{"id":31286,"date":"2023-10-15T10:45:42","date_gmt":"2023-10-15T13:45:42","guid":{"rendered":"https:\/\/vopus.org\/noches-misticas-o-la-clave-de-los-misterios\/"},"modified":"2023-10-15T21:38:49","modified_gmt":"2023-10-16T00:38:49","slug":"nopti-mistice-sau-cheia-misterelor","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/nopti-mistice-sau-cheia-misterelor\/","title":{"rendered":"Nop\u021bi mistice sau cheia misterelor"},"content":{"rendered":"\n<p>Mult \u00eendr\u0103gi\u021bi prieteni \u0219i prietene, <\/p>\n\n\n\n<p>M\u0103 gr\u0103besc s\u0103 v\u0103 trimit aceast\u0103 gravur\u0103 intitulat\u0103\u2026<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">\u2026NOP\u021aI MISTICE SAU CHEIA MISTERELOR<\/h2>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"960\" height=\"1704\" data-id=\"31199\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-960x1704.jpg\" alt=\"Nop\u021bi mistice, Coperta, Karl von Eckartshausen\" class=\"wp-image-31199\" title=\"Nop\u021bi mistice, Coperta, Karl von Eckartshausen\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-960x1704.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-480x852.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-768x1363.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen.jpg 778w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">Nop\u021bi mistice, Coperta, Karl von Eckartshausen<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"960\" height=\"1650\" data-id=\"31186\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-2-960x1650.jpg\" alt=\"Nop\u021bi mistice sau cheia misterelor, Karl von Eckartshausen\" class=\"wp-image-31186\" title=\"Nop\u021bi mistice sau cheia misterelor, Karl von Eckartshausen\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-2-960x1650.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-2-480x825.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-2-768x1320.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-2.jpg 708w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">Nop\u021bi mistice sau cheia misterelor, Karl von Eckartshausen<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Adaug mai jos o variant\u0103 a gravurii:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium is-resized\"><img decoding=\"async\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-3-480x752.jpg\" alt=\"Nop\u021bi mistice sau cheia misterelor, Karl von Eckhartshausen\" class=\"wp-image-31212\" width=\"360\" height=\"564\" title=\"Nop\u021bi mistice sau cheia misterelor, Karl von Eckhartshausen\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-3-480x752.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-3-960x1505.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-3-768x1204.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/10\/noches-misticas-karl-von-eckartshausen-3.jpg 984w\" sizes=\"(max-width: 360px) 100vw, 360px\" \/><\/figure><\/div>\n\n\n<p>Aceast\u0103 gravur\u0103 a fost opera lui <strong>Karl Von Eckartshausen<\/strong>. A fost publicat\u0103 \u00een 1791.<\/p>\n\n\n\n<p>Poart\u0103 numele pe care \u00eel observa\u021bi pentru c\u0103 autorul, ca un cunosc\u0103tor al Alchimiei, \u0219tia foarte bine c\u0103 munca fecund\u0103 \u00een acest magisteriu trebuie f\u0103cut\u0103 \u00een orele nocturne. De aici titlul ei: <em>NOP\u021aI MISTICE\u2026<\/em><\/p>\n\n\n\n<p>Aceast\u0103 frumoas\u0103 ilustra\u021bie ne arat\u0103 c\u0103utarea Pietrei noastre Filosofale cu multe dintre detaliile ei.<\/p>\n\n\n\n<p>Mai \u00eent\u00e2i trebuie s\u0103 eviden\u021biem \u00een partea de sus a ilustra\u021biei triunghiul reprezentativ al divinit\u0103\u021bii sau al a\u0219a-numitelor <strong>trei for\u021be primare ale crea\u021biei<\/strong> \u2500Tat\u0103l, Fiul \u0219i Spiritul Sf\u00e2nt. Este FIIN\u021aA, Tat\u0103l, Dumnezeu, cel care face cu adev\u0103rat opera interioar\u0103. De aceea \u00eel vedem la zenit radiind \u0219i trimi\u021b\u00e2ndu-\u0219i razele sau efluviile c\u0103tre un cuplu care \u00ee\u0219i \u00eencruci\u0219eaz\u0103 bra\u021bele \u00een lateral.<\/p>\n\n\n\n<p>De ambele p\u0103r\u021bi ale acestui cuplu se v\u0103d <strong>doi m\u0103slini <\/strong>care simbolizeaz\u0103 cei doi martori din fa\u021ba tronului lui Iehova. Ne referim la cele dou\u0103 canale numite de c\u0103tre hindu\u0219i <strong>Id\u00e1<\/strong> \u0219i <strong>Pingal\u00e1<\/strong>, prin care materia noastr\u0103 mercurial\u0103 trebuie s\u0103 urce prin intermediul oficiilor transmuta\u021biei alchimice.<\/p>\n\n\n\n<p>La baza acestei imagini se afl\u0103 o fraz\u0103 latin\u0103 care spune: <strong>\u201e\u0218i doi m\u0103slini, unul la dreapta \u0219i altul la st\u00e2nga\u2026\u201d<\/strong>.<\/p>\n\n\n\n<p>Este important de observat c\u0103 razele care eman\u0103 din triunghiul de pe cer formeaz\u0103 un alt triunghi care trece prin corpurile cuplului. Aceasta \u00eenseamn\u0103 c\u0103 <strong>cele trei for\u021be primare trebuie s\u0103 se cristalizeze \u00een noi<\/strong>, a\u0219a cum ne \u00eenva\u021b\u0103 Gnoza.<\/p>\n\n\n\n<p>De o parte \u0219i de alta a acestui cuplu se observ\u0103 ruinele unui templu, coloane rupte etc., pentru a indica faptul c\u0103 omenirea \u0219i-a pierdut <strong>statutul divin<\/strong> \u0219i trebuie s\u0103-l recupereze.<\/p>\n\n\n\n<p>Femeia care \u00eel \u00eenso\u021be\u0219te pe b\u0103rbat \u00ee\u0219i arat\u0103 o parte din coaps\u0103, deoarece acesta era un semn care exista printre alchimi\u0219ti pentru a se recunoa\u0219te \u00eentre ei, adic\u0103 pentru a-i da de \u00een\u021beles celuilalt c\u0103 particip\u0103 la mistere.<\/p>\n\n\n\n<p>\u00cen a doua parte a acestei minunate gravuri o putem vedea pe <strong>Mama Divin\u0103<\/strong> observ\u00e2nd umanitatea \u0219i, \u00een special, cuplul din gravura noastr\u0103. Ceea ce este foarte frapant este c\u0103 M\u0103mica noastr\u0103 Divin\u0103 poart\u0103 cu ea instrumentele proprii muncii de transmutare \u0219i anume: <strong>crucea \u0219i potirul<\/strong>. Are m\u00e2na \u00eentins\u0103 pentru a semnala c\u0103 este dispus\u0103 s\u0103-i \u00eendrume pe cei care vor <strong>s\u0103 tr\u0103iasc\u0103 Drumul Secret<\/strong>\u2026 Este evident c\u0103 crucea reprezint\u0103 \u00eencruci\u0219area for\u021belor masculine \u0219i feminine \u00een timpul copula\u021biei, numit\u0103 \u00een studiile noastre <strong>Arcanul A.Z.F.<\/strong> La r\u00e2ndul s\u0103u, <strong>potirul <\/strong>se refer\u0103 la <strong>vasul ermetic, vasul sacru sau yoni feminin<\/strong>.<\/p>\n\n\n\n<p>\u00cen a doua parte a gravurii noastre vedem cuplul alchimic \u2500un b\u0103rbat \u0219i o femeie\u2500 c\u0103ut\u00e2nd \u00een noapte <strong>o femeie care apare reflectat\u0103 pe un perete<\/strong>.<\/p>\n\n\n\n<p>La fel, b\u0103rbatul din exemplul nostru este \u00eenl\u0103n\u021buit de lume de unul dintre picioarele lui. Aceast\u0103 \u00eenl\u0103n\u021buire simbolizeaz\u0103 umanitatea noastr\u0103, care, din p\u0103cate, este legat\u0103 de <strong>Samsara<\/strong>, de via\u021b\u0103 \u0219i are nevoie s\u0103 se elibereze de orizontalitatea fiec\u0103rei zile.<\/p>\n\n\n\n<p>\u00cen spatele b\u0103rbatului \u0219i femeii vedem un \u00eenger. Acest \u00eenger simbolizeaz\u0103 ierarhiile solare care \u00eencearc\u0103 s\u0103 ajute specia uman\u0103 s\u0103 ating\u0103 <strong>statutul de Om Adev\u0103rat<\/strong>. \u00cengerul men\u021bionat are degetul m\u00e2inii drepte \u00een atitudinea de a \u00eenchide gura, adic\u0103 de a p\u0103stra secretul \u00een care lucreaz\u0103 dinastiile divine.<\/p>\n\n\n\n<p>Femeia care \u00eel \u00eenso\u021be\u0219te pe b\u0103rbat poart\u0103 cu ea <strong>o lamp\u0103<\/strong>, care indic\u0103 ajutorul luminii \u00een c\u0103l\u0103toria noastr\u0103, iar pe de alt\u0103 parte pentru a ne indica faptul c\u0103 prin ajutorul Eternului Feminin reu\u0219im s\u0103 ne atingem obiectivele spirituale.<\/p>\n\n\n\n<p>F\u0103r\u0103 \u00eendoial\u0103, toat\u0103 munca noastr\u0103 urm\u0103re\u0219te s\u0103 fac\u0103 Mercurul nostru, <strong>haosul<\/strong> nostru <strong>alchimic<\/strong>, s\u0103 treac\u0103 prin fazele care sunt necesare p\u00e2n\u0103 la ob\u021binerea color\u0103rii ro\u0219ii sau a caracterului de <strong>Tinctur\u0103 Ro\u0219ie<\/strong>. De aceea, acea alt\u0103 femeie goal\u0103 pe care o vedem reflectat\u0103 pe un perete \u0219i \u00een spatele c\u0103reia \u00eenainteaz\u0103 cuplul din studiul nostru, nu este alta dec\u00e2t una dintre metamorfozele <strong>apei<\/strong> noastre <strong>misterioase<\/strong>, cea \u00een care mercurul nostru a devenit deja un elixir alb. \u00cen acest sens, cuvintele Venerabilului Adept Fulcanelli ne spun:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>\u201eNe sim\u021bim obliga\u021bi s\u0103 avertiz\u0103m cititorul c\u0103, \u00een termeni foarte pu\u021bin voala\u021bi, analiza noastr\u0103 con\u021bine dezv\u0103luirea a ceea ce s-a convenit s\u0103 fie numit <\/em>secretul celor dou\u0103 mercururi<em>. <\/em>[\u2026]<em> Era oportun, totu\u0219i, s\u0103 atragem aten\u021bia asupra diferitelor calit\u0103\u021bi implicate pentru a ar\u0103ta \u2500chiar \u0219i cu pre\u021bul unei r\u0103st\u0103lm\u0103ciri a ra\u021biunii sau al unei neverosimilit\u0103\u021bi\u2500 cum pot fi ele distinse, identificate \u0219i cum este posibil s\u0103 o extragem direct pe \u00eens\u0103\u0219i femeia Sulfului <\/em>[Devi-Kundalini]<em>, mama pietrei, din p\u00e2ntecele mamei noastre primitive <\/em>[energiile creatoare]\u201d<em>.<\/em><\/p>\n<\/blockquote>\n\n\n\n<p>Acesta este motivul pentru care vedem cuplul c\u0103ut\u00e2nd aceast\u0103 a doua m\u0103rturie a Alchimiei \u00eentr-un mod ascuns, dar \u00een acela\u0219i timp dornic. Pe de alt\u0103 parte, p\u00e2nza pe care o poart\u0103 acea figur\u0103 goal\u0103 care apare pe perete alegorizeaz\u0103 c\u0103 o parte din munca noastr\u0103 de laborator a fost dezv\u0103luit\u0103.<\/p>\n\n\n\n<p>V\u0103 dau acum c\u00e2teva fraze la care merit\u0103 s\u0103 reflect\u0103m:<\/p>\n\n\n\n<p><strong><em>\u201eDac\u0103 ne-am examina din c\u00e2nd \u00een c\u00e2nd, rezultatul natural al acelei examin\u0103ri ar fi o mai mare perfec\u021biune a noastr\u0103.\u201d<\/em><\/strong><br>Montaigne<\/p>\n\n\n\n<p><strong><em>\u201eFericirea care nu des\u0103v\u00e2r\u0219e\u0219te este o minciun\u0103, perfec\u021biunea care \u00eei face pe oameni neferici\u021bi nu este adev\u0103rat\u0103.\u201d<\/em><\/strong><br>Concepci\u00f3n Arenal<\/p>\n\n\n\n<p><strong><em>\u201e\u00cen lucrurile bune, pentru a fi o virtute, trebuie s\u0103 existe perseveren\u021b\u0103.\u201d<\/em><\/strong><br>Quevedo<\/p>\n\n\n\n<p><strong><em>\u201ePentru a fi pesimist, este suficient s\u0103 arunc\u0103m o privire superficial\u0103 asupra lucrurilor: contrastul luminii \u0219i umbrei \u2500mai mult\u0103 umbr\u0103 dec\u00e2t lumin\u0103\u2500 este imediat vizibil chiar \u0219i pentru cel mai pu\u021bin perceptiv sim\u021b. Pentru a fi optimist, este necesar\u0103 o p\u0103trundere foarte profund\u0103 \u0219i reflexiv\u0103 a faptelor; este necesar s\u0103 p\u0103trundem ad\u00e2nc \u00een m\u0103runtaiele vie\u021bii \u0219i s\u0103 surprindem logica ei minunat\u0103.\u201d<\/em><\/strong><br>Amado Nervo<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>POST COITUM OMNE ANIMAL TRISTE.<\/em><\/strong><br><strong>\u2500<\/strong>\u2018Dup\u0103 coit, orice animal r\u0103m\u00e2ne trist.\u2019\u2500<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>M\u0103 gr\u0103besc s\u0103 v\u0103 trimit aceast\u0103 gravur\u0103 intitulat\u0103 Nop\u021bi mistice sau cheia misterelor.  Aceast\u0103 frumoas\u0103 ilustra\u021bie ne arat\u0103 c\u0103utarea Pietrei noastre Filosofale cu multe dintre detaliile ei.<\/p>\n","protected":false},"author":4,"featured_media":31276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,165,469],"tags":[544,605,692,693,723],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-31286","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-alchimie-ro","category-mesaje-vm-kwen-khan-khu","tag-simbolismo-ro","tag-alquimia-ro","tag-fulcanelli-ro","tag-piedra-filosofal-ro","tag-karl-von-eckhartshausen-ro","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/31286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=31286"}],"version-history":[{"count":2,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/31286\/revisions"}],"predecessor-version":[{"id":31290,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/31286\/revisions\/31290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/31276"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=31286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=31286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=31286"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=31286"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=31286"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=31286"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=31286"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=31286"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=31286"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=31286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}