{"id":34616,"date":"2024-06-29T20:14:00","date_gmt":"2024-06-29T23:14:00","guid":{"rendered":"https:\/\/vopus.org\/cultura-mundi\/"},"modified":"2025-09-21T16:55:26","modified_gmt":"2025-09-21T19:55:26","slug":"cultura-mundi","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/cultura-mundi\/","title":{"rendered":"Cultura mundi"},"content":{"rendered":"\n

Dragi cititori \u0219i cititoare,<\/p>\n\n\n\n

V\u0103 trimit acum a doua gravur\u0103 din secven\u021ba de patru \u00een total realizate de artistul flamand G\u00e9rard Van Groeningen \u00een anul 1573. Aceasta este seria de gravuri intitulat\u0103 Cele patru moduri de a tr\u0103i pe p\u0103m\u00e2nt<\/strong><\/em>.<\/p>\n\n\n\n

Mai exact, aceast\u0103 gravur\u0103 este intitulat\u0103\u2026<\/p>\n\n\n\n

\u2026CULTURA MUNDI<\/em>
\u2500\u2018Calea lumii\u2019\u2500<\/h2>\n\n\n\n

Gravura nr. 2<\/strong><\/strong><\/p>\n\n\n

\n
\"Cultura<\/figure><\/div>\n\n\n

Aceast\u0103 oper\u0103 \u00eenf\u0103\u021bi\u0219eaz\u0103, \u00een acest caz, identificarea maselor sociale cu banii<\/strong> \u0219i, cu aceast\u0103 ocazie, m\u00e2nate de l\u0103comie \u0219i avari\u021bie<\/strong>.<\/p>\n\n\n\n

Observ\u0103m \u00een prim plan un cuplu care prime\u0219te pungi cu aur de la un b\u0103tr\u00e2n. Acest b\u0103tr\u00e2n poart\u0103 pe cap globul reprezentativ al lumii. Aceasta este pentru a ne spune c\u0103, \u00een mod cert, omenirea, fiin\u021bele umane, c\u0103ut\u0103m cu l\u0103comie bog\u0103\u021biile lumii tridimensionale \u0219i suntem dispu\u0219i s\u0103 ne dedic\u0103m via\u021ba doar c\u0103ut\u0103rii lucrurilor materiale. Aceasta eviden\u021biaz\u0103 c\u0103 Con\u0219tiin\u021ba noastr\u0103, \u00een adormirea ei, consider\u0103 drept ceva transcendental ceea ce este pieritor, van etc., precum banii \u0219i bog\u0103\u021biile materiale<\/strong>\u2026<\/p>\n\n\n\n

De o parte a cuplului men\u021bionat vedem o alt\u0103 femeie care \u021bine \u0219i ea o pung\u0103 de aur \u00een m\u00e2na st\u00e2ng\u0103 \u0219i prive\u0219te un castel care se vede \u00een dep\u0103rtare. \u00cen mod misterios, aceast\u0103 alt\u0103 femeie se uit\u0103, de asemenea, la un \u00eenger care c\u00e2nt\u0103 la o trompet\u0103 \u0219i poart\u0103 un ve\u0219m\u00e2nt pe care se v\u0103d mul\u021bi ochi. Acest lucru este pentru a ne avertiza s\u0103 ne deschidem bine ochii pentru a nu ne l\u0103sa \u00eenvin\u0219i de l\u0103comie<\/strong>. Suntem mul\u021bi cei care ne schimb\u0103m dreptul de \u00eent\u00e2i n\u0103scut pentru o farfurie de linte, mai ales atunci c\u00e2nd \u00eencerc\u0103m s\u0103 urm\u0103m o cale spiritual\u0103. Am cunoscut persoane care au jurat \u00een fa\u021ba unui altar s\u0103 \u00ee\u0219i dedice \u00eentreaga via\u021b\u0103 c\u0103ut\u0103rii realit\u0103\u021bii lor interioare \u0219i care, abia dup\u0103 c\u00e2teva luni, au abandonat calea st\u00e2ncoas\u0103 tocmai pentru c\u0103 \u0219i-au g\u0103sit un loc de munc\u0103 \u00een lumea tridimensional\u0103 care le promitea mul\u021bi bani<\/strong>….. \u0218i am v\u0103zut acest lucru at\u00e2t la b\u0103rba\u021bi, c\u00e2t \u0219i la femei. Este foarte greu s\u0103 r\u0103m\u00e2nem credincio\u0219i Tat\u0103lui nostru care se afl\u0103 \u00een secret, pentru c\u0103 lumea \u0219i pl\u0103cerile ei exercit\u0103 o fascina\u021bie spectaculoas\u0103 asupra psihicului nostru \u2500adormit.<\/p>\n\n\n\n

Globul pe care \u00eel poart\u0103 b\u0103tr\u00e2nul pe cap are o cruce deasupra. Aceasta pentru a ne spune c\u0103 p\u00e2n\u0103 \u0219i lumea cre\u0219tin\u0103 este \u00eenghi\u021bit\u0103 de l\u0103comia Eului. Eul animal nu are respect pentru nimeni \u0219i pentru nimic.<\/p>\n\n\n\n

Deasupra femeii care formeaz\u0103 cuplul din gravura noastr\u0103 vedem \u00een latin\u0103 cuv\u00e2ntul Avaritia<\/strong><\/em>, care trebuie tradus ca \u2018L\u0103comie\u2019. L\u00e2ng\u0103 b\u0103tr\u00e2n, mai exact la picioarele lui, apare un alt cuv\u00e2nt latin: Mundus<\/strong><\/em>, care \u00eenseamn\u0103 \u2018LUME\u2019. De asemenea, \u00een ceruri, l\u00e2ng\u0103 tr\u00e2mbi\u021ba din care sufl\u0103 \u00eengerul, apare cuv\u00e2ntul Fama<\/strong><\/em>, care \u00eenseamn\u0103 \u2018FAIM\u0102\u2019. Cu siguran\u021b\u0103 oamenii vor s\u0103 fie faimo\u0219i, boga\u021bi, avari, lacomi, toate acestea apar\u021bin\u00e2nd domeniului EGOULUI ANIMAL. Mul\u021bimile din zilele noastre nu vor dec\u00e2t s\u0103 devin\u0103 faimoase pentru a fi admirate \u0219i de aceea caut\u0103 s\u0103 se \u00eenconjoare de bani \u0219i de diversele bog\u0103\u021bii ale lumii materiale.<\/p>\n\n\n\n

La picioarele femeii care \u00eenso\u021be\u0219te cuplul, putem vedea, de asemenea, un cuv\u00e2nt latin care exprim\u0103 Ambitio<\/strong><\/em>, care ne vorbe\u0219te despre \u2018AMBI\u021aIE\u2019. Procesul Eului se bazeaz\u0103 pe \u201emai mult\u201d: mai mul\u021bi bani, mai multe propriet\u0103\u021bi, mai mult\u0103 faim\u0103 etc., etc., etc. A\u0219a ac\u021bioneaz\u0103 ambi\u021bia<\/strong> \u00een fiin\u021ba uman\u0103. Din cauza ambi\u021biei se comit crime, se tr\u0103deaz\u0103 idealuri, se distrug familii, imperii etc., etc., etc.<\/p>\n\n\n\n

\u00cen fundal, castelul pe care \u00eel vedem este \u00een fl\u0103c\u0103ri \u0219i vedem o confruntare \u00eentre persoanele care se afl\u0103 \u00een interiorul acelei locuin\u021be \u0219i altele care se afl\u0103 afar\u0103. Ambele tabere sunt \u00een r\u0103zboi \u0219i aceasta pentru a ne ar\u0103ta cum c\u0103ile l\u0103comiei \u0219i ambi\u021biei, mai devreme sau mai t\u00e2rziu, duc la r\u0103zboaie \u00eentre popoarele lumii noastre. Ast\u0103zi, \u00een zilele noastre, \u021b\u0103rile intr\u0103 \u00een r\u0103zboi \u00eempinse de ambi\u021bia provocat\u0103 de dorin\u021ba de a pune st\u0103p\u00e2nire pe bog\u0103\u021bia petrolier\u0103 a diferitelor zone ale lumii noastre, de l\u0103comia pentru aurul care zace \u00een anumite locuri din geografia noastr\u0103, de dorin\u021ba de pietrele pre\u021bioase care abund\u0103 \u00een anumite terenuri situate \u00een anumite zone ale unor \u021b\u0103ri\u2026 Toate acestea fac ca rasa noastr\u0103 uman\u0103 s\u0103 fie implicat\u0103 \u00een co\u0219marul r\u0103zboaielor<\/strong>…..<\/p>\n\n\n\n

Este interesant de observat c\u0103 \u00eentre b\u0103tr\u00e2n \u0219i cel care prime\u0219te pungile cu aur exist\u0103 un fel de schimb, \u00eentruc\u00e2t pe unul \u00eel vedem primind banii, iar pe cel\u0103lalt primind o coroan\u0103 de flori, ceea ce vrea s\u0103 \u00eensemne c\u0103 vener\u0103m lumea p\u00e2n\u0103 \u00een punctul de a-i oferi ceva asem\u0103n\u0103tor unei coroane de lauri\u2026<\/p>\n\n\n\n

\u00cen partea de jos a gravurii noastre putem citi urm\u0103toarea fraz\u0103 \u00een latin\u0103:<\/p>\n\n\n\n

\n

\u00abTristis avaritie rabies nummiq cupido,<\/em><\/p>\n\n\n\n

Et leuis ambitio, perfusaq Gloria fuco<\/em><\/p>\n\n\n\n

Ad predam strepituinq lucri suffragia Vertunt.<\/em><\/p>\n\n\n\n

Sic manifiesta patet falsi fallacia mundi\u00bb.<\/em><\/p>\n<\/blockquote>\n\n\n\n

Traducere: \u2018Trista l<\/strong>\u0103comie \u0219i ambi\u021bia str\u0103lucitoare, impregnate de culoarea gloriei, \u00ee\u0219i doresc cu nebunie banii <\/strong>\u2500<\/strong>sunt cu patim\u0103 lacome de bani. Spre trofeu <\/strong>\u2013prad\u0103 sau captur\u0103<\/strong>\u2500<\/strong> \u0219i spre zgomotul profiturilor se \u00eendreapt\u0103 jur\u0103mintele. A\u0219a se manifest\u0103 falsitatea lumii<\/strong>\u2019<\/strong>.<\/p>\n\n\n\n

V\u0103 dau acum c\u00e2teva fraze la care s\u0103 reflecta\u021bi:<\/p>\n\n\n\n

\u00abBis vincit qui se vincit in victoria\u00bb.<\/strong><\/em>
\u2500\u2018Cucere\u0219te de dou\u0103 ori cel care, \u00een momentul cuceririi, se cucere\u0219te pe sine.\u2019\u2500
Publius<\/p>\n\n\n\n

\u00abBona fides contraria est fraude et dolo\u00bb.<\/strong><\/em>
\u2500\u2018Buna-credin\u021b\u0103 este contrar\u0103 fraudei \u0219i \u00een\u0219el\u0103ciunii.\u2019\u2500<\/p>\n\n\n\n

\u00abAccipere quam facere praestat iniuriam\u00bb.<\/strong><\/em>
\u2500\u2018Mai bine s\u0103 fii obiectul unei nedrept\u0103\u021bi dec\u00e2t s\u0103 o comi\u021bi.\u2019\u2500<\/p>\n\n\n\n

\u00abHumilitas occidit superbiam\u00bb.<\/strong><\/em>
\u2500\u2018Umilin\u021ba ucide orgoliul.\u2019\u2500<\/p>\n\n\n\n

\u00abNon metuit mortem qui scit contemnere vitam\u00bb.<\/strong><\/em>
\u2500\u2018Nu se teme de moarte cel care \u0219tie s\u0103 dispre\u021buiasc\u0103 via\u021ba.\u2019\u2500<\/p>\n\n\n\n

DIES IRAE, DIES ILLA, SOLVET SAECLUM IN FAVILLA.<\/strong><\/em>
\u2500\u2018Ziua m\u00e2niei, ziua aceea va dizolva lumea \u00een cenu\u0219\u0103.\u2019\u2500<\/p>\n\n\n\n

<\/a> Kwen Khan Khu<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

V\u0103 trimit acum a doua gravur\u0103 din secven\u021ba de patru \u00een total realizate de artistul flamand G\u00e9rard Van Groeningen \u00een anul 1573. Aceasta este seria de gravuri intitulat\u0103 Cele patru moduri de a tr\u0103i pe p\u0103m\u00e2nt.<\/p>\n","protected":false},"author":4,"featured_media":34581,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,135,469],"tags":[808,535,544],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-34616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-psihologie","category-mesaje-vm-kwen-khan-khu","tag-virtudes-ro","tag-arte-ro","tag-simbolismo-ro","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/34616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=34616"}],"version-history":[{"count":3,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/34616\/revisions"}],"predecessor-version":[{"id":41794,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/34616\/revisions\/41794"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/34581"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=34616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=34616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=34616"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=34616"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=34616"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=34616"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=34616"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=34616"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=34616"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=34616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}