{"id":33753,"date":"2024-04-08T15:27:34","date_gmt":"2024-04-08T18:27:34","guid":{"rendered":"https:\/\/vopus.org\/la-confianza-vence-al-engano\/"},"modified":"2024-04-08T18:47:35","modified_gmt":"2024-04-08T21:47:35","slug":"increderea-invinge-inselaciunea","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/increderea-invinge-inselaciunea\/","title":{"rendered":"\u00cencrederea \u00eenvinge \u00een\u0219el\u0103ciunea"},"content":{"rendered":"\n<p>Dragi cititori\/cititoare,<\/p>\n\n\n\n<p>Cu aceast\u0103 ocazie, vreau s\u0103 v\u0103 trimit aceast\u0103 gravur\u0103 care a f\u0103cut parte dintr-o serie de desene atribuite lui <strong>Marten de Vos \u25001532-1603\u2500<\/strong>, de\u0219i gravorul era o persoan\u0103 pe nume <strong>G. D. Mortier<\/strong>. Aceast\u0103 gravur\u0103 f\u0103cea parte din unele desene menite s\u0103 arate c\u0103 virtu\u021bile \u00eenving viciile.<\/p>\n\n\n\n<p>Concret, aceast\u0103 oper\u0103 de art\u0103 este intitulat\u0103\u2026<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">\u2026\u00ceNCREDEREA \u00ceNVINGE \u00ceN\u0218EL\u0102CIUNEA<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img decoding=\"async\" width=\"480\" height=\"714\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2024\/04\/image-2-480x714.png\" alt=\"\u00cencrederea \u00eenvinge \u00een\u0219el\u0103ciunea - Marten de Vos \u25001532-1603\" class=\"wp-image-33717\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2024\/04\/image-2-480x714.png 480w, https:\/\/vopus.org\/wp-content\/uploads\/2024\/04\/image-2-960x1428.png 960w, https:\/\/vopus.org\/wp-content\/uploads\/2024\/04\/image-2-768x1142.png 768w, https:\/\/vopus.org\/wp-content\/uploads\/2024\/04\/image-2.png 295w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><figcaption class=\"wp-element-caption\">\u00cencrederea \u00eenvinge \u00een\u0219el\u0103ciunea &#8211; Marten de Vos \u25001532-1603<\/figcaption><\/figure><\/div>\n\n\n<p>Personajul central este constituit dintr-o femeie a\u0219ezat\u0103, care \u021bine cu m\u00e2na dreapt\u0103 un steag care arat\u0103 dou\u0103 inimi \u0219i \u00een mijlocul lor o str\u00e2ngere de m\u00e2ini.<\/p>\n\n\n\n<p>\u00cen st\u00e2nga acestei doamne apare un anun\u021b pe care scrie cuv\u00e2ntul <strong><em>FIDUCIA<\/em> SAU <em>FIDVCIA<\/em><\/strong>, care trebuie tradus prin <strong>\u2018\u00ceNCREDERE\u2019<\/strong>.<\/p>\n\n\n\n<p>La picioarele doamnelor pe care le descriem se poate citi <strong><em>TECTI DOLI<\/em><\/strong>, care trebuie interpretat ca <strong>\u2018\u00een\u0219el\u0103ciune deghizat\u0103\u2019<\/strong>.<\/p>\n\n\n\n<p>Doamna care st\u0103 a\u0219ezat\u0103 are \u00een m\u00e2na st\u00e2ng\u0103 o carte al c\u0103rei titlu este <strong><em>REVER\u00c1<\/em><\/strong>, care \u00eenseamn\u0103 <strong>\u2018\u00een adev\u0103r\u2019<\/strong>,<strong> \u2018\u00een realitate\u2019<\/strong>\u2026<\/p>\n\n\n\n<p>Mai trebuie s\u0103 subliniem c\u0103 o alt\u0103 femeie apare \u00eentins\u0103 la picioarele primei pe care am descris-o deja. Are picioare monstruoase \u0219i o coad\u0103 ca de scorpion \u00eei iese din \u0219ezut. Aceast\u0103 doamn\u0103 are s\u00e2nii goi, cu m\u00e2na dreapt\u0103 arat\u0103 dou\u0103 fructe \u0219i l\u00e2ng\u0103 cotul bra\u021bului drept apare cuv\u00e2ntul latin <strong><em>FRAVS<\/em><\/strong>, care trebuie citit ca <strong>\u2018FRAUD\u0102\u2019<\/strong>.<\/p>\n\n\n\n<p>De asemenea putem vedea l\u00e2ng\u0103 femeia \u00eentins\u0103 la p\u0103m\u00e2nt \u0219i o serie de m\u0103\u0219ti variate. CE SUNT TOATE ACESTEA?<\/p>\n\n\n\n<p>Trebuie s\u0103 plec\u0103m de la faptul c\u0103 aceast\u0103 gravur\u0103 face o compara\u021bie \u00eentre <strong>\u00eencredere \u0219i fraud\u0103<\/strong>. Prima este o virtute, a doua este un viciu, cu alte cuvinte, <strong>un agregat psihologic<\/strong> prezent la foarte multe persoane din lumea noastr\u0103. Frauda a devenit at\u00e2t de comun\u0103 \u00een zilele noastre \u00eenc\u00e2t cei care nu o practic\u0103 sunt v\u0103zu\u021bi ca pro\u0219ti, st\u00e2ngaci \u0219i ridicoli. A\u0219a este societatea noastr\u0103 actual\u0103.<\/p>\n\n\n\n<p>Evident c\u0103 femeia care poart\u0103 drapelul, reprezentativ\u0103 a <strong>\u00eencrederii<\/strong>, \u00eei simbolizeaz\u0103 pe to\u021bi cei care au \u00eencredere \u00een valorile lor eterne, \u00een propria lor FIIN\u021a\u0102, iar cu astfel de suflete se pot face \u00een\u021belegeri \u0219i pacte de orice fel, \u00eentruc\u00e2t nu se tr\u0103deaz\u0103 niciodat\u0103 pe ele \u00eensele\u2026<\/p>\n\n\n\n<p>\u00cencrederea \u2500<em>Fidvcia<\/em>\u2500 este asociat\u0103 cu loialitatea, motiv pentru care pe picioarele acestei femei care st\u0103 a\u0219ezat\u0103 vedem un c\u0103\u021belu\u0219. Aceea\u0219i semnifica\u021bie o are <strong>str\u00e2ngerea de m\u00e2ini<\/strong> pe care o vedem pe drapel. \u00cen vremuri trecute, o str\u00e2ngere de m\u00e2n\u0103 era suficient\u0103 pentru a pecetlui un pact \u00eentre gentlemeni; ast\u0103zi nici m\u0103car tratatele semnate \u0219i pecetluite cu semn\u0103tura celor care le contracteaz\u0103 nu servesc.<\/p>\n\n\n\n<p>Frauda, \u200b\u200breprezentat\u0103 de femeia culcat\u0103, a fost \u00eentotdeauna grosolan\u0103 \u0219i sedi\u021bioas\u0103. Din acest motiv vedem s\u00e2nii acestei doamne ar\u0103ta\u021bi f\u0103r\u0103 nicio pudoare, \u00een timp ce femeia care reprezint\u0103 \u00eencrederea apare \u00eembr\u0103cat\u0103 \u00eentr-o rochie care \u00eei acoper\u0103 corpul de sus p\u00e2n\u0103 jos.<\/p>\n\n\n\n<p>Cuv\u00e2ntul <strong><em>REVER\u00c1<\/em><\/strong>, care \u00eenseamn\u0103 <strong>\u2018\u00een adev\u0103r\u2019<\/strong>, <strong>\u2018\u00een realitate\u2019<\/strong>\u2026, este scris \u00een cartea femeii modeste pentru a ne spune c\u0103 trebuie s\u0103 ne hr\u0103nim studiind puterea virtu\u021bilor.<\/p>\n\n\n\n<p>Pe de alt\u0103 parte, femeia care reprezint\u0103 <strong>frauda<\/strong> este \u00eenconjurat\u0103 de m\u0103\u0219ti. Acele m\u0103\u0219ti fac aluzie la diferitele personalit\u0103\u021bi sau agregate psihologice care tr\u0103iesc \u00een subiectul \u201euman\u201d. Avem, din nefericire, multe modalit\u0103\u021bi de a fi fraudulo\u0219i. Exist\u0103 fraud\u0103 \u00een economie, \u00een textele religioase, \u00een interpret\u0103rile teologice, \u00een arta timpului nostru \u0219i chiar \u0219i filosofia a ajuns s\u0103 fie frauduloas\u0103 \u00een a\u0219a m\u0103sur\u0103 \u00eenc\u00e2t s-a redus la simple capricii politice \u2500a se citi: capitalism, comunism, socialism etc., etc., etc.<\/p>\n\n\n\n<p>Nu putem omite s\u0103 ar\u0103t\u0103m roadele femeii culcate care cu unul dintre bra\u021bele ei le arat\u0103 sau vrea s\u0103 le vedem. Acestea sunt roadele \u00ceN\u0218EL\u0102CIUNII, a tot ceea ce facem \u00een mod fraudulos \u00eempin\u0219i de diversele noastre agregate psihice din lumea noastr\u0103 de rela\u021bii.<\/p>\n\n\n\n<p>Dac\u0103 suntem fraudulo\u0219i vom deveni din ce \u00een ce mai monstruo\u0219i, \u00eentruc\u00e2t frauda este o form\u0103 de minciun\u0103 \u0219i st\u0103 scris c\u0103 cei care practic\u0103 minciuna din via\u021b\u0103 \u00een via\u021b\u0103 vor deveni din ce \u00een ce mai diformi, a\u0219a cum ne-a declarat V.M. Samael Aun Weor \u00een operele sale scrise \u0219i \u00een conferin\u021bele sale \u021binute \u00een diverse medii.<\/p>\n\n\n\n<p>Sunt c\u00e2teva fraze scrise \u00een latin\u0103 la sf\u00e2r\u015fitul acestei frumoase gravuri, dar, v\u0103z\u00e2nd c\u0103 nu sunt realizate \u00een mod corect, am preferat s\u0103 nu le d\u0103m o interpretare, deoarece reprezint\u0103 o contradic\u021bie \u00een termeni pentru cititorul nostru.<\/p>\n\n\n\n<p>V\u0103 dau acum c\u00e2teva fraze pentru reflec\u021bia voastr\u0103:<br><br><\/p>\n\n\n\n<p><strong><em>\u201e\u00cencrederea produce adesea loialitate.\u201d<\/em><\/strong><br>Seneca<\/p>\n\n\n\n<p><strong><em>\u201e\u00cencrederea \u00een sine este primul secret al succesului.\u201d<\/em><\/strong><br>Emerson<\/p>\n\n\n\n<p><strong><em>\u201eSuccesul depinde mai pu\u021bin de ajutorul extern dec\u00e2t de \u00eencrederea \u00een sine.\u201d<\/em><\/strong><br>Lincoln<\/p>\n\n\n\n<p><strong><em>\u201e\u00cencrederea este mama faptelor m\u0103re\u021be.\u201d<\/em><\/strong><br>Schiller<\/p>\n\n\n\n<p><strong><em>\u201eCine nu are \u00eencredere \u00een om nu are niciuna \u00een Dumnezeu.\u201d<\/em><\/strong> <br>Chapmann<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>NOVUS ORDO SECLORUM<\/em><\/strong>.<br>\u2500\u2018Un nuevo orden para siglos posteriores\u2019\u2500.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aceast\u0103 gravur\u0103, atribuit\u0103 lui Marten de Vos \u25001532-1603, ne arat\u0103 c\u0103 virtu\u021bile \u00eenving vicii.<\/p>\n","protected":false},"author":4,"featured_media":33738,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[208,469],"tags":[],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-33753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mistica","category-mesaje-vm-kwen-khan-khu","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/33753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=33753"}],"version-history":[{"count":1,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/33753\/revisions"}],"predecessor-version":[{"id":33755,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/33753\/revisions\/33755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/33738"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=33753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=33753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=33753"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=33753"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=33753"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=33753"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=33753"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=33753"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=33753"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=33753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}