{"id":31721,"date":"2023-11-20T12:09:22","date_gmt":"2023-11-20T15:09:22","guid":{"rendered":"https:\/\/vopus.org\/san-marinus\/"},"modified":"2023-11-20T12:09:24","modified_gmt":"2023-11-20T15:09:24","slug":"sfantul-marin","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/sfantul-marin\/","title":{"rendered":"Sf\u00e2ntul Marin"},"content":{"rendered":"\n<p>Foarte dragi prieteni \u0219i prietene,<\/p>\n\n\n\n<p>Cu aceast\u0103 ocazie, vreau s\u0103 v\u0103 ofer un basorelief destul de interesant referitor la un Ini\u021biat al c\u0103rui nume era&#8230;<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">\u2026SF\u00c2NTUL MARIN<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img decoding=\"async\" width=\"480\" height=\"395\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marinus-aldo-volpini-480x395.jpg\" alt=\"Sf\u00e2ntul Marin, Aldo Volpini\" class=\"wp-image-31604\" title=\"Sf\u00e2ntul Marin, Aldo Volpini\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marinus-aldo-volpini-480x395.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marinus-aldo-volpini-960x791.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marinus-aldo-volpini-768x633.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marinus-aldo-volpini.jpg 895w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n\n\n<p>\u00cen primul r\u00e2nd, \u00eenainte de a intra \u00een detalii, trebuie s\u0103 spunem c\u0103 acest basorelief a fost opera lui Aldo Volpini, care a tr\u0103it \u00eentre 1920 \u0219i 1977. Este considerat unul dintre cei mai buni artizani din Republica San Marino. Sculpturile \u0219i lucr\u0103rile sale \u00een piatr\u0103 sunt p\u0103strate \u00een diferite p\u0103r\u021bi ale lumii, iar str\u0103zile ora\u0219ului San Marino expun cu m\u00e2ndrie cele mai bune lucr\u0103ri ale sale. Mai exact, acest basorelief este situat \u00een pia\u021ba pitoreasc\u0103 numit\u0103 <strong><em>Piazzetta del Titano<\/em><\/strong>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img decoding=\"async\" width=\"480\" height=\"320\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marino-piazzetta-del-titano-480x320.jpg\" alt=\"San Marino, Piazzetta del Titano\" class=\"wp-image-31617\" title=\"San Marino, Piazzetta del Titano\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marino-piazzetta-del-titano-480x320.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marino-piazzetta-del-titano-960x640.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marino-piazzetta-del-titano-768x512.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/11\/san-marino-piazzetta-del-titano.jpg 800w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n\n\n<p>Potrivit tradi\u021biei, San Marino a fost fondat de un pietrar cre\u0219tin, <strong>Marinus Dalmatul sau Sf\u00e2ntul Marin<\/strong>. Acest lucru s-a \u00eent\u00e2mplat \u00eentre anii 275 \u0219i 366 d.Hr.<\/p>\n\n\n\n<p>El a p\u0103r\u0103sit insula Arbe \u2500din Croa\u021bia actual\u0103\u2500 dup\u0103 ce a fost persecutat \u00een timpul \u00eemp\u0103ratului roman Diocle\u021bian din cauza predicilor sale cre\u0219tine. Marin a ajuns la Rimini, unde a lucrat aproximativ doisprezece ani la reconstruirea zidurilor acestui ora\u0219. Acolo, \u00een acel ora\u0219, pe l\u00e2ng\u0103 faptul c\u0103 a realizat multe lucr\u0103ri, a adus mul\u021bi credincio\u0219i mai aproape de credin\u021ba cre\u0219tin\u0103. Cu toate acestea, o femeie care pretindea c\u0103 este din Dalma\u021bia a pretins c\u0103 este so\u021bia lui legitim\u0103 \u0219i, dup\u0103 ce a \u00eencercat \u00een zadar s\u0103-l seduc\u0103, Marin a decis s\u0103 fug\u0103 din Rimini, a urcat pe valea r\u00e2ului Valmarecchia \u0219i a ajuns la primul s\u0103u refugiu, pe\u0219tera Baldasserona.<\/p>\n\n\n\n<p>Dup\u0103 ce a petrecut un an \u00een ad\u0103post a fost descoperit de ni\u0219te p\u0103stori care au comunicat imediat descoperirea lor. Femeia s-a dus din nou la Sf\u00e2ntul Marin, care s-a \u00eenchis \u00een refugiul lui timp de \u0219ase zile f\u0103r\u0103 m\u00e2ncare. \u00cen a \u0219asea zi femeia s-a \u00eentors la Rimini, unde a m\u0103rturisit c\u0103 a ac\u021bionat \u00eempotriva unui cre\u0219tin. Ca urmare, Sf\u00e2ntul Marin \u0219i-a abandonat refugiul \u0219i a urcat pe Muntele Titano \u2500cel mai \u00eenalt din ora\u0219ul San Marino\u2500 \u0219i acolo a construit o chilie \u0219i o bisericu\u021b\u0103 pe care le-a dedicat Sf\u00e2ntului Apostol Petru. \u00cen plus, a creat o mic\u0103 comunitate cre\u0219tin\u0103. Aceast\u0103 enclav\u0103 era liber\u0103 de autoritatea conduc\u0103torilor vremii. Evident, acest lucru le-a permis locuitorilor acelei comunit\u0103\u021bi s\u0103 tr\u0103iasc\u0103 credin\u021ba cre\u0219tin\u0103 \u00een pace. M\u0103n\u0103stirea a devenit baza Republicii San Marino.<\/p>\n\n\n\n<p>Sf\u00e2ntul Marin a murit \u00een anul 366. Potrivit legendei, ultimele sale cuvinte au fost: <strong><em>\u201eRelinquo vos liberos ab utroque homine\u201d<\/em><\/strong>, \u2018V\u0103 las liber de ambii oameni\u2019, referindu-se la autoritatea \u00eemp\u0103ratului \u0219i la autoritatea papei. Data oficial\u0103 a cre\u0103rii ora\u0219ului dateaz\u0103 din 3 septembrie 301.<\/p>\n\n\n\n<p>\u200bMulte s-au spus, dragi cititori, despre pustnici. \u00cens\u0103, dup\u0103 umila mea p\u0103rere, adev\u0103ratul pustnic este acel Maestru care este stabilit \u00een <strong>cei Trei Mun\u021bi<\/strong> \u0219i care este capabil s\u0103 lumineze, cu \u00een\u021belepciunea sa, Calea Ermetic\u0103 pentru a ajuta alte suflete s\u0103 o parcurg\u0103. Pustnicul este omul auster, retras \u0219i cu Focurile ridicate, indiferent la banalit\u0103\u021bile acestei lumi nesigure \u0219i foarte ata\u0219at de cele trei for\u021be primare ale crea\u021biei: Sf\u00e2nta Afirma\u021bie, Sf\u00e2nta Nega\u021bie \u0219i Sf\u00e2nta Conciliere; cu alte cuvinte, unit cu TAT\u0102L, FIUL \u0219i SPIRITUL SF\u00c2NT.<\/p>\n\n\n\n<p>Intr\u00e2nd acum \u00een explica\u021bia basoreliefului din studiul nostru, vom spune c\u0103, \u00een primul r\u00e2nd, \u00eel vedem pe <strong>Sf\u00e2ntul Marin<\/strong> \u00een atitudinea de a sculpta <strong>o piatr\u0103 cubic\u0103<\/strong> cu <strong>ciocanul<\/strong> \u2500voin\u021bei\u2500 \u0219i <strong>dalta<\/strong> \u2500inteligen\u021bei.<\/p>\n\n\n\n<p>Al\u0103turi de el se vede un copac care pare s\u0103 ias\u0103 dintr-un <strong>urcior sau vas<\/strong> \u0219i prin care vedem urc\u00e2ndu-se o <strong>salamandr\u0103<\/strong>.<\/p>\n\n\n\n<p>La picioarele Sf\u00e2ntului Marin vedem un urs, simbol al pasiunilor violente complet dominate, iar \u00een fundalul acestei sculpturi \u00een piatr\u0103 se z\u0103re\u0219te un mic <strong>schit sau bisericu\u021b\u0103<\/strong> care face aluzie la apropierea de cre\u0219tinism pe care a f\u0103cut-o Sf\u00e2ntul Marin a tuturor acelor suflete care l-au urmat.<\/p>\n\n\n\n<p>La fel, putem vedea \u00een spatele Sf\u00e2ntului Marin, \u00een st\u00e2nca cioplit\u0103, o forma\u021biune de piatr\u0103 care are trei proeminen\u021be, f\u0103c\u00e2nd aluzie la Cei Trei Mun\u021bi ini\u021biatici.<\/p>\n\n\n\n<p>Despre salamandra care se ca\u021b\u0103r\u0103 \u00een copacul despre care am amintit deja, marele Adept Fulcanelli ne spune:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>\u201eSalamandr\u0103, \u00een latin\u0103, vine de la sare \u0219i mandra, care \u00eenseamn\u0103 staul, \u0219i totodat\u0103 cavitate \u00een st\u00e2nc\u0103, singur\u0103tate, schit. Salamandra este, a\u0219adar, sarea din staul, sare din st\u00e2nc\u0103 sau sare solitar\u0103. [\u2026]<\/em><\/p>\n\n\n\n<p><em>Din aceste etimologii putem trage concluzia c\u0103 sarea, spiritul sau focul, se na\u0219te dintr-un staul, \u00eentr-o cavitate din st\u00e2nc\u0103 sau \u00eentr-o pe\u0219ter\u0103\u2026 E suficient. \u00centins \u00een paiele din leag\u0103nul s\u0103u \u00een grota din Betleem, nu este oare Isus noul soare care aduce lumina \u00een lume? Nu este el \u00eensu\u0219i Dumnezeu sub \u00eenveli\u0219ul trupesc \u0219i pieritor? Cine a spus, atunci, <\/em>Eu sunt Spiritul \u0219i Via\u021ba \u0219i am venit s\u0103 dau foc lucrurilor?<\/p>\n\n\n\n<p><em>Acest foc spiritual, informat \u0219i \u00eentruchipat \u00een sare, este sulful ascuns, deoarece \u00een cursul oper\u0103rii sale nu devine niciodat\u0103 manifest \u0219i nici nu devine sensibil pentru ochii no\u0219tri. \u0218i totu\u0219i, acel sulf, oric\u00e2t de invizibil ar fi, nu este nicidecum o abstrac\u021bie ingenioas\u0103, un artificiu de doctrin\u0103\u201d.<\/em><\/p>\n<\/blockquote>\n\n\n\n<p>V\u0103 d\u0103ruiesc acum c\u00e2teva fraze pentru reflec\u021bia voastr\u0103:<\/p>\n\n\n\n<p><strong><em>\u201eNimic nu este iubit dac\u0103 nu este cunoscut.\u201d<\/em><\/strong><br>Sf\u00e2ntul Augustin<\/p>\n\n\n\n<p><strong><em>\u201eNimic nu este mai dificil dec\u00e2t s\u0103 te cuno\u0219ti pe tine \u00eensu\u021bi.\u201d<\/em><\/strong><br>Tales din Milet<\/p>\n\n\n\n<p><strong><em>\u201eNu ne este \u00eeng\u0103duit s\u0103 \u0219tim totul.\u201d<\/em><\/strong><br>Hora\u021biu<\/p>\n\n\n\n<p><strong><em>\u201eEste imposibil s\u0103 iube\u0219ti ceva sau s\u0103 ur\u0103\u0219ti ceva f\u0103r\u0103 s\u0103 \u00eencepi prin a cunoa\u0219te acel ceva.\u201d<\/em><\/strong><br>Leonardo da Vinci<\/p>\n\n\n\n<p><strong><em>\u201eCine dore\u0219te cunoa\u0219terea trebuie s\u0103 se str\u0103duiasc\u0103 s\u0103 o dob\u00e2ndeasc\u0103.\u201d<\/em><\/strong><br>Ruskin<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>SI LIBET<\/em><\/strong><em>,<strong>\u00a0LICET.<\/strong><\/em><br>\u2500\u2018Dac\u0103 v\u0103 place, este permis.\u2019\u2500<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Potrivit tradi\u021biei, San Marino a fost fondat de un pietrar cre\u0219tin, Marinus Dalmatul sau Sf\u00e2ntul Marin. Acest lucru s-a \u00eent\u00e2mplat \u00eentre anii 275 \u0219i 366 d.Hr.<\/p>\n","protected":false},"author":4,"featured_media":31653,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,208,469],"tags":[488,535,605,692,760],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-31721","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-mistica","category-mesaje-vm-kwen-khan-khu","tag-mensajes-del-v-m-kwen-khan-khu-ro","tag-arte-ro","tag-alquimia-ro","tag-fulcanelli-ro","tag-primeros-cristianos-ro","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/31721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=31721"}],"version-history":[{"count":1,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/31721\/revisions"}],"predecessor-version":[{"id":31723,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/31721\/revisions\/31723"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/31653"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=31721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=31721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=31721"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=31721"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=31721"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=31721"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=31721"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=31721"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=31721"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=31721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}