00cen mod just \u0219i bun.\u2019\u2500<\/p>\n\n\n\n