{"id":24988,"date":"2023-06-03T11:00:00","date_gmt":"2023-06-03T14:00:00","guid":{"rendered":"https:\/\/vopus.org\/el-sentido-del-tacto\/"},"modified":"2023-06-04T15:09:23","modified_gmt":"2023-06-04T18:09:23","slug":"simtul-tactil","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/simtul-tactil\/","title":{"rendered":"Sim\u021bul tactil"},"content":{"rendered":"\n<p>Mult \u00eendr\u0103gi\u021bi cititori \u0219i cititoare,<\/p>\n\n\n\n<p>Prin prezenta v\u0103 trimit o nou\u0103 dezv\u0103luire referitoare acum la\u2026<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">\u2026SIM\u021aUL TACTIL<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/06\/el-sentido-del-tacto-960x803.jpg\" alt=\"Sim\u021bul tactil\" class=\"wp-image-24963\" width=\"720\" height=\"602\" title=\"Sim\u021bul tactil\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2023\/06\/el-sentido-del-tacto-960x803.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/06\/el-sentido-del-tacto-480x401.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/06\/el-sentido-del-tacto-768x643.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2023\/06\/el-sentido-del-tacto.jpg 1181w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\"><em>Sim\u021bul tactil<\/em><\/figcaption><\/figure><\/div>\n\n\n<p>Aceast\u0103 gravur\u0103, ca \u0219i celelalte anterioare, apar\u021bine arti\u0219tilor <strong>Maerten de Vos<\/strong> \u0219i <strong>Adrian Collaert<\/strong>, ambii de origine flamand\u0103.<\/p>\n\n\n\n<p>\u00cen scena principal\u0103 putem vedea o doamn\u0103 sprijinit\u0103 de arborele vie\u021bii \u2500FIIN\u021aA\u2500, \u0219i ar\u0103t\u00e2nd cu m\u00e2na dreapt\u0103 spre o p\u00e2nz\u0103 de p\u0103ianjen, \u00een timp ce cu st\u00e2nga \u021bine o pas\u0103re. Aceast\u0103 doamn\u0103 este a\u0219ezat\u0103 pe o st\u00e2nc\u0103 reprezentativ\u0103 pentru piatra de poticnire \u0219i st\u00e2nca de scandal \u2500sexualitatea\u2500, a\u0219a cum bine a descris-o Sf\u00e2ntul Pavel.<\/p>\n\n\n\n<p>Gnosticismul ne \u00eenva\u021b\u0103 c\u0103, de\u0219i este adev\u0103rat c\u0103 <strong>p\u0103ianjenii<\/strong> pot simboliza for\u021bele <strong>tenebroase<\/strong>, este de asemenea foarte adev\u0103rat c\u0103 <strong>p\u0103ianjenul<\/strong> face aluzie la destinul fiec\u0103ruia dintre noi, care se \u021bese pe m\u0103sur\u0103 ce timpul trece. Cu o ocazie, V.M. Samael i-a r\u0103spuns unui student care se vedea \u00eenf\u0103\u0219urat \u00een ni\u0219te p\u00e2nze de p\u0103ianjen c\u0103 <strong>aceasta simboliza Eurile sale de ateism<\/strong>\u2026<\/p>\n\n\n\n<p>La picioarele doamnei putem observa trei animale: <strong>o broasc\u0103 \u021bestoas\u0103, o \u0219op\u00e2rl\u0103 sau salamandr\u0103 \u0219i un scorpion<\/strong>. \u00cen acest sens trebuie s\u0103 spunem c\u0103 \u021bestoasa a fost \u00een epoca medieval\u0103, printre alchimi\u0219ti, simbol al elementului fix \u00een cadrul <strong>artei transmut\u0103rii<\/strong> \u2500a se citi: Focul. Din acest motiv, nu este \u00eenzestrat\u0103 cu aripi \u0219i lucrarea Focului se desf\u0103\u0219oar\u0103 lent \u00een anatomia noastr\u0103 ascuns\u0103.<\/p>\n\n\n\n<p>Pe de alt\u0103 parte, <strong>scorpionul<\/strong> alegorizeaz\u0103 for\u021ba sexual\u0103, f\u0103r\u0103 de care ar fi imposibil s\u0103 se realizeze Marea Oper\u0103 interioar\u0103. \u00cen continuare trebuie s\u0103 subliniem c\u0103 \u0219op\u00e2rla sau <strong>salamandra<\/strong> a fost folosit\u0103 de alchimi\u0219ti pentru a indica Focurile Secrete deja dezvoltate.<\/p>\n\n\n\n<p>\u00cen partea de sus a acestei p\u00e2nze ni se arat\u0103, prin fecioar\u0103, c\u0103 numai prin Mercurul \u2500volatil, pas\u0103rea\u2500, indicat de femeia din gravura noastr\u0103, ne putem \u021bese cu \u00een\u021belepciune destinul. Acest lucru este posibil atunci c\u00e2nd nu c\u0103dem \u00een <strong>fornica\u021bie<\/strong>.<\/p>\n\n\n\n<p>Fornica\u021bia a fost cea care ne-a f\u0103cut s\u0103 fim expulza\u021bi din paradisul Con\u0219tiin\u021bei, a\u0219a cum vedem indicat \u00een partea st\u00e2ng\u0103 a gravurii noastre, chiar sub p\u00e2nza de p\u0103ianjen. \u00censo\u021bindu-i pe <strong>Eva \u0219i Adam fiind expulza\u021bi din paradis, vedem \u00eempreun\u0103 cu ei un \u0219arpe care se t\u00e2r\u0103\u0219te<\/strong>. Acest \u0219arpe este cel pe care Apollo, iritat, l-a r\u0103nit cu s\u0103ge\u021bile sale \u2500reprezentativ al fornica\u021biei\u2500, \u0219i pe care Creatorul l-a condamnat s\u0103 tr\u0103iasc\u0103 ve\u0219nic t\u00e2r\u00e2ndu-se pe p\u0103m\u00e2nt\u2026 \u00cen acest context observ\u0103m un <strong>Heruvim<\/strong> care \u00eei expulzeaz\u0103 cu spada \u00eenfl\u0103c\u0103rat\u0103 pe cei care au \u00eenc\u0103lcat ordinele celui Preasf\u00e2nt.<\/p>\n\n\n\n<p>Pe cealalt\u0103 parte a gravurii ni se arat\u0103 Marele Kabir din Galileea \u2500V.M. Aberamentho\u2500 \u00een scena \u00een care chema ni\u0219te pescari care erau discipolii s\u0103i \u0219i c\u0103rora le-a spus: <strong>\u201eP\u00e2n\u0103 acum a\u021bi fost pescari de pe\u0219ti, acum v\u0103 voi transforma \u00een pescari de suflete\u201d<\/strong>, referindu-se la faptul c\u0103 urma s\u0103-i preg\u0103teasc\u0103 pentru a duce doctrina cre\u0219tin\u0103 \u00een col\u021burile omenirii.<\/p>\n\n\n\n<p>De aceea \u00eel vedem pe unul dintre acei pescari alerg\u00e2nd spre Mesia, pentru c\u0103 \u00eempreun\u0103 cu tovar\u0103\u0219ii s\u0103i fusese uimit de minunea pe care le-o f\u0103cuse Isus, permi\u021b\u00e2ndu-le o captur\u0103 din bel\u0219ug&#8230;.. Acolo, \u00een acest fragment, \u00eei vedem pe ucenicii s\u0103i adun\u00e2nd \u00een plasele lor un num\u0103r imens din acele creaturi acvatice.<\/p>\n\n\n\n<p>Ca un corolar, \u00een fundal vedem c\u00e2teva cor\u0103bii care str\u0103bat marea. Aceste nave reprezint\u0103 misterele Arcanului A.Z.F., care ne permite s\u0103 navig\u0103m \u00een <strong>marea de bronz a alchimi\u0219tilor medievali<\/strong>. <strong>Un turn culmineaz\u0103 gravura noastr\u0103<\/strong> simboliz\u00e2nd coloana noastr\u0103 vertebral\u0103 \u0219i vedem fum ie\u0219ind din el. Acest fum este produsul dezintegr\u0103rii <strong>agregatelor<\/strong> noastre <strong>psihologice animalice<\/strong>.<\/p>\n\n\n\n<p>Aceast\u0103 gravur\u0103 este \u00eenso\u021bit\u0103 de c\u00e2teva fraze scrise \u00een latin\u0103. Iat\u0103-le aici:<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><strong><em>\u00abPertenues tactu quae nectit Aranea telas. Nocte dieque suum pendula texit opus. Quae tactu bona, quae tactu fiant mala, norunt. Qui faciunt: factum iudicet ipse Deus\u00bb<\/em><\/strong><em>.<\/em><\/pre>\n\n\n\n<p>Traducere:<\/p>\n\n\n\n<p><strong>\u2018P\u0103ianjenul care \u021bese p\u00e2nze foarte subtile prin atingere, suspendat noapte \u0219i zi, \u00ee\u0219i \u021bese opera. Lucrurile care sunt bune la atingere, cele care sunt rele la atingere, sunt cunoscute de cei care le fac: Dumnezeu \u00eensu\u0219i s\u0103 judece ceea ce a fost f\u0103cut.\u2019<\/strong><\/p>\n\n\n\n<p>Prin aceste cuvinte ni se spune c\u0103 ac\u021biunile noastre vor vorbi pentru noi \u00een fa\u021ba judec\u0103torului suprem: Dumnezeu.<\/p>\n\n\n\n<p>Acum v\u0103 trimit c\u00e2teva fraze pentru reflec\u021bie:<\/p>\n\n\n\n<p><strong><em>\u201eMarele, indestructibilul miracol este credin\u021ba uman\u0103 \u00een miracole.\u201d<\/em><\/strong><br>Jean Paul Richter<\/p>\n\n\n\n<p><strong><em>\u201eMiracolele se \u00eent\u00e2mpl\u0103 \u00een afara ordinii naturii, iar misterele sunt cele care par miracole \u0219i nu sunt, ci mai degrab\u0103 cazuri care se \u00eent\u00e2mpl\u0103 rar.\u201d<\/em><\/strong><br>Cervantes<\/p>\n\n\n\n<p><strong><em>\u201eToate miracolele sunt a\u0219a, bru\u0219te. Miracolul \u2500a spus un g\u00e2nditor\u2500 nu este altceva dec\u00e2t apari\u021bia subit\u0103 a unei realit\u0103\u021bi ascunse.\u201d<\/em><\/strong><br>Amado Nervo<\/p>\n\n\n\n<p><strong><em>\u201eMila \u0219i Adev\u0103rul merg \u00eempreun\u0103: ele sunt s\u0103rutul Drept\u0103\u021bii \u0219i al P\u0103cii.\u201d<\/em><\/strong><br>Biblia, Psalmi<\/p>\n\n\n\n<p><strong><em>\u201eFerici\u021bi cei milostivi, c\u0103ci ei vor ob\u021bine mil\u0103.\u201d<\/em><\/strong><br>Evanghelia dup\u0103 Matei<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>VIRIBUS UNITIS.<\/em><\/strong><br>\u2500\u2018Cu for\u021bele unite.\u2019\u2500<\/p>\n\n\n\n<p><strong>KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen scena principal\u0103 putem vedea o doamn\u0103 sprijinit\u0103 de arborele vie\u021bii \u2500FIIN\u021aA\u2500, \u0219i ar\u0103t\u00e2nd cu m\u00e2na dreapt\u0103 spre o p\u00e2nz\u0103 de p\u0103ianjen, \u00een timp ce cu st\u00e2nga \u021bine o pas\u0103re. Aceast\u0103 doamn\u0103 este a\u0219ezat\u0103 pe o st\u00e2nc\u0103 reprezentativ\u0103 pentru piatra de poticnire \u0219i st\u00e2nca de scandal \u2500sexualitatea\u2500, a\u0219a cum a descris-o Sf\u00e2ntul Pavel.<\/p>\n","protected":false},"author":4,"featured_media":24972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[478,469],"tags":[488,494],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-24988","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-simboluri-universale","category-mesaje-vm-kwen-khan-khu","tag-mensajes-del-v-m-kwen-khan-khu-ro","tag-cele-cinci-simturi","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/24988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=24988"}],"version-history":[{"count":2,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/24988\/revisions"}],"predecessor-version":[{"id":24991,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/24988\/revisions\/24991"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/24972"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=24988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=24988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=24988"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=24988"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=24988"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=24988"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=24988"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=24988"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=24988"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=24988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}