{"id":41505,"date":"2025-08-23T10:00:00","date_gmt":"2025-08-23T13:00:00","guid":{"rendered":"https:\/\/vopus.org\/la-esperanza-y-la-paciencia-vencen\/"},"modified":"2025-08-24T17:40:21","modified_gmt":"2025-08-24T20:40:21","slug":"speranta-si-rabdarea-inving","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/speranta-si-rabdarea-inving\/","title":{"rendered":"&#8222;Spes et patientia vincit&#8221; (Speran\u021ba \u0219i r\u0103bdarea \u00eenving)"},"content":{"rendered":"\n<p>Mult aprecia\u021bi prieteni \u0219i prietene,<\/p>\n\n\n\n<p>\u00cen 1630 a fost publicat\u0103 o carte de embleme a lui Daniel Cramer intitulat\u0103 <strong><em>OCTOGINTA EMBLEMATA MORALIA NOVA<\/em><\/strong> \u2500<strong>\u2018optzeci de noi embleme morale\u2019<\/strong>.<\/p>\n\n\n\n<p>V\u0103 trimit emblema treizeci \u0219i unu, care are ca motiv\u2026<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><em>\u2026SPES ET PATIENTIA VINCIT<\/em><br>\u2500\u2018Speran\u021ba \u0219i r\u0103bdarea \u00eenving\u2019\u2500<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img decoding=\"async\" width=\"480\" height=\"697\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/08\/la-esperanza-y-la-paciencia-vencen-daniel-cramer-emblema-31-480x697.jpg\" alt=\"Octoginta Emblemata Moralia Nova, Optzeci de noi embleme morale, Daniel Cramer\" class=\"wp-image-41473\" title=\"Octoginta Emblemata Moralia Nova, Optzeci de noi embleme morale, Daniel Cramer\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/08\/la-esperanza-y-la-paciencia-vencen-daniel-cramer-emblema-31-480x697.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/08\/la-esperanza-y-la-paciencia-vencen-daniel-cramer-emblema-31-960x1395.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/08\/la-esperanza-y-la-paciencia-vencen-daniel-cramer-emblema-31-768x1116.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/08\/la-esperanza-y-la-paciencia-vencen-daniel-cramer-emblema-31.jpg 509w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n\n\n<pre class=\"wp-block-preformatted\">CORPORE CAPTIVUS, SUM LIBER MENTE, DOLENSQUE GAUDEO SIC FIRMAT ME ANCHORA FIDA SPEI.<\/pre>\n\n\n\n<p>\u2018Prizonier \u00een trup, sunt liber \u00een minte, m\u0103 bucur \u00een durere, astfel m\u0103 \u00eent\u0103re\u0219te ancora speran\u021bei.\u2019<\/p>\n\n\n\n<p>Descriere:<\/p>\n\n\n\n<p>\u00cen gravur\u0103 vedem un b\u0103rbat care este prizonier, deoarece picioarele \u00eei sunt imobilizate printr-o form\u0103 de tortur\u0103 care a existat cu multe secole \u00een urm\u0103, ca parte a barbariei umane.<\/p>\n\n\n\n<p>El c\u00e2nt\u0103 la o l\u0103ut\u0103 urm\u00e2nd versurile dintr-o carte de muzic\u0103, iar l\u00e2ng\u0103 el se afl\u0103 o ANCOR\u0102 uria\u0219\u0103 care \u00eei aduce speran\u021b\u0103.<\/p>\n\n\n\n<p>Lumea simbologiei ermetice ne spune c\u0103 ANCORA este o form\u0103 de a \u0219ti s\u0103 ne p\u0103str\u0103m speran\u021bele, a\u0219tept\u00e2nd ac\u021biunea celor Trei For\u021be Primare ale Crea\u021biei, \u0219i anume: Tat\u0103l, Fiul \u0219i Spiritul Sf\u00e2nt. Acesta este mesajul pe care ni-l transmite acest instrument, care imit\u0103 pu\u021bin forma triunghiular\u0103 care a servit pentru a desemna cele trei puteri ale lui Dumnezeu.<\/p>\n\n\n\n<p>F\u0103r\u0103 \u00eendoial\u0103, \u00een momentele de <strong>\u00eensp\u0103im\u00e2nt\u0103toare rigoare<\/strong> fizic\u0103 sau animic\u0103, trebuie s\u0103 ne amintim \u00eentotdeauna de cele trei puteri divine men\u021bionate mai \u00eenainte. C\u00e2nd Dumnezeu se face prezent \u00een calamit\u0103\u021bile noastre, acestea \u00eencep s\u0103 dispar\u0103 din jurul nostru.<\/p>\n\n\n\n<p>\u0218i \u00een timp ce a\u0219tept\u0103m m\u00e2na misterioas\u0103 care ne va scoate din durerile noastre, trebuie s\u0103 cooper\u0103m uman apel\u00e2nd la <strong>schimbarea centrului<\/strong>, a\u0219a cum bine o face r\u0103bd\u0103torul protagonist din gravura noastr\u0103, care \u00ee\u0219i \u00eenvesele\u0219te tragedia \u00een ritmul notelor muzicale pe care le scoate din chitara sa.<\/p>\n\n\n\n<p>Gnoza din toate timpurile ne-a spus bine: \u00een momentele de necaz \u0219i durere, trebuie \u0219i putem s\u0103 ne ajut\u0103m schimb\u00e2ndu-ne aten\u021bia c\u0103tre un alt centru al ma\u0219inii noastre organice, de exemplu apel\u00e2nd la centrul emo\u021bional, ca \u00een cazul gravurii noastre, \u0219i astfel nu intr\u0103m \u00een disperare. Dar, \u00een func\u021bie de situa\u021bia \u00een care ne afl\u0103m, ne-am putea ajuta cu centrul instinctiv \u2013poate m\u00e2nc\u00e2nd ceva\u2013 sau cu centrul motor \u2013pornind \u00eentr-o plimbare \u00een aer liber\u2013 sau poate citind o carte, o oper\u0103 scris\u0103\u2026<\/p>\n\n\n\n<p>Iov, \u00een suferin\u021bele sale, s-a refugiat \u00een rug\u0103ciune \u0219i reflec\u021bie \u00een timp ce Dumnezeu \u00eei punea la \u00eencercare fidelitatea \u0219i r\u0103bdarea. \u00cen concluzie, dragi cititori, este extrem de important s\u0103 \u0219tim s\u0103 cooper\u0103m cu circumstan\u021bele, chiar \u0219i atunci c\u00e2nd acestea nu ne sunt favorabile.<\/p>\n\n\n\n<p>Nu trebuie s\u0103 uit\u0103m, pe de alt\u0103 parte, c\u0103 ancora simbolizeaz\u0103 faptul c\u0103 nava c\u0103l\u0103toriei noastre se opre\u0219te triumf\u0103tor atunci c\u00e2nd am ajuns la finalul Marii Opere. De aceea, ancora a fost reprezentat\u0103 de nenum\u0103rate ori \u00een Rozacrucianism \u0219i \u00een Masoneria cu adev\u0103rat ermetic\u0103, ca instrument care le prezice navigatorilor m\u0103rii de bronz sosirea \u00een portul sigur dup\u0103 multe \u00eencerc\u0103ri ini\u021biatice\u2026<\/p>\n\n\n\n<p>V\u0103 ofer c\u00e2teva fraze care ne vin \u00een ajutor pentru a sublinia importan\u021ba subiectului nostru:<\/p>\n\n\n\n<p><strong><em>\u201eRelele care nu are puterea s\u0103 pun\u0103 cap\u0103t vie\u021bii, nu trebuie s\u0103 o aib\u0103 pentru a pune cap\u0103t r\u0103bd\u0103rii.\u201d<\/em><\/strong><br>Cervantes<\/p>\n\n\n\n<p><strong><em>\u201eC\u00e2nd spunem c\u0103 trecutul a fost mai bun, condamn\u0103m viitorul f\u0103r\u0103 s\u0103-l cunoa\u0219tem.\u201d<\/em><\/strong><br>Quevedo<\/p>\n\n\n\n<p><strong><em>\u201eCel care se laud\u0103 \u00eenainte de vreme cu viitorul, \u00eei r\u0103pe\u0219te ac\u021biunii sale, cel pu\u021bin, meritul nout\u0103\u021bii.\u201d<\/em><\/strong><br>Ludovic al XIV-lea<\/p>\n\n\n\n<p><strong><em>\u201eNu trebuie s\u0103 ne ag\u0103\u021b\u0103m at\u00e2t de mult de prezent \u00eenc\u00e2t s\u0103 neglij\u0103m complet viitorul.\u201d<\/em><\/strong><br>Pitagora<\/p>\n\n\n\n<p><strong><em>\u201eNefericit este cel care este mereu nelini\u0219tit pentru viitorul s\u0103u.\u201d<\/em><\/strong><br>Seneca<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>QUOD SCRIPSI<\/em><\/strong>,<strong><em> SCRIPS.<\/em><\/strong><br>\u2500\u2018Ceea ce am scris, este scris.\u2019\u2500<\/p>\n\n\n\n<p><strong>KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen 1630 a fost publicat\u0103 o carte de embleme a lui Daniel Cramer intitulat\u0103 OCTOGINTA EMBLEMATA MORALIA NOVA \u2500\u2018optzeci de noi embleme morale\u2019.<br \/>\nAceasta este gravura num\u0103rul 31.<\/p>\n","protected":false},"author":4,"featured_media":41497,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,208,469],"tags":[1151,1229,1230,543,544,808,1039],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-41505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-mistica","category-mesaje-vm-kwen-khan-khu","tag-paciencia-ro","tag-daniel-cramer-ro","tag-esperanza-ro","tag-simbolos-universales-ro","tag-simbolismo-ro","tag-virtudes-ro","tag-grabados-ro","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/41505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=41505"}],"version-history":[{"count":1,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/41505\/revisions"}],"predecessor-version":[{"id":41507,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/41505\/revisions\/41507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/41497"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=41505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=41505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=41505"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=41505"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=41505"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=41505"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=41505"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=41505"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=41505"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=41505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}