{"id":17763,"date":"2022-03-09T18:22:00","date_gmt":"2022-03-09T21:22:00","guid":{"rendered":"https:\/\/vopus.org\/?p=17763"},"modified":"2022-03-03T15:32:47","modified_gmt":"2022-03-03T18:32:47","slug":"ginebra-de-benci","status":"publish","type":"post","link":"https:\/\/vopus.org\/ro\/ginebra-de-benci\/","title":{"rendered":"Ginevra de Benci"},"content":{"rendered":"\n<p>Mult iubi\u021bi colegi\/colege,<\/p>\n\n\n\n<p>M\u0103 adresez vou\u0103 tuturor pentru a v\u0103 face c\u00e2teva comentarii despre o alta dintre operele extraordinare atribuite Maestrului Leonardo da Vinci, care a fost intitulat\u0103 ca\u2026<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u2026GINEVRA DE BENCI<\/strong><\/p>\n\n\n\n<p>\u00cenainte de toate s\u0103 semnal\u0103m c\u0103 chipul acestei femei este profund enigmatic, mai ales dac\u0103 observ\u0103m ochii s\u0103i \u0219i gura sa. Ochii s\u0103i ne vorbesc despre faptul c\u0103 este separat\u0103 de lumea mayavic\u0103. Buzele sale exprim\u0103 o t\u0103cere proprie Spiritelor eliberate.<\/p>\n\n\n\n<p>S\u0103 intr\u0103m \u00een c\u00e2teva considera\u021bii necesare de care trebuie s\u0103 \u021binem cont din punct de vedere istoric:<\/p>\n\n\n\n<p>Istoricii \u0219i cercet\u0103torii consider\u0103 c\u0103 aceast\u0103 doamn\u0103 o reprezint\u0103 pe o femeie numit\u0103 <strong>Ginevra de Benci<\/strong> \u0219i o conecteaz\u0103 cu un prieten al lui Leonardo da Vinci, acel subiect fiind tat\u0103l ei fizic. Subiectul s-ar numi <strong>Giovanni Benci<\/strong>&#8230;<\/p>\n\n\n\n<p>Mul\u021bi comenteaz\u0103 arborii din spatele acestei siluete, care sunt ienuperi. Acest nume dat acestor arbori \u00een limba italian\u0103 se pronun\u021b\u0103 <strong>[ginepros]<\/strong>, \u0219i din acest motiv respectivul nume se asociaz\u0103 din punct de vedere fonetic cu cuv\u00e2ntul <strong>Ginevra<\/strong>.<\/p>\n\n\n\n<p>Ezoteric, drag\u0103 cititorule, ne afl\u0103m \u00een fa\u021ba unei reprezent\u0103ri a <strong>Ginevrei<\/strong> sau <strong>Sufletul Divin<\/strong> pe care orice b\u0103rbat \u0219i orice femeie \u00eel purt\u0103m \u00een interior, \u00een profunzimile noastre animice.<\/p>\n\n\n\n<p>L\u00e2ng\u0103 aceast\u0103 enigmatic\u0103 doamn\u0103 observ\u0103m, ca \u00eentotdeauna, apele alchimice pe care, \u00een mod normal, Leonardo da Vinci a vrut \u00eentotdeauna s\u0103 le arate \u00een toate operele sale, ca Maestru al artei transmut\u0103rii cu care a fost mereu asociat.<\/p>\n\n\n\n<p>P\u0103rul acestei doamne reflexive este precum o cascad\u0103 de aur, deoarece ea sintetizeaz\u0103 perfec\u021biunea muncilor de laborator \u0219i a <strong>mor\u021bii absolute<\/strong> \u00een Ini\u021bia\u021bi. Am putea spune \u00een mod subliniat c\u0103, \u00een cazul acestei picturi, Leonardo da Vinci a vrut s\u0103 se refere \u00een mod direct la <strong>Calea Umed\u0103<\/strong>, pe care o aleg aceia care aspir\u0103 s\u0103 se odihneasc\u0103 \u00een sferele nirvanice.<\/p>\n\n\n\n<p>Se dovede\u0219te necesar s\u0103 \u0219tim, dragi prieteni \u0219i prietene, c\u0103 exist\u0103 o emblem\u0103 pe spatele acestei picturi care const\u0103 \u00eentr-o ramur\u0103 de laur care se \u00eencruci\u0219eaz\u0103 cu o ramur\u0103 de palmier. Ambele \u00eenchid o deviz\u0103 care apare descris\u0103 \u00een latin\u0103: <strong><em>virtutem forma decorat<\/em><\/strong>, care tradus\u0103 semnific\u0103 <strong>frumuse\u021bea este podoaba virtu\u021bii<\/strong>. \u00cen mod evident, ceea ce face sufletul frumos sunt, tocmai, diversele virtu\u021bi pe care le poate manifesta \u0219i care sunt, \u00een ultim\u0103 instan\u021b\u0103, precum <strong>geme pre\u021bioase care \u00eel \u00eempodobesc<\/strong>.<\/p>\n\n\n\n<p>Din nefericire, trebuie s\u0103 spunem c\u0103 partea inferioar\u0103 a acestei opere picturale, din motive pe care nu le cunoa\u0219tem, a fost t\u0103iat\u0103 \u0219i de aceea se presupune c\u0103 schi\u021ba pe care o vede\u021bi \u00een partea final\u0103 de sus \u00een jos, pe care se observ\u0103 ni\u0219te m\u00e2ini, i se atribuie acestei picturi.<\/p>\n\n\n\n<p>C\u00e2nd observ\u0103m acele m\u00e2ini putem aprecia c\u0103 se \u00eencruci\u0219eaz\u0103 \u0219i m\u00e2na dreapt\u0103, \u00een mod specific, semnaleaz\u0103 acea parte a corpului nostru \u00een care <strong>adev\u0103rata Kabal\u0103<\/strong> situeaz\u0103 acel <strong>Sefirot<\/strong> pe care din punct de vedere gnostic \u00eel numim <strong>Tiphereth<\/strong>. Acest Sefirot corespunde \u00een organismul nostru tocmai cu acea zon\u0103 a corpului pe care o numim <strong>piept<\/strong>, c\u0103ci s\u0103 nu uit\u0103m c\u0103, \u00een cele din urm\u0103, iubitorii <strong>Gnozei<\/strong> aspir\u0103m s\u0103 ne dezvolt\u0103m Focurile Sacre pentru a r\u0103m\u00e2ne uni\u021bi cu corpul nostru cauzal, loc \u00een care trebuie s\u0103 situ\u0103m aceast\u0103 zon\u0103 pe care o indic\u0103m cu acest nume: <strong>Tiphereth<\/strong>\u2026 Este foarte trist, r\u0103bd\u0103torule cititor, s\u0103 \u0219tim c\u0103 toate aceste opere transcendentale ale geniilor antichit\u0103\u021bii azi sunt interpretate \u00een mod capricios de c\u0103tre Con\u0219tiin\u021ba adormit\u0103 a intelectualoizilor, \u0219i \u00een afirma\u021biile lor se revars\u0103 adev\u0103rate nerozii care nu au nimic de-a face cu scopul care ini\u021bial l-a condus pe artist s\u0103 le realizeze.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"960\" height=\"1016\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra1-960x1016.jpg\" alt=\"\" data-id=\"17653\" data-full-url=\"https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra1.jpg\" data-link=\"https:\/\/vopus.org\/?attachment_id=17653\" class=\"wp-image-17661\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra1-960x1016.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra1-480x508.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra1-768x813.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra1.jpg 1200w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"960\" height=\"1003\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra2-960x1003.jpg\" alt=\"\" data-id=\"17664\" data-full-url=\"https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra2.jpg\" data-link=\"https:\/\/vopus.org\/?attachment_id=17664\" class=\"wp-image-17672\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra2-960x1003.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra2-480x501.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra2-768x802.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra2.jpg 1485w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"960\" height=\"1597\" src=\"https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra3-960x1597.jpg\" alt=\"\" class=\"wp-image-17683\" srcset=\"https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra3-960x1597.jpg 960w, https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra3-480x798.jpg 480w, https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra3-768x1278.jpg 768w, https:\/\/vopus.org\/wp-content\/uploads\/2022\/03\/ginebra3.jpg 709w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<p>V\u0103 d\u0103ruiesc acum c\u00e2teva fraze pentru a reflecta la ele:<\/p>\n\n\n\n<p><strong><em>\u201ePictorul se disput\u0103 \u0219i concureaz\u0103 cu natura.\u201d<\/em><\/strong><br>Leonardo da Vinci<\/p>\n\n\n\n<p><strong><em>\u201ePictura dep\u0103\u0219e\u0219te \u00een excelen\u021b\u0103 \u0219i distinc\u021bie muzica, deoarece nu moare dup\u0103 ce a dat na\u0219tere crea\u021biilor sale cum i se \u00eent\u00e2mpl\u0103 nefericitei muzici. Pictura, din contr\u0103, \u00ee\u0219i prelunge\u0219te existen\u021ba ar\u0103t\u00e2ndu-ne pe o simpl\u0103 suprafa\u021b\u0103 \u00eentreaga ei vitalitate.\u201d<\/em><\/strong><br>Leonardo da Vinci<\/p>\n\n\n\n<p><strong><em>\u201ePoetul \u00ee\u0219i ob\u021bine efectele datorit\u0103 succesiunii de imagini; pictorul prin simultaneitatea lor.\u201d<\/em><\/strong><br>Delacroix<\/p>\n\n\n\n<p><strong><em>\u201eIstoria, poezia \u0219i pictura se simbolizeaz\u0103 \u00eentre ele \u0219i se aseam\u0103n\u0103 at\u00e2t de mult \u00eenc\u00e2t, atunci c\u00e2nd scrii istorie, pictezi \u0219i c\u00e2nd pictezi, compui.\u201d<\/em><\/strong><br>Cervantes<\/p>\n\n\n\n<p><strong><em>\u201eS\u0103-i spui pictorului c\u0103 natura trebuie luat\u0103 a\u0219a cum este e ca \u0219i cum i-ai spune pianistului c\u0103 poate s\u0103 se a\u0219eze pe pian.\u201d<\/em><\/strong><br>J. McN. Whistler<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>NUDA VERITAS.<\/em><\/strong><br>\u2500\u201eAdev\u0103rul gol-golu\u021b.\u201d\u2500<br><strong>KWEN KHAN KHU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mult iubi\u021bi colegi\/colege, M\u0103 adresez vou\u0103 tuturor pentru a v\u0103 face c\u00e2teva comentarii despre o alta dintre operele extraordinare atribuite Maestrului Leonardo da Vinci, care a fost intitulat\u0103 ca\u2026 \u2026GINEVRA DE BENCI \u00cenainte de toate s\u0103 semnal\u0103m c\u0103 chipul acestei femei este profund enigmatic, mai ales dac\u0103 observ\u0103m ochii s\u0103i \u0219i gura sa. Ochii s\u0103i [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":17694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[124,469],"tags":[],"contenido":[275],"fuente":[49],"pilar":[],"fase":[],"conferencia":[],"read_online":[],"author_tax":[326],"class_list":["post-17763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-antropologie","category-mesaje-vm-kwen-khan-khu","contenido-articole","fuente-maestro","author_tax-v-m-kwen-khan-khu-ro"],"_links":{"self":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/17763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/comments?post=17763"}],"version-history":[{"count":0,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/posts\/17763\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media\/17694"}],"wp:attachment":[{"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/media?parent=17763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/categories?post=17763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/tags?post=17763"},{"taxonomy":"contenido","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/contenido?post=17763"},{"taxonomy":"fuente","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fuente?post=17763"},{"taxonomy":"pilar","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/pilar?post=17763"},{"taxonomy":"fase","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/fase?post=17763"},{"taxonomy":"conferencia","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/conferencia?post=17763"},{"taxonomy":"read_online","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/read_online?post=17763"},{"taxonomy":"author_tax","embeddable":true,"href":"https:\/\/vopus.org\/ro\/wp-json\/wp\/v2\/author_tax?post=17763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}