{"id":25051,"date":"2023-06-17T09:45:49","date_gmt":"2023-06-17T12:45:49","guid":{"rendered":"https:\/\/vopus.org\/el-sentido-del-gusto\/"},"modified":"2023-06-17T09:45:51","modified_gmt":"2023-06-17T12:45:51","slug":"simtul-gustului","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/simtul-gustului\/","title":{"rendered":"Sim\u021bul gustului"},"content":{"rendered":"\n

Mult \u00eendr\u0103gi\u021bi prieteni\/e,<\/p>\n\n\n\n

\u00cemi face pl\u0103cere, cu aceast\u0103 ocazie, s\u0103 v\u0103 trimit c\u00e2teva cuvinte despre aceast\u0103 frumoas\u0103 gravur\u0103 intitulat\u0103\u2026<\/p>\n\n\n\n

\u2026SIM\u021aUL GUSTULUI<\/h2>\n\n\n
\n
\"Sim\u021bul
Sim\u021bul gustului, Adriaen Collaert<\/figcaption><\/figure><\/div>\n\n\n

\u00cen primul r\u00e2nd s\u0103 spunem c\u0103 aceast\u0103 p\u00e2nz\u0103, ca \u0219i cele anterioare dedicate sim\u021burilor, a fost opera a doi arti\u0219ti flamanzi: Maerten de Vos \u25001532-1603\u2500<\/strong> \u0219i Adriaen Collaert<\/strong>, un desenator flamand care a tr\u0103it \u00eentre anii 1560-1618<\/strong>.<\/p>\n\n\n\n

Lucrarea artistic\u0103 de fa\u021b\u0103 este \u00een rela\u021bie direct\u0103 cu unul dintre cele cinci sim\u021buri ale ma\u0219inii noastre organice. \u00cen primul r\u00e2nd, vedem \u00een ea o frumoas\u0103 doamn\u0103 care poart\u0103 \u00een m\u00e2na dreapt\u0103 cornul zei\u021bei Amaltheia<\/strong>, care \u00eenseamn\u0103 abunden\u021b\u0103 material\u0103 sau spiritual\u0103<\/strong>.<\/p>\n\n\n\n

Cele cinci sim\u021buri ale organismului nostru pot fi concentrate fie pentru a alimenta Bestia noastr\u0103 egoic\u0103, fie pentru a ne exalta Sufletul \u0219i Spiritul nostru.<\/p>\n\n\n\n

Este curios s\u0103 o vedem pe doamna din gravura noastr\u0103 pe punctul de a m\u00e2nca un m\u0103r. Acest fruct a simbolizat ermetic sexualitatea<\/strong>. Cu to\u021bii \u0219tim, prin Gnoz\u0103, c\u0103 cu for\u021ba sexual\u0103 ne \u00een\u0103l\u021b\u0103m la cerurile Con\u0219tiin\u021bei sau cobor\u00e2m \u00een infernurile noastre atomice. Sexul este scar\u0103 pentru a urca sau scar\u0103 pentru a cobor\u00ee<\/strong>, totul va depinde de modul \u00een care ne vom polariza cu aceast\u0103 putere. Dac\u0103 o folosim pentru a fornica<\/strong>, vom deveni din ce \u00een ce mai incon\u0219tien\u021bi \u0219i degenera\u021bi, dar dac\u0103 vom folosi aceast\u0103 putere pentru a transmuta libidoul sexual<\/strong>, atunci vom activa facult\u0103\u021bile psihice \u0219i animice ale fiec\u0103ruia dintre noi.<\/p>\n\n\n\n

De aceea, chiar \u00een spatele cornului pe care aceast\u0103 fecioar\u0103 \u00eel are \u00een m\u00e2na st\u00e2ng\u0103, \u00een fundal, putem vedea scena \u00een care Eva mitologic\u0103<\/strong>, m\u00e2nat\u0103 de dorin\u021ba luciferic\u0103 \u2500care este \u00eencol\u0103cit\u0103 ca un \u0219arpe cu corp de femeie \u00een arborele cunoa\u0219terii binelui \u0219i r\u0103ului\u2500, tocmai \u00eel ispite\u0219te pe Adam originar<\/strong>, \u00eendemn\u00e2ndu-l s\u0103 cad\u0103, adic\u0103 s\u0103-\u0219i piard\u0103 inocen\u021ba \u0219i echilibrul spiritual. Acest eveniment a provocat, biblic vorbind, expulzarea cuplului din ceea ce religiile numesc paradisul p\u0103m\u00e2ntesc, sau paradisul Con\u0219tiin\u021bei<\/strong>.<\/p>\n\n\n\n

\u00cen partea st\u00e2ng\u0103 a doamnei, \u00een fundal, ni se arat\u0103 Marele Kabir din Galileea vorbind discipolilor s\u0103i \u00een timp ce ace\u0219tia, uimi\u021bi, \u00eei arat\u0103 rodul minunilor sale, adic\u0103: \u00eenmul\u021birea p\u00e2inilor, captura abundent\u0103 pe care el le-a dat-o \u00eentr-o alt\u0103 minune a lui<\/strong> etc., etc., etc. Chiar acolo vedem mul\u021bimile st\u00e2nd la coad\u0103 pentru a primi darurile pe care V.M. Aberamentho le oferea.<\/p>\n\n\n\n

Este evident, stima\u021bi cititori, c\u0103 numai atunci c\u00e2nd recuper\u0103m SUFLETUL-SPIRIT<\/strong> putem s\u0103 fim din nou atunci chipul \u0219i asem\u0103narea Creatorului nostru \u0219i s\u0103 ne preschimb\u0103m \u00een regi ai naturii \u0219i nu \u00een sclavii ei.<\/p>\n\n\n\n

\u00cen partea de jos a doamnei iese \u00een eviden\u021b\u0103 o creatur\u0103 care are tr\u0103s\u0103turi de maimu\u021b\u0103. Acesta este simbolul involu\u021biei<\/strong> fiin\u021bei umane \u0219i, din acest motiv, devoreaz\u0103 mere \u00een mod s\u0103lbatic al\u0103turi de un vas ermetic \u2500simbol alchimic al transmut\u0103rilor.<\/p>\n\n\n\n

Ezoterismul gnostic ne spune c\u0103 putem inspira aroma fructului interzis, dar nu \u00eel putem \u00eenghi\u021bi<\/strong>….. Cine are \u00een\u021belegere s\u0103 \u00een\u021beleag\u0103….. A inspira aroma fructului simbolic \u00eenseamn\u0103 a ne transmuta energia creatoare<\/strong>; a \u00eenghi\u021bi fructul alegoric \u00eenseamn\u0103 a ne pierde apele mercuriale. Pentru a recuceri cerurile Con\u0219tiin\u021bei, este necesar s\u0103 dob\u00e2ndim rafinament sexual<\/strong> sau, a\u0219a cum bine spunea Venerabilul Sf\u00e2nt Augustin, s\u0103 facem din coit o rug\u0103ciune<\/strong>……<\/p>\n\n\n\n

\u00cen partea de jos a gravurii noastre exist\u0103 c\u00e2teva fraze \u00een latin\u0103 care ne spun:<\/p>\n\n\n\n

\u00abSimius eximio gnarus discernere Gvstv<\/em><\/strong>. Reijcit ingrata<\/strong>, et grata sapore tenet<\/strong>. Quam suavis Dominus sit<\/strong>, quam coelestia dulci delectent gustu<\/strong>, res manifesta pijs\u00bb<\/strong>.<\/em><\/pre>\n\n\n\n
Traducere: \u2018Maimu\u021ba priceput\u0103 discerne gustul excelent. Respinge lucrurile nepl\u0103cute \u0219i le p\u0103streaz\u0103 pe cele pl\u0103cute \u00een gust. C\u00e2t de dulce este Domnul, c\u00e2t de mult \u00eenc\u00e2nt\u0103 lucrurile cere\u0219ti cu gust dulce, lucru evident pentru cei evlavio\u0219i\u2019<\/strong>.<\/p>\n\n\n\n
Adaug, pentru a \u00eencheia, urm\u0103toarele fraze pentru reflec\u021bie:<\/p>\n\n\n\n
\u201ePerfec\u021biunea este o virtute minunat\u0103 care c\u00e2nt\u0103re\u0219te at\u00e2t de mult \u00eenc\u00e2t omul nu-i poate face fa\u021b\u0103.\u201d<\/em><\/strong>
Ortega Munilla<\/p>\n\n\n\n
\u201eCel care recunoa\u0219te cu perspicacitate limitarea facult\u0103\u021bilor sale, este foarte aproape de a ajunge la perfec\u021biune.\u201d<\/em><\/strong>
Goethe<\/p>\n\n\n\n
\u201ePerfec\u021biunea dus\u0103 la exces moare de abunden\u021b\u0103.\u201d<\/em><\/strong>
Shakespeare<\/p>\n\n\n\n
\u201eDac\u0103 ne-am examina pe noi \u00een\u0219ine din c\u00e2nd \u00een c\u00e2nd, rezultatul natural al acelei examin\u0103ri ar fi o mai mare perfec\u021biune a noastr\u0103.\u201d<\/em><\/strong>
Montaigne<\/p>\n\n\n\n
SOL LUCET OMNIBUS.<\/em><\/strong>
\u2500\u2018Soarele str\u0103luce\u0219te pentru to\u021bi.\u2019\u2500<\/p>\n\n\n\n
KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"
Lucrarea artistic\u0103 de fa\u021b\u0103 este \u00een rela\u021bie direct\u0103 cu unul dintre cele cinci sim\u021buri ale ma\u0219inii noastre organice. \u00cen primul r\u00e2nd, vedem \u00een ea o frumoas\u0103 doamn\u0103 care poart\u0103 \u00een m\u00e2na dreapt\u0103 cornul zei\u021bei Amaltheia, care \u00eenseamn\u0103 abunden\u021b\u0103 material\u0103 sau spiritual\u0103.<\/p>\n","protected":false},"author":4,"featured_media":25039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,469],"tags":[488,494],"contenido":[275],"fuente":[],"pilar":[55],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-25051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-mesaje-vm-kwen-khan-khu","tag-mensajes-del-v-m-kwen-khan-khu-ro","tag-cele-cinci-simturi","contenido-articole","pilar-arte","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/25051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=25051"}],"version-history":[{"count":1,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/25051\/revisions"}],"predecessor-version":[{"id":25053,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/25051\/revisions\/25053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/25039"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=25051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=25051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=25051"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=25051"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=25051"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=25051"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=25051"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=25051"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=25051"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=25051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}