\u2500\u2018Timpul pierdut \u0219i oportunitatea sunt urm\u0103rite dar nu pot fi ajunse\u2019\u2500<\/h2>\n\n\n
![\"Timpul](\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/06\/el-tiempo-huido-y-la-oportunidad-480x833.jpg\" "\\"Timpul")
<\/figure><\/div>\n\n\nS\u0103 vedem, \u00eenainte de toate, aceste expresii latine \u0219i ce vor ele s\u0103 ne transmit\u0103:<\/p>\n\n\n\n
A. Hem socij. quantum video, non omnis ademta spes nobis: noua praeteritorum alludit imago.
B. Siste gradum, TEMPVS. Quo tam pernicibus alis praecipitas?
A. Lentesce precor, nosque adspice praesens.
B. \u00a1Ah! Fugit.
C. Heu! Velox Occasio praeterit,, ora detorquens alio.
D. Miseris quid denique restat?
C. Quid vetat iniectis manibus retinere fugacem?
D. Ferte manus.
C. En eluctata est, veste relicta. Prende capillitium, et proprio remorare capistro.
E. Heu! Sero sapimus.
F. POST EST OCCASIO CALVA.<\/pre>\n\n\n\nPe o pancart\u0103 din st\u00e2nga:<\/p>\n\n\n\n
Volat irreuocabile Tempus.<\/pre>\n\n\n\nPe cea din dreapta:<\/p>\n\n\n\n
Post est Occasio calua.<\/pre>\n\n\n\nTraducere:<\/p>\n\n\n\n
A. Oh, tovar\u0103\u0219i, din c\u00e2te v\u0103d eu, nu suntem lipsi\u021bi de orice speran\u021b\u0103: efigia trecutului face aluzie la nout\u0103\u021bi.<\/p>\n\n\n\n
B. Opre\u0219te-\u021bi pasul, TIMPULE, unde te gr\u0103be\u0219ti cu aripi at\u00e2t de iu\u021bi?<\/p>\n\n\n\n
A. Calmeaz\u0103-te, te implor \u0219i \u00eendreapt\u0103-te spre noi cu bun\u0103voin\u021b\u0103.<\/p>\n\n\n\n
B. Ah, fugi.<\/p>\n\n\n\n
C. Vai mie!, oportunitatea trece \u00een grab\u0103, \u00eendrept\u00e2ndu-se \u00een alt loc.<\/p>\n\n\n\n
D. \u0218i \u00een cele din urm\u0103 ce ne mai r\u0103m\u00e2ne [nou\u0103], mizerabilii?<\/p>\n\n\n\n
C. Ce ne \u00eempiedic\u0103 s\u0103 o re\u021binem pe cea fugar\u0103 cu m\u00e2inile \u00eentinse spre ea?<\/p>\n\n\n\n
D. \u00centinde\u021bi m\u00e2inile.<\/p>\n\n\n\n
C. Iat\u0103, ea a \u00eencercat s\u0103 ias\u0103 din haina ei care a fost l\u0103sat\u0103 \u00een urm\u0103. Prinde\u021bi-o de p\u0103r \u0219i \u021bine\u021bi-o de propriul ei fr\u00e2u.<\/p>\n\n\n\n
E. Vai mie! Ne d\u0103m seama prea t\u00e2rziu.<\/p>\n\n\n\n
F. PE LA SPATE OPORTUNITATEA ESTE CHEAL\u0102\u2026<\/p>\n\n\n\n
Cele dou\u0103 pancarte:<\/p>\n\n\n\n
Timpul zboar\u0103 iremediabil.
Pe la spate Oportunitatea este cheal\u0103.<\/pre>\n\n\n\nAceast\u0103 a noua gravur\u0103 descrie situa\u021bia disperat\u0103 a celor care \u00ee\u0219i dau seama c\u0103 au pierdut oportunitatea potrivit\u0103: ELAPSVM TEMPVS ET OCCASIONEM INSEQVVNTUR, NON ASSEQVVVNTVR<\/em>, \u2018Timpul pierdut \u0219i oportunitatea sunt urm\u0103rite, dar nu pot fi ajunse\u2019.<\/p>\n\n\n\n
Tinerii A \u0219i B din fundal v\u0103d timpul trec\u00e2nd. La \u00eenceput cred c\u0103 Tempvs se va \u00eentoarce, strig\u0103 la el s\u0103 se \u00eentoarc\u0103 \u0219i s\u0103 se uite la ei. Cei doi tineri C \u0219i D, \u00een prim-plan \u00een dreapta, alearg\u0103 dup\u0103 Occasio \u0219i \u00eencearc\u0103 s\u0103 o prind\u0103. Dar partea din spate a capului ei este cheal\u0103 \u2500post est Occasio calva<\/em>, \u2018pe la spate ocazia este cheal\u0103\u2019\u2500, a\u0219a c\u0103 nu o mai pot apuca de p\u0103r, ci doar de \u0219al, pe care \u00eel smulg \u00een zadar.<\/p>\n\n\n\n
Un alt t\u00e2n\u0103r \u2500E\u2500 alearg\u0103 dup\u0103 o figur\u0103 demonic\u0103 din st\u00e2nga, ar\u0103t\u00e2nd spre o pas\u0103re care zboar\u0103 spre cer. \u00cen textul de sub imagine \u00eei este atribuit\u0103 exclama\u021bia: \u201eNe d\u0103m seama c\u0103 este prea t\u00e2rziu\u201d. \u00cen imagine, pe o pancart\u0103 spune: \u201eTimpul zboar\u0103 iremediabil\u201d \u2500Volat irevocabile Tempus<\/em>.<\/p>\n\n\n\n
Un schimb remarcabil are loc \u00eentre t\u00e2n\u0103rul D \u0219i figura diavolului care st\u0103 sau danseaz\u0103 pe un mic deal din fundal. T\u00e2n\u0103rul strig\u0103 disperat: \u201ePost est Occasio calva\u201d<\/em> printr-o pancart\u0103 din imagine. Aceea\u0219i fraz\u0103 este pus\u0103 \u00een gura diavolului prin litera F. Situa\u021bia arat\u0103 clar c\u0103 acesta \u00eel imit\u0103 cu r\u0103utate pe t\u00e2n\u0103r.<\/p>\n\n\n\n
\u2500C\u0103r\u021bi devo\u021bionale alegorice din Anvers: textele lui Theodore Galle \u00een proiectele de c\u0103r\u021bi iezuite tip\u0103rite de Plantin \u2500Moretus \u00een Anvers \u00een jurul anului 1600, ANNE-KATRIN SORS.\u2500<\/p>\n\n\n\n
Ce sunt toate acestea?<\/p>\n\n\n\n
Prieteni \u0219i prietene, aici ni se arat\u0103 FOR\u021aA ENTROPIEI care ac\u021bioneaz\u0103 din interiorul nostru, provocat\u0103 de EGOUL nostru ANIMAL, semnalat de diavolul din gravura noastr\u0103. C\u00e2nd ne oprim la un moment dat \u00een via\u021ba noastr\u0103 \u0219i o trecem \u00een revist\u0103, constat\u0103m c\u0103, \u00een multe cazuri, EUL a reu\u0219it s\u0103 ne \u021bin\u0103 ocupa\u021bi cu nenum\u0103rate tertipuri viclene pentru a ne \u00eempiedica s\u0103 profit\u0103m de oportunit\u0103\u021bile de a ob\u021bine realiz\u0103ri spirituale de diferite feluri.<\/p>\n\n\n\n
Tocmai de aceea exist\u0103 un proverb sau o zical\u0103 care ne spune chiar \u0219i ast\u0103zi: \u201eOportunitatea este pictat\u0103 cheal\u0103\u201d<\/strong>, tocmai pentru c\u0103 nu \u0219tii cum s\u0103 o apuci sau s\u0103 o prinzi.<\/p>\n\n\n\n
Solu\u021bia la aceast\u0103 nenorocire const\u0103 tocmai \u00een a ne men\u021bine \u00eentr-o STARE DE PERCEP\u021aIE ALERT\u0102, de ALERT\u0102 NOUTATE, pentru a nu ne l\u0103sa prin\u0219i de somnul Con\u0219tiin\u021bei. Am cunoscut mul\u021bi colegi care, av\u00e2ndu-l aproape de ei la un moment dat pe \u00eensu\u0219i Avatarul, nu i-au pus niciodat\u0103 \u00eentreb\u0103ri despre via\u021ba lor, despre destinul lor, despre viitorul lor etc., etc. C\u00e2nd \u0219i-au amintit de acele momente, au sim\u021bit o mare dezn\u0103dejde pentru c\u0103 atunci ERA DEJA T\u00c2RZIU, OPORTUNITATEA FUSESE PIERDUT\u0102\u2026<\/p>\n\n\n\n
Timpul, CRONOS, nu poate fi tr\u0103it din nou a\u0219a cum a fost ini\u021bial. De aceea se spune c\u0103 natura sa este TREC\u0102TOARE, alearg\u0103 ca fulgerul \u0219i \u00ee\u0219i urmeaz\u0103 cursul.<\/p>\n\n\n\n
V\u0103 d\u0103ruiesc acum c\u00e2teva fraze pentru a reflecta la ele:<\/p>\n\n\n\n
\u201eTimpul este imaginea \u00een mi\u0219care a eternului.\u201d<\/em><\/strong>
Platon<\/p>\n\n\n\n\u201eOmul obi\u0219nuit doar se \u00eengrije\u0219te s\u0103 treac\u0103 timpul, omul \u00eenzestrat se preocup\u0103 s\u0103-l foloseasc\u0103.\u201d<\/em><\/strong>
Schopenhauer<\/p>\n\n\n\n\u201eFiecare moment este unic.\u201d<\/em><\/strong>
Goethe<\/p>\n\n\n\n\u201eNu exist\u0103 nimic f\u0103cut de m\u00e2na omului pe care, mai devreme sau mai t\u00e2rziu, timpul s\u0103 nu-l distrug\u0103\u201d.<\/em><\/strong>
Cicero<\/p>\n\n\n\n\u201eCine nu aplic\u0103 noi remedii trebuie s\u0103 se a\u0219tepte la rele noi, pentru c\u0103 cel mai mare inovator este timpul.\u201d<\/em><\/strong>
Bacon<\/p>\n\n\n\nTEMPORA MUTANTUR<\/em><\/strong>.
\u2500\u2018Vremurile se schimb\u0103.\u2019\u2500<\/p>\n\n\n\nKWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"
Aceast\u0103 a noua gravur\u0103 descrie situa\u021bia disperat\u0103 a celor care \u00ee\u0219i dau seama c\u0103 au pierdut oportunitatea potrivit\u0103: ELAPSVM TEMPVS ET OCCASIONEM INSEQVVNTUR, NON ASSEQVVVNTVR, \u2018Timpul pierdut \u0219i oportunitatea sunt urm\u0103rite, dar nu pot fi ajunse\u2019.<\/p>\n","protected":false},"author":16,"featured_media":40421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,469],"tags":[],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-40445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-mesaje-vm-kwen-khan-khu","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/40445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=40445"}],"version-history":[{"count":2,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/40445\/revisions"}],"predecessor-version":[{"id":40448,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/40445\/revisions\/40448"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/40421"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=40445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=40445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=40445"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=40445"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=40445"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=40445"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=40445"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=40445"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=40445"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=40445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}