{"id":34147,"date":"2024-06-01T22:20:17","date_gmt":"2024-06-02T01:20:17","guid":{"rendered":"https:\/\/vopus.org\/la-involucion-de-la-humanidad\/"},"modified":"2024-06-02T00:21:09","modified_gmt":"2024-06-02T03:21:09","slug":"involutia-umanitatii","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/involutia-umanitatii\/","title":{"rendered":"Involu\u021bia umanit\u0103\u021bii"},"content":{"rendered":"\n

M<\/p>\n\n\n\n

Mult \u00eendr\u0103gi\u021bi\/te cititori\/cititoare,<\/p>\n\n\n\n

M\u0103 apropii de voi pentru a v\u0103 ar\u0103ta patru gravuri care ilustreaz\u0103\u2026<\/p>\n\n\n\n

\u2026INVOLU\u021aIA UMANIT\u0102\u021aII<\/p>\n\n\n\n

Aceste patru gravuri au fost realizate \u00een 1550 de artistul, gravorul pe cupru, poetul \u0219i politicianul olandez Dirck Volckertsz Coornhert<\/strong> \u25001519-1590. Din jurul anului 1541 a \u00eenceput s\u0103 lucreze cu celebrul pictor olandez Maarten Van Heemskerck<\/strong>, c\u0103ruia \u00eei apar\u021bin conceptul \u0219i desenele acestei serii.<\/p>\n\n\n\n

Acestea fiind spuse, clarific\u0103m c\u0103 prima gravur\u0103 se intituleaz\u0103 Lumea se leap\u0103d\u0103 de justi\u021bie<\/em><\/strong>. Pentru noi, gnosticii, conceptul de echitate, echilibru \u0219i armonie sunt str\u00e2ns legate \u00eentre ele. Trebuie s\u0103 subliniem c\u0103, atunci c\u00e2nd omul uit\u0103 de sine \u00eensu\u0219i<\/strong> \u0218I CADE VICTIM\u0102 A ENTROPIEI, atunci toate valorile societ\u0103\u021bii \u00eencep s\u0103 se clatine \u0219i acest lucru precipit\u0103 HAOSUL maselor \u0219i, deopotriv\u0103, haosul indivizilor<\/strong>. S\u0103 ne amintim c\u0103 societatea nu este altceva dec\u00e2t extensia individului<\/strong>\u2026<\/p>\n\n\n\n

F\u0103r\u0103 \u00eendoial\u0103 c\u0103 atunci c\u00e2nd \u00eencet\u0103m s\u0103 pre\u021buim etica, morala, respectul pentru valorile Con\u0219tiin\u021bei etc., etc.,<\/strong> atunci ne \u00eendep\u0103rt\u0103m de preceptele divine \u0219i atunci vrem s\u0103 lu\u0103m dreptatea \u00een propriile m\u00e2ini. Aceasta este foarte grav.<\/p>\n\n\n\n

Acesta este motivul pentru care o vedem pe zei\u021ba Justi\u021biei c\u0103z\u00e2nd de pe cal, purt\u00e2nd \u00een m\u00e2na st\u00e2ng\u0103 spada justi\u021biar\u0103, iar cu m\u00e2na dreapt\u0103 \u021bine balan\u021ba, care scap\u0103 de sub control, indic\u00e2ndu-se astfel dezordinea umanit\u0103\u021bii.<\/p>\n\n\n\n

\"Lumea
Lumea se leap\u0103d\u0103 de justi\u021bie \u2014
Dirck Volckertsz Coornhert, (1519-1590) \u2014
Prima gravur\u0103<\/figcaption><\/figure>\n\n\n\n

Continu\u00e2nd s\u0103 observ\u0103m gravurile noastre, putem vedea cunoa\u0219terea prosteasc\u0103 \u0219i iubirea nes\u0103buit\u0103 care \u00eencearc\u0103 s\u0103 controleze lumea.<\/p>\n\n\n\n

Explica\u021bie: iubirea nes\u0103buit\u0103 \u0219i cunoa\u0219terea prosteasc\u0103 este ceea ce i-a r\u0103mas<\/strong> umanit\u0103\u021bii noastre ca rezultat al abandon\u0103rii valorilor FIIN\u021aEI.<\/p>\n\n\n\n

Oamenii nu \u0219tiu ce este IUBIREA \u0219i nici nu \u0219tiu s\u0103 IUBEASC\u0102<\/strong>. Sfera lumii este pe spinarea calului dezl\u0103n\u021buit pentru a ne ar\u0103ta c\u0103 iubirea \u0219i cunoa\u0219terea, \u00eenv\u0103luite \u00een prostie, sunt dou\u0103 lucruri de ne\u00een\u021beles<\/strong>.<\/p>\n\n\n\n

Copiii de la picioarele femeii sunt un semn al dezorient\u0103rii sufletelor omene\u0219ti \u0219i \u00eencearc\u0103 s\u0103 se ascund\u0103 \u00eentre hainele femeii din gravura noastr\u0103. Am putea spune c\u0103 intelectul f\u0103r\u0103 iubire produce doar tic\u0103lo\u0219i \u0219i iubirea f\u0103r\u0103 Con\u0219tiin\u021b\u0103 nu ne duce nic\u0103ieri<\/strong>\u2026<\/p>\n\n\n

\n
\"iubirea
iubirea nes\u0103buit\u0103 \u0219i cunoa\u0219terea prosteasc\u0103
A dou\u0103 gravur\u0103
<\/figcaption><\/figure><\/div>\n\n\n

A treia gravur\u0103 a fost numit\u0103 Lumea tr\u0103g\u00e2nd dup\u0103 sine cunoa\u0219terea prosteasc\u0103 \u0219i iubirea nes\u0103buit\u0103<\/em><\/strong>.<\/p>\n\n\n\n

Explica\u021bie: c\u00e2nd lumea, masele sociale, nu au o \u00eendrumare con\u0219tient\u0103 care s\u0103 le dirijeze \u0219i s\u0103 le controleze, atunci cunoa\u0219terea prosteasc\u0103 \u0219i iubirea nes\u0103buit\u0103<\/strong> sunt t\u00e2r\u00e2te de nebunia mondial\u0103. \u00cen zilele noastre s-a pierdut orice \u00eendrumare \u0219i orice control \u0219i de aceea lumea \u0219i mondenitatea<\/strong> ei sunt cele care t\u00e2r\u0103sc pseudo-iubirea \u0219i pseudo-cunoa\u0219terea<\/strong>. \u00cen acest caz spunem c\u0103 neamul omenesc \u0219i-a pierdut direc\u021bia<\/strong> \u0219i valorile transcendentale sunt t\u00e2r\u00e2te spre haos. Nim\u0103nui nu-i mai pas\u0103 de nimeni, nimeni nu mai este interesat de valorile FIIN\u021aEI, de valorile Spiritului, \u0219i domne\u0219te doar confuzia.<\/p>\n\n\n\n

\"Lumea
Lumea tr\u0103g\u00e2nd dup\u0103 sine cunoa\u0219terea prosteasc\u0103 \u0219i iubirea nes\u0103buit\u0103
A treia gravur\u0103<\/figcaption><\/figure>\n\n\n\n

\u00cen cele din urm\u0103 \u00een a patra gravur\u0103: Lumea piere \u00eempreun\u0103 cu cunoa\u0219terea prosteasc\u0103 \u0219i cu iubirea nes\u0103buit\u0103<\/em><\/strong>.<\/p>\n\n\n\n

Explica\u021bie: \u00een aceast\u0103 ultim\u0103 gravur\u0103 putem observa \u00een mod clar iubirea incon\u0219tient\u0103 \u0219i cunoa\u0219terea prosteasc\u0103<\/strong> \u2500intelectualoid\u0103 \u0219i nu izvor\u00e2t\u0103 din profunzimile Con\u0219tiin\u021bei\u2500, ambele precipit\u00e2ndu-se \u00een gol \u0219i \u00een haos. Astfel sf\u00e2r\u0219esc umanit\u0103\u021bile care vor s\u0103 subziste f\u0103r\u0103 valorile Spiritului \u2500a se citi: FIIN\u021aA. Totul este r\u0103m\u00e2ne \u00eenv\u0103luit \u00een confuzie \u0219i dizarmonie<\/strong>, iar aceasta devine un germen e\u0219uat<\/strong>. Aceasta este realitatea pe care o tr\u0103im ast\u0103zi \u00een cele patru col\u021buri ale lumii noastre<\/strong>.<\/p>\n\n\n\n

\"Lumea
Lumea piere \u00eempreun\u0103 cu cunoa\u0219terea prosteasc\u0103 \u0219i cu iubirea nes\u0103buit\u0103
A patra gravur\u0103<\/figcaption><\/figure>\n\n\n\n

Permite\u021bi-mi acum s\u0103 v\u0103 ofer c\u00e2teva fraze oportune la care merit\u0103 s\u0103 reflect\u0103m:<\/p>\n\n\n\n

\u201eRodul celui drept este un pom al vie\u021bii, iar cel care c\u00e2\u0219tig\u0103 suflete este \u00een\u021belept.\u201d<\/em><\/strong>
Proverb biblic<\/p>\n\n\n\n

\u201eA fi bun este u\u0219or, greu este s\u0103 fii drept.\u201d<\/em><\/strong>
Victor Hugo<\/p>\n\n\n\n

\u201eCel drept \u00een buna reputa\u021bie are o mo\u0219tenire bogat\u0103.\u201d<\/em><\/strong>
Proverb spaniol<\/p>\n\n\n\n

\u201eCel care se m\u00e2ndre\u0219te cu cuno\u0219tin\u021bele sale este ca \u0219i cum ar fi orb \u00een plin\u0103 lumin\u0103.\u201d<\/em><\/strong>
Franklin<\/p>\n\n\n\n

\u201eDac\u0103 suferi nedrept\u0103\u021bi, consoleaz\u0103-te, pentru c\u0103 adev\u0103rata nenorocire este s\u0103 le comi\u021bi.\u201d<\/em><\/strong>
Pitagora<\/p>\n\n\n\n

QUOD SCRIPSI<\/em><\/strong>, SCRIPSI<\/em><\/strong>.
\u2500\u2018Ceea ce am scris este scris.\u2019\u2500<\/p>\n\n\n\n

KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Atunci c\u00e2nd omenirea vrea s\u0103 subziste f\u0103r\u0103 valorile Spiritului, ale Fiin\u021bei care sunt iubirea, etica, moralitatea, totul este \u00eenv\u0103luit \u00een confuzie \u0219i dizarmonie \u0219i devine un germene de e\u0219ec.<\/p>\n","protected":false},"author":4,"featured_media":34130,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[208,469],"tags":[],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-34147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mistica","category-mesaje-vm-kwen-khan-khu","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/34147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=34147"}],"version-history":[{"count":1,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/34147\/revisions"}],"predecessor-version":[{"id":34149,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/34147\/revisions\/34149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/34130"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=34147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=34147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=34147"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=34147"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=34147"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=34147"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=34147"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=34147"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=34147"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=34147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}