{"id":39621,"date":"2025-05-03T10:00:00","date_gmt":"2025-05-03T13:00:00","guid":{"rendered":"https:\/\/vopus.org\/el-espejo-que-engana\/"},"modified":"2025-05-05T11:59:06","modified_gmt":"2025-05-05T14:59:06","slug":"oglinda-care-insala","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/oglinda-care-insala\/","title":{"rendered":"&#8222;Specvlvm fallax&#8221; (Oglinda care \u00een\u0219al\u0103)"},"content":{"rendered":"\n<p>Mult aprecia\u021bi cititori \u0219i cititoare,<\/p>\n\n\n\n<p>Iau peni\u021ba pentru a v\u0103 transmite c\u00e2teva comentarii legate de importan\u021ba profund\u0103 de a ne apropia de TEHNICA ADEV\u0102RATEI autoobserv\u0103ri \u0219i de n\u0103zuin\u021bele noastre de a tr\u0103i \u00een realitate \u0219i nu \u00een fantezii.<\/p>\n\n\n\n<p>\u00cenainte de a intra \u00een materie vreau s\u0103 v\u0103 spun c\u0103 aceast\u0103 gravur\u0103 este intitulat\u0103\u2026<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><em>\u2026SPECVLVM FALLAX<\/em><br>\u2500\u2018Oglinda care \u00een\u0219al\u0103\u2019\u2500<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img decoding=\"async\" width=\"480\" height=\"820\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/05\/el-espejo-que-engana-480x820.jpg\" alt=\"Oglinda care \u00een\u0219al\u0103, Theodoor Galle\" class=\"wp-image-39589\" title=\"Oglinda care \u00een\u0219al\u0103, Theodoor Galle\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2025\/05\/el-espejo-que-engana-480x820.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/05\/el-espejo-que-engana-960x1641.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/05\/el-espejo-que-engana-768x1312.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2025\/05\/el-espejo-que-engana.jpg 644w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n\n\n<p>Gravura este a doua dintr-o serie de dou\u0103sprezece gravuri care apar \u00een cartea <strong><em>Duodecim specula Deum aliquando videre desideranti concinnata<\/em><\/strong>, \u2018Dou\u0103sprezece oglinzi r\u00e2nduite cu grij\u0103 pentru persoana care dore\u0219te \u00eentr-o zi s\u0103 \u00eel vad\u0103 pe Dumnezeu\u2019, publicat\u0103 pentru prima dat\u0103 \u00een 1601 la Anvers. Gravorul \u0219i editorul flamand Theodoor Galle \u25001571-1633\u2500 este autorul desenelor.<\/p>\n\n\n\n<p>Apropiindu-ne de figurile din aceast\u0103 ilustra\u021bie, vedem, \u00een primul r\u00e2nd, o vulpe sufl\u00e2nd \u00eentr-un balon de s\u0103pun care ia forma lumii. Fundalul este plin de simboluri ale \u00een\u0219el\u0103ciunii p\u0103m\u00e2nte\u0219ti: o femeie care se uit\u0103 \u00eentr-o oglind\u0103, un bufon care contempl\u0103 luna printr-o oglind\u0103, un pictor care \u00eel \u00eenf\u0103\u021bi\u0219eaz\u0103 pe un \u00eenger ca pe un demon, un cameleon care se poate deghiza \u00een iepure, \u021bap sau vulpe, un tigru care nu se recunoa\u0219te \u00een oglind\u0103 \u0219i un c\u0103l\u0103re\u021b care fur\u0103 puiul de tigru. Gravura are o inscrip\u021bie \u00een latin\u0103:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u00abFallacis SPECVLI caueris te ludat imago: Non aurum est, quidquid bractea fulua tegit\u00bb.<\/p>\n<\/blockquote>\n\n\n\n<p>\u2018Evit\u0103 s\u0103 fii batjocorit de imaginea OGLINZII \u00ceN\u0218EL\u0102TOARE: nu tot ce ascunde o folie este aur.\u2019<\/p>\n\n\n\n<p>\u00cen partea de jos este o legend\u0103 a scenelor reprezentate \u00een imagine, fiecare fiind marcat\u0103 cu o liter\u0103 a alfabetului.<\/p>\n\n\n\n<p><strong>Litere \u0219i semnifica\u021bii<\/strong>:<\/p>\n\n\n\n<p><strong>A. <em>Fallax et mendax speculum:<\/em>\u00a0<\/strong>\u2018O oglind\u0103 \u00een\u0219el\u0103toare \u0219i mincinoas\u0103\u2019.<\/p>\n\n\n\n<p><strong>B. <em>Stultus se in luna contemplans<\/em>:\u00a0<\/strong>\u2018Un prost contempl\u00e2ndu-se \u00een Lun\u0103\u2019.<\/p>\n\n\n\n<p><strong>C. <em>Fallitur, pro angelo daemonem pingens<\/em>:\u00a0<\/strong>\u2018Se \u00een\u0219al\u0103 cel care picteaz\u0103 un demon \u00een locul unui \u00eenger\u2019.<\/p>\n\n\n\n<p><strong>D.<\/strong> <strong><em>Mundus, speculorum fallacium fallacissimum<\/em>:\u00a0<\/strong>\u2018Lumea, o oglind\u0103 \u00een\u0219el\u0103toare, cea mai \u00een\u0219el\u0103toare\u2019.<\/p>\n\n\n\n<p><strong>E.<\/strong> <strong><em>Mundus luna inconstantior<\/em>:\u00a0<\/strong>\u2018Lumea este mai instabil\u0103 dec\u00e2t Luna\u2019.<\/p>\n\n\n\n<p><strong>F.<\/strong> <strong><em>Vulpecula, mundi fallacis typus<\/em>:\u00a0<\/strong>\u2018Mica vulpe, simbol al lumii \u00een\u0219el\u0103toare\u2019.<\/p>\n\n\n\n<p><strong>G.<\/strong> <strong><em>Vulpecvla<\/em><\/strong><em>,<strong>\u00a0in concha e sapone bullosum mundum festuca excitat<\/strong><\/em><strong>:\u00a0<\/strong>\u2018Mica vulpe, \u00eentr-o scoic\u0103, un strop de s\u0103pun treze\u0219te bula lumii\u2019.<\/p>\n\n\n\n<p><strong>H.<\/strong> <strong><em>Tigris viua adhuc capi nequiuit<\/em>:\u00a0<\/strong>\u2018Tigrul nu a fost \u00eenc\u0103 prins de viu\u2019.<\/p>\n\n\n\n<p><strong>I.<\/strong> <strong><em>Catulus aliquando ab equite surripitur<\/em>:\u00a0<\/strong>\u2018Uneori, un c\u0103l\u0103re\u021b fur\u0103 puiul de tigru\u2019.<\/p>\n\n\n\n<p><strong>K.<\/strong> <strong><em>Mater obiecto speculo fallitur<\/em>:\u00a0<\/strong>\u2018Mama \u2500mama tigru\u2500 se las\u0103 \u00een\u0219elat\u0103 de oglind\u0103\u2019.<\/p>\n\n\n\n<p><strong>L.<\/strong> <strong><em>Chamaeleontis vafricies<\/em>: <\/strong>\u2018Forma \u0219i mijloacele de \u00een\u0219el\u0103ciune ale cameleonului\u2019.<\/p>\n\n\n\n<p>\u00cencerc\u00e2nd s\u0103 aprofund\u0103m ceea ce sugereaz\u0103 aceste texte, vom spune:<\/p>\n\n\n\n<p>Cu siguran\u021b\u0103, prieteni \u0219i prietene, at\u00e2ta timp c\u00e2t vom avea Con\u0219tiin\u021ba adormit\u0103, vom tr\u0103i mereu \u00een\u0219ela\u021bi de aceast\u0103 existen\u021b\u0103 mayavic\u0103, iar acest hipnotism ne men\u021bine lega\u021bi de faimoasa Roat\u0103 a Samsarei. Orice persoan\u0103 adormit\u0103 psihic va fi \u00eentotdeauna sclav\u0103 a ro\u021bii na\u0219terilor \u0219i mor\u021bilor sau a Ro\u021bii Samsarei.<\/p>\n\n\n\n<p>De aceea, men\u021bionarea oglinzii \u00een aceast\u0103 gravur\u0103 este pentru a ne atrage aten\u021bia asupra iluzionismului pe care \u00eel creeaz\u0103 psihicul nostru atunci c\u00e2nd sim\u021burile noastre sunt fascinate \u0219i nu vedem niciodat\u0103 realit\u0103\u021bile care sunt cu adev\u0103rat prezente \u00een natur\u0103. De aici \u0219i ceea ce ne spune Avatarul nostru, Samael Aun Weor, despre a faptul de a \u00eenv\u0103\u021ba s\u0103 transform\u0103m impresiile pe care le primim de-a lungul vie\u021bii noastre, pentru a nu tr\u0103i pe baza imaginilor distorsionate de agregatele noastre psihologice. \u00cen acest fel, psihicul nostru va fi mereu \u00eembuteliat \u0219i nu vom fi niciodat\u0103 liberi.<\/p>\n\n\n\n<p>\u00centr-adev\u0103r, pare incredibil c\u0103 \u00een acele secolele XV \u0219i XVI mul\u021bi oculti\u0219ti se dedicau s\u0103 arate mul\u021bimilor mirajul pe care EUL \u00eel fabric\u0103 \u00een mod constant din concep\u021bii false, distorsion\u00e2nd impresiile pe care le primim prin cele cinci sim\u021buri.<\/p>\n\n\n\n<p>Astfel, atunci c\u00e2nd ni se spune c\u0103 un prost se contempl\u0103 \u00een Lun\u0103, suntem avertiza\u021bi c\u0103 tocmai psihologia noastr\u0103 este lunar\u0103 \u0219i c\u0103 \u00een aceast\u0103 psihologie fals\u0103 pretindem s\u0103 ne observ\u0103m.<\/p>\n\n\n\n<p>Sau poate atunci c\u00e2nd ajungem la falsa concep\u021bie c\u0103 cineva este un <strong>demon<\/strong>, de\u0219i de fapt este un \u00eenger.<\/p>\n\n\n\n<p>De asemenea, aceia care credem c\u0103 lumea noastr\u0103 este minunat\u0103, c\u00e2nd \u00een realitate este pres\u0103rat\u0103 cu incoeren\u021be \u00een toate domeniile sale.<\/p>\n\n\n\n<p>\u0218i ce s\u0103 mai spunem despre <strong>vulpea<\/strong> care, dintr-o bul\u0103 de s\u0103pun, este capabil\u0103 s\u0103 creeze o lume? Cu mult temei, V.M. Samael ne spune \u00een tratatul s\u0103u intitulat <em>TRANDAFIRUL IGNIC<\/em> c\u0103 corpul mental al oamenilor obi\u0219nui\u021bi are o form\u0103 care se apropie de cea a unei vulpi. Mintea este o vulpe rea, care creeaz\u0103 mereu probleme peste tot.<\/p>\n\n\n\n<p>Tigrul, un animal considerat de multe culturi din vechime ca fiind foarte <strong>iste\u021b<\/strong>, este \u00een noi, simbolic vorbind, \u00eentr-o stare de catalepsie; este ca \u0219i mort. De aceea ni se spune: \u201eTigrul nu a fost \u00eenc\u0103 prins de viu\u201d.<\/p>\n\n\n\n<p>Iar atunci c\u00e2nd am \u00eencercat s\u0103 trezim acel tigru al autoobserv\u0103rii, atunci trece deodat\u0103 un c\u0103l\u0103re\u021b \u2500un agregat psihologic\u2500 care ne fur\u0103 <strong>puiul<\/strong> care ne-ar putea d\u0103rui facultatea TREZIRII pe care o dorim at\u00e2t de mult.<\/p>\n\n\n\n<p>De asemenea, atunci c\u00e2nd mama-tigru ne este descris\u0103 ca l\u0103s\u00e2ndu-se \u00een\u0219elat\u0103 \u00een fa\u021ba oglinzii, este pentru c\u0103 psihologia noastr\u0103 este \u00een stare de com\u0103 \u0219i nu percepe realitatea.<\/p>\n\n\n\n<p>\u00cen cele din urm\u0103, ori de c\u00e2te ori am \u00eencercat s\u0103 definim trucurile cameleonului pentru a evita s\u0103 fim prin\u0219i \u00een mi\u0219c\u0103rile sale, toate acestea au fost asociate \u0219i cu schimb\u0103rile pe care le putem percepe \u00een pluralitatea psihologic\u0103 a umanoizilor ra\u021bionali care populeaz\u0103 lumea noastr\u0103.<\/p>\n\n\n\n<p>Adaug acum c\u00e2teva fraze potrivite pentru reflec\u021bie:<\/p>\n\n\n\n<p><strong><em>\u201eOrice preponderen\u021b\u0103 a fanteziei asupra ra\u021biunii este un grad de nebunie.\u201d<\/em><\/strong><br>Samuel Johnson<\/p>\n\n\n\n<p><strong><em>\u201eExist\u0103 un timp pentru fiecare lucru \u0219i fiecare eveniment are timpul s\u0103u marcat \u00een ceruri.\u201d<\/em><\/strong><br>Ecleziastul<\/p>\n\n\n\n<p><strong><em>\u201eCeea ce s-a n\u0103scut din p\u0103m\u00e2nt, cade \u00een p\u0103m\u00e2nt, \u0219i se \u00eentoarce \u00een cer ceea ce a venit din cer.\u201d<\/em><\/strong><br>Euripide<\/p>\n\n\n\n<p><strong><em>\u201eA lupta \u00eempotriva destinului nostru ar fi o lupt\u0103 precum cea a snopului de spice care ar vrea s\u0103 se \u00eempotriveasc\u0103 secerii.\u201d<\/em><\/strong><br>Lord Byron<\/p>\n\n\n\n<p><strong><em>\u201eFanatismul este pentru religie ceea ce ipocrizia este pentru virtute.\u201d<\/em><\/strong><br>Charles Palissot<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>UT SEMENTEM FECERIS, ITA METES.<\/em><\/strong><br>\u2500\u2018Dup\u0103 cum vei preg\u0103ti s\u0103m\u00e2n\u021ba, a\u0219a vei culege.\u2019\u2500<\/p>\n\n\n\n<p><strong>KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Iau peni\u021ba pentru a v\u0103 transmite c\u00e2teva comentarii legate de importan\u021ba profund\u0103 de a ne apropia de TEHNICA ADEV\u0102RATEI autoobserv\u0103ri \u0219i de n\u0103zuin\u021bele noastre de a tr\u0103i \u00een realitate \u0219i nu \u00een fantezii.<\/p>\n","protected":false},"author":4,"featured_media":39615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,135,469],"tags":[535,544,1086,1087],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-39621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-psihologie","category-mesaje-vm-kwen-khan-khu","tag-arte-ro","tag-simbolismo-ro","tag-auto-observacion-ro","tag-theodoor-galle-ro","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/39621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=39621"}],"version-history":[{"count":2,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/39621\/revisions"}],"predecessor-version":[{"id":39624,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/39621\/revisions\/39624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/39615"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=39621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=39621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=39621"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=39621"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=39621"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=39621"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=39621"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=39621"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=39621"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=39621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}