{"id":41869,"date":"2025-09-13T10:00:00","date_gmt":"2025-09-13T13:00:00","guid":{"rendered":"https:\/\/vopus.org\/se-apresura-a-avanzar\/"},"modified":"2025-09-21T19:04:44","modified_gmt":"2025-09-21T22:04:44","slug":"se-grabeste-sa-inainteze","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/se-grabeste-sa-inainteze\/","title":{"rendered":"„Festinat decurrere” (Se gr\u0103be\u0219te s\u0103 \u00eenainteze)"},"content":{"rendered":"\n

Mult \u00eendr\u0103gi\u021bi cititori \u0219i cititoare,<\/p>\n\n\n\n

V\u0103 trimit cu aceast\u0103 ocazie o gravur\u0103 scris\u0103 de Gabriel Rollenhagen \u25001583-1619\u2500 \u00eentr-o carte de poeme intitulat\u0103 Selectorum emblematum<\/em><\/strong>, \u2018Embleme selectate\u2019.<\/p>\n\n\n\n

\u00cen prima gravur\u0103 putem citi fraza latin\u0103 care ne spune\u2026<\/p>\n\n\n\n

\u2026FESTINAT DECURRERE<\/em>
<\/strong>\u2500\u2018Se gr\u0103be\u0219te s\u0103 \u00eenainteze\u2019\u2500<\/h2>\n\n\n
\n
\"Se<\/figure><\/div>\n\n\n

Fraza de mai jos ne spune:<\/p>\n\n\n\n

Festinat celeri lapsu decurrere vita, Et certam praesens vix habet hora fidem.<\/pre>\n\n\n\n
Traducere: \u2018Via\u021ba se gr\u0103be\u0219te s\u0103 \u00eenainteze cu mi\u0219c\u0103ri rapide, \u0219i doar momentul prezent are certitudine\u2019.<\/p>\n\n\n\n
Acest lucru, dragi cititori, ne aminte\u0219te c\u0103 trebuie s\u0103 tr\u0103im fiecare clip\u0103 a existen\u021bei noastre ca \u0219i cum ar fi ultima din via\u021ba noastr\u0103. TREBUIE s\u0103 \u0219tim c\u0103 timpul trece iremediabil \u0219i este foarte scurt \u00een compara\u021bie cu \u00eendatoririle noastre fa\u021b\u0103 de cer, adic\u0103 fa\u021b\u0103 de FIIN\u021aA noastr\u0103 REAL\u0102. Din acest motiv, Gnoza ne insist\u0103 mereu s\u0103 tr\u0103im FILOSOFIA MOMENTANEIT\u0102\u021aII. Trebuie s\u0103 \u00een\u021belegem c\u0103, pentru a practica CEI TREI FACTORI AI REVOLU\u021aIEI CON\u0218TIIN\u021aEI, ace\u0219tia trebuie \u00een\u021bele\u0219i profund \u00eenainte de a-i pune \u00een practic\u0103 \u00een via\u021ba noastr\u0103 de zi cu zi. Fiecare moment al fiec\u0103rei zile merit\u0103 s\u0103 fie reflectat profund pentru a extrage \u00eenv\u0103\u021b\u0103tura pe care o con\u021bine.<\/p>\n\n\n\n
Acesta este motivul pentru care vedem \u00een gravur\u0103 o clepsidr\u0103 \u00eentr-un mic sacrariu<\/strong>, indic\u00e2ndu-ne c\u0103 TIMPUL TRECE RAPID \u2500Tempus irreparabile fugit<\/em><\/strong>.<\/p>\n\n\n\n
Cei care au prostul obicei de a crede c\u0103 via\u021ba este o linie nesf\u00e2r\u0219it\u0103 \u0219i infinit\u0103 se \u00een\u0219al\u0103 cu des\u0103v\u00e2r\u0219ire, deoarece fiecare dintre noi se na\u0219te cu o durat\u0103 de via\u021b\u0103 stabilit\u0103 \u00een prealabil de c\u0103tre MAREA LEGE.<\/p>\n\n\n\n
Deasupra acelei clepsidre vedem o INIM\u0102 UMAN\u0102 care ne invit\u0103 s\u0103 ne aprindem cu focul n\u0103zuin\u021belor divine pentru a avea mereu prezent faptul c\u0103 am venit la existen\u021b\u0103 exclusiv pentru a deveni con\u0219tien\u021bi de FIIN\u021aA NOASTR\u0102 \u0219i de Autorealizarea ei.<\/p>\n\n\n\n
Din acest motiv, vedem \u00een partea st\u00e2ng\u0103 a gravurii dou\u0103 figuri. Prima ne arat\u0103 un rege \u00eencoronat, iar a doua o persoan\u0103 normal\u0103, obi\u0219nuit\u0103. De ce se afl\u0103 aceste figuri acolo? Pentru c\u0103 at\u00e2t personajele de rang \u00eenalt ale regalit\u0103\u021bii, c\u00e2t \u0219i umilul muncitor sau \u021b\u0103ran, ambele au zilele num\u0103rate \u0219i trebuie s\u0103 profite de ele pentru autocunoa\u0219tere<\/strong>. \u00cen fa\u021ba lui Dumnezeu, suntem cu to\u021bii simple Esen\u021be care au egalitate de \u0219anse pentru a-\u0219i dezvolta facult\u0103\u021bile spirituale ale sufletului.<\/p>\n\n\n
\n
\"Selectorum<\/figure><\/div>\n\n\n
\u00cen a doua gravur\u0103, mai jos, trebuie s\u0103 citim:<\/p>\n\n\n\n
ABRUMPAM.<\/pre>\n\n\n\n
Trebuie tradus ca \u2018VOI T\u0102IA\u2019, deoarece Dumnezeu este cel care vorbe\u0219te\u2026<\/p>\n\n\n\n
Fraza care urmeaz\u0103 \u00een latin\u0103 ne spune:<\/p>\n\n\n\n
Omnia sunt hominum tenui pendentia filo, quod DEUS ABRUMPET cum volet, esto pius.<\/pre>\n\n\n\n
Traducere: <\/strong>\u2018Toate lucrurile omene\u0219ti at\u00e2rn\u0103 de un fir sub\u021bire pe care Dumnezeu \u00eel va t\u0103ia dup\u0103 voia sa, fii pios\u2019.<\/p>\n\n\n\n
Aceasta vrea s\u0103 ne spun\u0103 c\u0103 un lucru sunt planurile pe care le facem noi, umanoizii, \u00een existen\u021ba noastr\u0103 \u0219i altul foarte diferit sunt planurile pe care Creatorul le poate avea pentru noi, acest lucru trebuie \u00een\u021beles foarte bine. De aceea, un proverb popular ne spune: \u201eOmul propune, dar Dumnezeu dispune\u2026!\u201d<\/strong>.<\/p>\n\n\n\n
\u00cen aceast\u0103 alt\u0103 gravur\u0103 vedem \u00een partea de sus dou\u0103 bra\u021be, unul care \u021bine un cu\u021bit \u0219i cel\u0103lalt care \u021bine un fir. Aceasta este o indica\u021bie care ne aminte\u0219te c\u0103, oric\u00e2te planuri ar avea omenirea \u2013reprezentat\u0103 de grupul de persoane care sunt adunate sub acea sfoar\u0103 \u0219i acel cu\u021bit\u2013, \u00een realitate numai FIIN\u021aA \u2013adic\u0103 Dumnezeu\u2013 are ultimul cuv\u00e2nt pentru a ne permite sau nu s\u0103 ne atingem obiectivele. Aceste persoane sunt adunate \u00een atitudine de ascultare a unui mistic care le vorbe\u0219te despre transcenden\u021ba vie\u021bii.<\/p>\n\n\n\n
Sfera care este pe punctul de a fi t\u0103iat\u0103 de briceag sau de cu\u021bit simbolizeaz\u0103 \u00eentreaga umanitate, globul p\u0103m\u00e2ntesc, deoarece Dumnezeu este pretutindeni \u0219i oriunde se afl\u0103, \u00ee\u0219i \u00eendepline\u0219te voin\u021ba, fie c\u0103 ne place sau nu.<\/p>\n\n\n\n
Ultimul cuv\u00e2nt al frazei ne spune: \u201eFii pios\u201d<\/strong>. Acest lucru ne indic\u0103 necesitatea de a fi aler\u021bi \u00een fiecare clip\u0103, \u00een fiecare moment, pentru ca existen\u021ba noastr\u0103 s\u0103 nu fie curmat\u0103 f\u0103r\u0103 s\u0103 fi reu\u0219it s\u0103 ne atingem obiectivele.<\/p>\n\n\n\n
V\u0103 ofer acum c\u00e2teva fraze la care merit\u0103 s\u0103 reflect\u0103m:<\/p>\n\n\n\n
\u201eLa ce \u00eei folose\u0219te unui om oportunitatea dac\u0103 nu \u0219tie s\u0103 o valorifice?\u201d<\/em><\/strong>
George Eliot<\/p>\n\n\n\n
\u201eO zi de ast\u0103zi bun\u0103 valoreaz\u0103 mai mult dec\u00e2t dou\u0103 zile de m\u00e2ine.\u201d<\/em><\/strong>
Franklin<\/p>\n\n\n\n
\u201eCunoa\u0219terea timpului \u0219i folosirea oportunit\u0103\u021bii \u00eei face pe oameni prosperi.\u201d<\/em><\/strong>
Fernando de Rojas<\/p>\n\n\n\n
\u201eCel care \u0219tie s\u0103 profite de ocazie, acela este omul oportun.\u201d<\/em><\/strong>
Goethe<\/p>\n\n\n\n
\u201eNu exist\u0103 om mare f\u0103r\u0103 piedestalul circumstan\u021belor.\u201d<\/em><\/strong>
Frederic cel Mare<\/p>\n\n\n\n
MAGNIFICAT ANIMA MEA DOMINUM.<\/em><\/strong>
\u2500\u2018Sufletul meu \u00eel sl\u0103ve\u0219te pe Domnul.\u2019\u2500<\/p>\n\n\n\n
KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"
V\u0103 trimit cu aceast\u0103 ocazie o gravur\u0103 scris\u0103 de Gabriel Rollenhagen \u25001583-1619\u2500 \u00eentr-o carte de poeme intitulat\u0103 Selectorum emblematum, \u2018Embleme selectate\u2019.<\/p>\n","protected":false},"author":4,"featured_media":41681,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,208,469],"tags":[488,544,1039,1121,1289],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-41869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-mistica","category-mesaje-vm-kwen-khan-khu","tag-mensajes-del-v-m-kwen-khan-khu-ro","tag-simbolismo-ro","tag-grabados-ro","tag-el-tiempo-ro","tag-reloj-de-arena-ro","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/41869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=41869"}],"version-history":[{"count":5,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/41869\/revisions"}],"predecessor-version":[{"id":41882,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/41869\/revisions\/41882"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/41681"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=41869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=41869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=41869"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=41869"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=41869"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=41869"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=41869"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=41869"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=41869"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=41869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}