<\/em>\u2500\u2018Toleran\u021ba \u00een adversitate produce cunoa\u0219terea lui Dumnezeu\u2019\u2500<\/h2>\n\n\n\n
Personajul care personific\u0103 toleran\u021ba<\/strong> are un picior pe o nicoval\u0103, un atribut al r\u0103bd\u0103rii<\/strong>. \u00cen m\u00e2na st\u00e2ng\u0103 \u021bine tor\u021ba cunoa\u0219terii, iar \u00een dreapta o farfurie cu doi ochi.<\/p>\n\n\n\n Un detaliu care ne atrage aten\u021bia datorit\u0103 similitudinii simbolismului este c\u0103, \u00eencep\u00e2nd cu secolul al XIV-lea, unul dintre atributele cu care a \u00eenceput s\u0103 fie \u00eenf\u0103\u021bi\u0219at\u0103 Sf\u00e2nta Lucia \u2500purt\u0103toarea de lumin\u0103, martir\u0103 cre\u0219tin\u0103, 283-304\u2500 a fost o farfurie cu doi ochi. Una dintre legendele medievale spunea c\u0103 proconsulul Pascasius<\/strong> \u201ea ordonat solda\u021bilor s\u0103i s\u0103-i scoat\u0103 ochii Luciei, dar dup\u0103 ce au f\u0103cut acest lucru, Dumnezeu i-a d\u0103ruit ochi noi, chiar mai frumo\u0219i dec\u00e2t cei pe care \u00eei avea \u00eenainte\u201d. Este foarte probabil c\u0103 at\u00e2t pictorul, c\u00e2t \u0219i gravorul s\u0103 fi cunoscut aceast\u0103 iconografie a Sfintei Lucia. Dup\u0103 cum cu siguran\u021b\u0103 cuno\u0219teau \u0219i iconografia unei alte martire, reprezentat\u0103 \u021bin\u00e2nd o lum\u00e2nare \u00een m\u00e2n\u0103, Sf\u00e2nta Genoveva \u2500420-502\u2500, patroana ora\u0219ului Paris datorit\u0103 marii sale credin\u021be, influen\u021bei \u0219i contribu\u021biei la ap\u0103rarea ora\u0219ului \u00eempotriva invaziei hunilor \u00een anul 450 \u0219i mai t\u00e2rziu \u00eempotriva invaziei francilor.<\/p>\n\n\n\n C\u00e2nd \u00eencerc\u0103m s\u0103 p\u0103trundem \u00een semnifica\u021bia acestei extraordinare gravuri, ne d\u0103m seama c\u0103 personajul central poart\u0103 pe cap un fel de coif pe care ies \u00een eviden\u021b\u0103 ni\u0219te ochi umani. Aceast\u0103 reprezentare face aluzie la faptul c\u0103, pentru a deveni r\u0103bd\u0103tori \u0219i toleran\u021bi<\/strong>, trebuie s\u0103 fim foarte con\u0219tien\u021bi, foarte aler\u021bi \u0219i \u00eenso\u021bi\u021bi de for\u021ba pe care ne-o indic\u0103 nicovala<\/strong> pe care b\u0103tr\u00e2nul \u00ee\u0219i sprijin\u0103 piciorul st\u00e2ng. Nicovala suport\u0103 toate loviturile f\u0103r\u0103 s\u0103 sufere nici cea mai mic\u0103 stric\u0103ciune, la fel \u0219i sufletul, \u00eent\u0103rit prin munca interioar\u0103, rezist\u0103 \u00eencerc\u0103rilor vie\u021bii zilnice, men\u021bin\u00e2ndu-se ferm pe cale.<\/p>\n\n\n\n Tor\u021ba pe care personajul o \u021bine \u00een m\u00e2na st\u00e2ng\u0103 alegorizeaz\u0103 lumina Con\u0219tiin\u021bei<\/strong>, deoarece f\u0103r\u0103 ea r\u0103t\u0103cim orbe\u0219te \u00een fa\u021ba adversit\u0103\u021bilor din existen\u021ba noastr\u0103. Acest lucru este reafirmat de farfuria cu doi ochi<\/strong> pe care acest b\u0103tr\u00e2n o poart\u0103 \u00een m\u00e2na dreapt\u0103. Avem nevoie de viziunea Con\u0219tiin\u021bei<\/strong> pentru a \u00een\u021belege \u0219i a p\u0103trunde adversit\u0103\u021bile din trecerea noastr\u0103 prin caruselul existen\u021bei. Toate acestea ne reafirm\u0103 credin\u021ba \u00een puterile Creatorului, care este capabil s\u0103 ne redea vederea chiar \u0219i atunci c\u00e2nd suntem supu\u0219i cruzimii umane.<\/p>\n\n\n\n Anahoretul musculos din gravura noastr\u0103 ne ofer\u0103, a\u0219adar, trei lucruri indispensabile pentru a triumfa \u00een c\u0103l\u0103toria ermetic\u0103: ni\u0219te ochi reprezent\u00e2nd Con\u0219tiin\u021ba, o nicoval\u0103 f\u0103c\u00e2nd aluzie la for\u021b\u0103 \u0219i o tor\u021b\u0103 indic\u00e2ndu-ne \u00een\u021belepciunea<\/strong>……<\/p>\n\n\n\n Cealalt\u0103 gravur\u0103, de mai jos, ne spune \u00een latin\u0103:<\/p>\n\n\n\n Traducere: \u2018Speran\u021ba se \u00eent\u0103re\u0219te prin r\u0103bdare\u2019<\/strong>.<\/p>\n\n\n Personificarea speran\u021bei \u021bine \u00een m\u00e2na dreapt\u0103 o nicoval\u0103, ca simbol al r\u0103bd\u0103rii \u0219i o ancor\u0103 al\u0103turi. Este bine s\u0103 preciz\u0103m dragi cititori c\u0103 ancora<\/strong> a fost folosit\u0103 \u00een epoca medieval\u0103 \u0219i \u00een timpul Rena\u0219terii de c\u0103tre fr\u0103\u021biile masonice pentru a reprezenta cele Trei For\u021be Primare ale Crea\u021biei<\/strong>: Tat\u0103l, Fiul \u0219i Spiritul Sf\u00e2nt; cu alte cuvinte, a fost un simbol al eliber\u0103rii<\/strong>.<\/p>\n\n\n\n R\u0103bdarea \u0219i toleran\u021ba \u2500capacitatea de a \u00eendura adversit\u0103\u021bile\u2500 sunt sinonime. Aceast\u0103 defini\u021bie ni se pare interesant\u0103:<\/p>\n\n\n\n Sinonime pentru r\u0103bdare: t\u0103rie, rezisten\u021b\u0103, resemnare.<\/em><\/strong><\/p>\n\n\n\n R\u0103bdarea este, prin derivare, o virtute a suferin\u021bei, dar este de asemenea o virtute activ\u0103, precum r\u0103bdarea \u00een h\u0103rnicie, \u00een aplicare \u0219i \u00een \u00eenv\u0103\u021b\u0103tur\u0103.<\/p>\n\n\n\n Pasiv, ea este senin\u0103, st\u0103p\u00e2n\u0103 pe sine, f\u0103r\u0103 s\u0103 cedeze teren sau s\u0103 se pl\u00e2ng\u0103; activ, ea adaug\u0103 la acest spirit, dup\u0103 cum este adecvat situa\u021biei, o h\u0103rnicie \u0219i o fidelitate constant\u0103, vigilent\u0103 \u0219i neobosit\u0103.<\/p>\n\n\n\n T\u0103ria este tipul pasiv de r\u0103bdare, \u00eenso\u021bit\u0103 de un curaj remarcabil. \u00cen rezisten\u021b\u0103, aten\u021bia este \u00eendreptat\u0103 spre suportarea muncii, a durerii, a insultei etc. Resemnarea implic\u0103 supunerea voluntar\u0103 a voin\u021bei fa\u021b\u0103 de o cauz\u0103 personal\u0103 de suferin\u021b\u0103 sau de pierdere; este un cuv\u00e2nt elevat, care \u00een general \u00eel consider\u0103 pe Dumnezeu drept st\u0103p\u00e2n al vie\u021bii umane. Prin urmare, resemnarea este, \u00een general, o supunere sau o bl\u00e2nde\u021be, resemn\u00e2ndu-ne sau renun\u021b\u00e2nd la dorin\u021bele personale \u00een fa\u021ba voin\u021bei lui Dumnezeu.<\/p>\n\n\n O observ\u0103m \u00een st\u00e2nga pe Sf\u00e2nta Lucia \u2500pictur\u0103 de Domenico Beccafumi, 1486-1551. \u00cen dreapta, Sf\u00e2nta Genoveva cu tor\u021ba \u0219i Sf\u00e2nta Lucia cu spada.<\/p>\n\n\n\n Aceste picturi indic\u0103 faptul c\u0103 ambele martire au lucrat cu Focurile Sacre \u0219i, prin urmare, au dreptul s\u0103 fie reprezentate cu spade.<\/p>\n\n\n\n V\u0103 dau c\u00e2teva fraze foarte potrivite pentru reflec\u021bie:<\/p>\n\n\n\n \u201eCredin\u021ba \u00eencepe ca un experiment \u0219i se termin\u0103 ca o experien\u021b\u0103.\u201d<\/em><\/strong> \u201eCredin\u021ba const\u0103 \u00een a accepta afirma\u021biile sufletului, iar absen\u021ba credin\u021bei \u00een a le nega.\u201d<\/em><\/strong> \u201eOmul credincios este ve\u0219nic \u00een speran\u021ba sa.\u201d<\/em><\/strong> \u201eCredin\u021ba este continuarea ra\u021biunii.\u201d<\/em><\/strong> \u201eCel care are \u00eencredere nu obose\u0219te niciodat\u0103.\u201d<\/em><\/strong> PACTA SUNT SERVANDA.<\/em><\/strong> KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Estos grabados pertenecen a una serie de 14 dibujos llamada La Escalera de Jacob o La alegor\u00eda del camino a la salvaci\u00f3n eterna, impresos por Dirck Volckertszoon en 1550. Los grabados llevan la firma del pintor neerland\u00e9s Maarten Van Heemskerck como su creador.<\/p>\n","protected":false},"author":4,"featured_media":40708,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,135,469],"tags":[544,808,1150,1151],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-40785","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-psihologie","category-mesaje-vm-kwen-khan-khu","tag-simbolismo-ro","tag-virtudes-ro","tag-escalera-de-jacob-ro","tag-paciencia-ro","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/40785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=40785"}],"version-history":[{"count":1,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/40785\/revisions"}],"predecessor-version":[{"id":40787,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/40785\/revisions\/40787"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/40708"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=40785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=40785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=40785"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=40785"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=40785"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=40785"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=40785"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=40785"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=40785"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=40785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Aceste gravuri fac parte dintr-o serie de 14 desene numit\u0103 Scara lui Iacob<\/em> sau Alegoria drumului c\u0103tre m\u00e2ntuirea ve\u0219nic\u0103<\/em>, tip\u0103rite de Dirck Volckertszoon \u00een 1550. Gravurile poart\u0103 semn\u0103tura pictorului olandez Maarten Van Heemskerck ca autor al acestora.<\/p>\n\n\n![\"Toleran\u021ba,](\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/06\/la-tolerancia-marten-van-heemskerck-480x747.jpg\" "\\"Toleran\u021ba,")
<\/figure><\/div>\n\n\nSpes roboratur patientia.<\/em><\/pre>\n\n\n\n
![\"R\u0103bdarea,](\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/06\/la-esperanza-marten-van-heemskerck-480x725.jpg\" "\\"R\u0103bdarea,")
<\/figure><\/div>\n\n\n![\"Sf\u00e2nta](\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/06\/santa-lucia-santa-genoveva-domenico-beccafumi-960x677.jpg\" "\\"Sf\u00e2nta")
William Ralph Inge<\/p>\n\n\n\n
Emerson<\/p>\n\n\n\n
Lucas Fern\u00e1ndez de Ayala<\/p>\n\n\n\n
William Adams<\/p>\n\n\n\n
Quevedo<\/p>\n\n\n\n
\u2500\u2018Pactele trebuie \u00eendeplinite.\u2019\u2500<\/p>\n\n\n\n